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An ethnomusicologist is someone who studies music, in a scientific way, as an aspect of culture. They can compare music of different cultures or study the evolution of music with respect to a certain culture, particularly indigenous cultures. Bela Bartok started his career as an ethnomusicologist studying European folk music, which is where he got the idea for many of his scales and his use of quarter tones.
Bela Bartok was a pianist and Hungarian composer, born March 25, 1881. In his early years he wrote 74 Romantic style works for the piano. Later on, he took a liking to writing fold music. His music, as he described it, was always 'tonal.'
Italy
Béla Bartók wrote music for 3 stage works but did not write the librettos for any of them. For the opera Bluebeard's Castle and the ballet The Wooden Prince he collaborated with the writer Béla Balázs
sonata for solo violin by Bella Bartok
Bartok was raised in a musical family, his father played the cello and his mother gave piano lessons. he was playing music on the piano before the age of four and began formal lessons from his mother soon afterwards.
All three are famous composers of western classical music. Berlioz and Bizet were French and worked early in the 19th century, Bartok was Hungarian and worked early in the 20th century.
In music by any composer rests indicate the length of silence desired.
Igor Stravinsky (1882-1971) was an early Modernist. His most notorious work was probably the modern ballet The Rite of Spring, first brought to the stage by Diaghilev in 1913.
Bela Bartok was a Hungarian composer and pianist, considered as one of the greatest composers of the 20th century along with Liszt. He is regarded as one of the founders of Ethnomusicology which is a particular branch of the academic field that emphasizes in studying music analytically.
it is said that he was a pianist, as he was a composer, he probably, learned nearly all types of music notes!!
He had many, but his biggest hit was "Concerto for Orchestra". Another significant symphonic piece is "Music for Stings, Percussion and Celeste", however, he wrote six string quartets, a ballet (the Magnificent Mandarine) and a ton of chamber music.
Melodie Bartok Holst Poulenc Ravel Stravinsky Debussy Schoenberg Berg Webern Shostakovich Ives Gershwin Copland
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Not exactly. Although Bartók wrote some very romantic early pieces (e.g. the 1st Violin concerto dedicated to his love at the time Stefi Geyer) the nature of his mature music is rooted in folk music elements. that is not to say his music could not be felt as romantic music, just that it was probably not intended as such.