authentic cadence
A movement from the tonic to the dominant seventh chord.
Each scale has a Leading Tone (which is the 7th note of the scale) and a Tonic Note (which is the first/eighth note of the scale). For the key of C major, the leading tone would be B, and the tonic note would be C.
resolution
resolution
Ascending up the major scale, the terms for each degree are the tonic, supertonic, mediant, subdominant, dominant, submediant, leading tone, and tonic again. The prefix "super" means above the tonic, and "sub" is below the tonic.
Supertonic - tonic cadence = Chord 2 followed by chord 1. You should only have two notes in the treble of chord 1. Make sure that the bass part and leading note go to the tonic and add the 3rd note of the chord somewhere in the treble.
The deceptive cadence progresses from the vi to the i chord by creating a sense of tension and surprise. Instead of resolving to the expected tonic chord, the vi chord leads to a different chord, often the IV or ii chord, before resolving to the i chord. This unexpected resolution adds interest and complexity to the music.
In music, an authentic cadence is one where the dominant chord resolves to the tonic.
it does not cadence on the tonic
A movement from the tonic to the dominant seventh chord.
The authentic cadence is commonly harmonized on the tonic scale degree at the end of a melodic phrase.
leading tone
Plagal cadance is a cadence formed by two chords at the end of a phrase, the subdominant to tonic chords (IV-I)
Club soda contains CO2 and, occasionally, sodium salts. Tonic water always contains quinine.
leading tone
Tonic
leading tone