Teogenes Velez
As the composer, it's up to you. Some contemporary composers will not use a key signature, and instead will use accidentals throughout. Otherwise, it's probably easiest to use the key signature that best reflects the overall tonal center of the song.
the order of sharps and flats are both used to write out the order in a key siganture on a piece of music (for example: the key of d has two sharps, f and c, so in the key signature, you see a sharp for f and a sharp for c) Also, when you're looking at the key signature, you can use the order to find out what key the song is in. For sharps, you look at the last sharp in the key signature, and go up one letter in the musical alphabet. if that note is not sharped, then that letter is the key. if it is sharped, then it's that letter, sharped (for example: key of c sharp, fcgdaeb are the sharps: you go up one from b and it's c, but c is already sharp, so it's the key of c sharp) For flats, you look at the second to last flat in the key signature, and that's the key that it's in. if there's only one flat, it's b flat, and the key is f. i hope this helped!!
Bbb Eb Ab Db Gb Cb Fb. Far from being strictly theoretical, the key F flat major becomes important when a composition in Cb major modulates to the Subdominant, the second most common modulation. The key-change may be indicated either through accidentals (double-flats placed beside notes), or through a change of key signature. While some composers might write a sonata in the key of Cb major, they might wish their second movement to be in the Subdominant key. They have the option of notating with a key signature of 8 flats (which shows the relation to the first movement), or using it's enharmonic equivalent, E major (key signature: 4 sharps), to simplify reading.
I'm not 100% sure what you're asking, but I'll try to help. If you have a key signature of C major, you obviously don't have any sharps or flats. Well, if you all of a sudden see one, it is probably just an accidental. If they keep popping up, you're modulating into a new key, or the composer is tricking you by a secondary dominant passage.
Teogenes Velez
Go up a half-step from the last sharp in the key signature.
F# the key later moves up to G
the last one
D major
As the composer, it's up to you. Some contemporary composers will not use a key signature, and instead will use accidentals throughout. Otherwise, it's probably easiest to use the key signature that best reflects the overall tonal center of the song.
the order of sharps and flats are both used to write out the order in a key siganture on a piece of music (for example: the key of d has two sharps, f and c, so in the key signature, you see a sharp for f and a sharp for c) Also, when you're looking at the key signature, you can use the order to find out what key the song is in. For sharps, you look at the last sharp in the key signature, and go up one letter in the musical alphabet. if that note is not sharped, then that letter is the key. if it is sharped, then it's that letter, sharped (for example: key of c sharp, fcgdaeb are the sharps: you go up one from b and it's c, but c is already sharp, so it's the key of c sharp) For flats, you look at the second to last flat in the key signature, and that's the key that it's in. if there's only one flat, it's b flat, and the key is f. i hope this helped!!
Bbb Eb Ab Db Gb Cb Fb. Far from being strictly theoretical, the key F flat major becomes important when a composition in Cb major modulates to the Subdominant, the second most common modulation. The key-change may be indicated either through accidentals (double-flats placed beside notes), or through a change of key signature. While some composers might write a sonata in the key of Cb major, they might wish their second movement to be in the Subdominant key. They have the option of notating with a key signature of 8 flats (which shows the relation to the first movement), or using it's enharmonic equivalent, E major (key signature: 4 sharps), to simplify reading.
The Taj Mahal is in Agra, India. The water in front of it is a reflecting pool. It leads up to the Taj Mahal.
MAHAL AKO NI LORD MAHAL KANANG ASO MAHAL KANANG SARILI MO
Pollution mainly effects the Taj mahal. It eats away at the Marble and some of the Taj mahal had to be replaced because of this. Look up the effects on the Taj Mahal from pollution to find out more.
The key signature of Can't Be Friends is that he wants to take the relationship up a level so they can like be like a pretty couple!........... idiot thats not he/she was asking he/she is talking about musique notes, like A,B,C,D,E,F,G minor