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A full-size orchestra consists of about one hundred musicians, who play instruments in the string, brass, woodwind, and percussion sections. There are also chamber orchestras, which are smaller and consist of fifty musicians or fewer.
Baroque orchestras typically use period instruments, so the instruments that baroque composers would have originally composed for. This can create a more authentic experience for audience members with a sound that isn't heard with modern instruments.
Violins are typically in orchestras
I may not be 100% accurate on this but I believe I have a pretty good idea. In an ensemble setting, the idea is to provide the best balance possible. That is why more powerful instruments, like the brass, specifically the trombones and tubas are in the back of the ensemble and the flutes and piccolos will be in the front. It would be very imbalanced if it were reversed. Typically the percussion instruments will be placed in the back of an ensemble or orchestra. These instruments are typically very assertive and powerful. Like a bass drum that is very bold and loud or a snare drum that is very sharp and penetrating. Also, percussionists typically stand up when they are playing, unlike the majority of the band. Just about every instrument group will be sitting, except maybe the upright bass players of an orchestra. This makes the placement common sense, because you don't want them to be standing in the front of the band blocking the view of other musicians.
The Violin, Viola, Cello, and Bass all have "A" strings, so picking the note "A" as the tuning note allows all of the string instruments in the orchestra to have a common reference point. The violin and bass do not have a "C" string.
A full-size orchestra consists of about one hundred musicians, who play instruments in the string, brass, woodwind, and percussion sections. There are also chamber orchestras, which are smaller and consist of fifty musicians or fewer.
Baroque orchestras typically use period instruments, so the instruments that baroque composers would have originally composed for. This can create a more authentic experience for audience members with a sound that isn't heard with modern instruments.
Violins are typically in orchestras
A soloist and an orchestra
I may not be 100% accurate on this but I believe I have a pretty good idea. In an ensemble setting, the idea is to provide the best balance possible. That is why more powerful instruments, like the brass, specifically the trombones and tubas are in the back of the ensemble and the flutes and piccolos will be in the front. It would be very imbalanced if it were reversed. Typically the percussion instruments will be placed in the back of an ensemble or orchestra. These instruments are typically very assertive and powerful. Like a bass drum that is very bold and loud or a snare drum that is very sharp and penetrating. Also, percussionists typically stand up when they are playing, unlike the majority of the band. Just about every instrument group will be sitting, except maybe the upright bass players of an orchestra. This makes the placement common sense, because you don't want them to be standing in the front of the band blocking the view of other musicians.
two or three
"Ex-principal" = former principal, or former head administrator of a school, typically K-12.
The Violin, Viola, Cello, and Bass all have "A" strings, so picking the note "A" as the tuning note allows all of the string instruments in the orchestra to have a common reference point. The violin and bass do not have a "C" string.
A full symphony orchestra could easily have 80 people.
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Characteristic instrumentation refers to the specific combination of instruments that are commonly associated with a particular musical genre or style. For example, the characteristic instrumentation of a classical orchestra typically includes strings, woodwinds, brass, and percussion instruments. In jazz music, characteristic instrumentation may include saxophone, trumpet, piano, bass, and drums.
An orchestra, a concert band, a choir, a marching band, a jazz ensemble. Most ensembles with more than 10 players and a conductor are not considered chamber groups, although this varies. For example, Igor Stravinsky's Octet for Winds is a chamber work, but it is often conducted. Also, a chamber orchestra or chamber choir can have up to 20 players and a conductor and can still be considered a chamber group.