authentic cadence
A movement from the tonic to the dominant seventh chord.
Each scale has a Leading Tone (which is the 7th note of the scale) and a Tonic Note (which is the first/eighth note of the scale). For the key of C major, the leading tone would be B, and the tonic note would be C.
resolution
resolution
C-sharp. The leading tone is one half-step below the tonic.
Supertonic - tonic cadence = Chord 2 followed by chord 1. You should only have two notes in the treble of chord 1. Make sure that the bass part and leading note go to the tonic and add the 3rd note of the chord somewhere in the treble.
In music, an authentic cadence is one where the dominant chord resolves to the tonic.
it does not cadence on the tonic
leading tone
A movement from the tonic to the dominant seventh chord.
Plagal cadance is a cadence formed by two chords at the end of a phrase, the subdominant to tonic chords (IV-I)
leading tone
leading tone
Tonic
Tonic
Club soda contains CO2 and, occasionally, sodium salts. Tonic water always contains quinine.
The answer to this question is not always simple, however if you want a definite answer, look at the tips below: If you wanted to end on a perfect cadence, you should modulate to a G major chord and then move down to the tonic chord (C major). If you wanted to end on a plagal cadence, you would modulate up a fourth to a F major chord and then resolve on a C major chord. If you wanted to end on am imperfect cadence you simply modulate to the dominant chord (in this case G major) and end there. Finally, if you wanted to end on an interrupted cadence you modulate from the tonic chord (C major) to the relative minor, an A minor chord. So in most cases a song which began in C major should end in the tonic key (C major), however a song in C major can end in G major (an imperfect cadence) or in A minor (an interrupted cadence). Hope this helps.