Any note sounds similar to the note an octave above it- to understand this you have to know that each musical note can be represented by a frequency in Herz (Hz). This tells you how many times a string would vibrate per second if you were to tune the string to that note. For example, the A above middle C is standard at 440 Hz. A string vibrates back and forth 440 times per second to make this note. If you were to play an A an octave above the one you just played, you would have to make the string vibrate twice as fast. In other words, it would be vibrating at 880 Hz (440 x 2). And if you wanted to go an octave below A 440, you would divide the number in half to get 220 Hz. The ratio of the frequency of any note (including a C) to the frequency of a note an octave below it is 1:2.
If were able to freeze a string in mid-vibration and look at the actual physical positions of it as it vibrates twice as fast, you would see that the base note would be vibrating like the outline of an eye, which the note an octave above it would be vibrating like the shape of a sideways figure 8 with pointy ends. You can try it yourself with a long rubber band- pluck the note of the whole length of the rubber band. Now divide it in half with your finger. You will get a note one octave above it.
Hope I made things better instead of worse!
Two notes are said to be form an octave when the frequency of the higher note is twice the frequency of the lower note.
A three octave scale is one which encompasses all the diatonic or chromatic notes over three octaves. i.e. C Major 3 Oct. C D E F G A B -- C1 D1 E1 F1 G1 A1 B1 -- C2 D2 E2 F2 G2 A2 B2 C3
There are five whole steps in a heptatonic (7-note) major scale. They occur between the 1st and 2nd notes, the 2nd and 3rd notes, the 4th and 5th notes, the 5th and 6th notes, and the 6th and 7th notes. In practice, the scale usually includes an 8th note, which is one octave above the Tonic (first note). In practice, scales are played in both ascending and descending form; therefore the relation between the 7th and 8th notes is important! Half-steps thus occur between the 3rd and 4th notes, and between the 7th and 8th notes. Therefore, in response to your question, there are 2 half-steps in any major scale. Yours truly, Fredrick Pritchard
The tonic, the submediant and the dominant (1, 3 and 5).
D-flat, F, A-flat for the triad
Some people insist that a chord is three or more notes played together. Others insist that even two notes still make a chord. Opinions differ, and it is dependent on the terminology people wish to use to describe a chord.
Diatonic scales contain 7 different notes, usually topped by the tonic note doubled at the octave.
Participatory Notes
Participatory notes
The ISBN of Notes on the Synthesis of Form is 0-674-62751-2.
A three octave scale is one which encompasses all the diatonic or chromatic notes over three octaves. i.e. C Major 3 Oct. C D E F G A B -- C1 D1 E1 F1 G1 A1 B1 -- C2 D2 E2 F2 G2 A2 B2 C3
Note
Chi-square
A miscellaneous 8 line stanza is called an octet. But the 8 line stanza which forms the first verse of a sonnet is called an octave, and the commonest form of 8 line stanza (by far) in English is called ottava rima.
An octave is a form of poetry consisting of eight lines, usually with a rhyming scheme of abbaabba. A sestet is a form of poetry consisting of six lines, with various rhyme schemes depending on the type of poem being written. Both forms are commonly used in sonnets.
debit notes
Scale
The phrase notes payable is a result of a purchase made by a business and is a form of receipt.