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How can you find lead sheet notation for piano for gracias a la vida?
here is its s s s * - S P ( - P O [%P] P O s Y i 4 - s s s s s s s * S P ( - P O [%P] P P s O [4o] i - * * * * ( ( ( ( % % % % 4 4 4 4 - s s s s * - S P ( - P O [%P] P O P P s O [4o] i - s s s s s * - S P ( - O O s P O O s P O O g g g g g * - s D ( - D D [%D] D D S - [4s] s s s s s s s s* - S P ( - O O s P O O s P O O - O g g g D g D ( - P s S - [%D] D D s D s 4 - i o O - g g g D g D ( - P s S S D s D D s D s 4 i o O - g g g D g h ( H h - D D D D S S s - s s s s * - S P ( - O P O o o s o O 4Share this:
What does 200 d when you p g in m?
The phrase "200 d when you p g in m" seems to be incomplete or unclear. If "d" refers to distance, "p" to pace, and "g" to a certain activity or goal, it might be asking about time taken to complete a distance when moving at a specific pace. To provide a more accurate answer, more context or clarification is needed.
What rhythms are used in Samba?
More variations on four-four:Another common, basic variation is to emphasize a bit of "three" feel in the first bar, like so:D - - g - g d g D - D - d g d gThe two rest beats after the "D" give the effect of a triplet, the basic unit of 6/8 time. Using that effect in a four-four beat gives it an extra dynamic, the second basic key to world-beat music.Really, the possibilities are endless. Let's take the feel back to a "two" feel, with a Hi-Lo effect:D - D - T - T - D - d g - g d gNow there's more emphasis on the left-hand beats, "d" becoming "T", a clean sharp stroke accentuated by rests. With the extra rests in the first bar, there is time enough to switch hands for balance:D - G - T - P - D - d g - g d gReturn to TopReturn to Rhythms of the Week, Page OneSamba, Part One:Now, for fun, let's slide the line left by half a bar (and play both slaps with the lead hand) so that it looks like this:T - T - D - d g - g d g D - D -We're still in "two" feel, but now it's high-low (from T to D). This is the basis of Samba--along with the "world-beat" hitch as discussed above. There are many, many ways to carry this samba feel; the example here is just one possibility. Focus on the high-low intro, and the "g - g" gap in the middle, and it's hard to go wrong. Reduced to the basics, it could be played simply as:T - T - D - - g - g - g D - - -Play around with that one for awhile and a dozen samba beats will arrive smiling, hips rolling.Samba, Part Two:Here are some parts to accompany the above samba rhythm:First, a basic eight-beat pattern to keep it steady:P - P d G - G DNext, some percussion elements:_______ _______ _______ _______ | | | | | | | | | | | | | | | |shaker x x x x x x x x x x x xguiro (scraper) d u d u d u d u d u d u d u d uclave (sticks) x x x x x x xbell (hi-lo): L H H L L H H H Lunderline=stressedd=down stroke, u=up strokePut it all together and have some fun!These are only a few of the infinite variations of samba. One of the more basic variations is to reverse the high-low swing of the drum parts, to a low-high feel:_______ _______ _______ _______ | | | | | | | | | | | | | | | | D g d G G g d(g d g)or... D D T d G G g d g d gBy comparing these two you can see the common elements that gives the samba its distinctive flavor: the low-high swing, and the hitch in the middle [G - G]. (For a look at another samba dynamic at work in a 6/8 rhythm, see the exercise about Tiriba).The first of these two patterns is essentially the same as a common Nigerian rhythm taught by Olatunji (see below).Triple OvertimeThis is an original composition that combines the "hitch" feel of a Samba (djembe 1), the complexity of a round (djembes 1 & 2), and the steadying influence of an eight-beat repeated phrase (djembe 3).Note that in the main samba-like part (djembe 1), the low-high movement is doubled in the second two bars._______ _______ _______ _______ | | | | | | | | | | | | | | | |djembe 1 D G d T P G G T P D G T Pdjembe 2 G T P D G T P D G d T P Gdjembe 3 d g T d g D G d g T d g D Gshaker x x X x x x X x x x X x x x X xjunjun X * * * X (* = X + k; bass beat plus bell)Olatunji (Nigerian) rhythm for Aiye Mi Re, Akiwowo, and Kiya Kiya:_______ _______ _______ _______ | | | | | | | | | | | | | | | | D g d G G g dUruguayan Trance RhythmThis is a beat used in the latest Trance Dance with great success. It's adapted from Candombe, a traditional trance rhythm of Uruguay taught by Joseph (Pepe) Danza. The effect was very powerful, with an almost instant trance effect. The bass beats come in unusual places (the second beat of the bar), and the three primary drum parts blend in a hypnotic way. Parts 2 and 3 are tricky to learn because the "d G" opening reverses our expectation of how a rhythm begins. The key is to focus on and accentuate that opening "d" as the one-beat. But note that it's the unplayed beat in Part 1._______ _______ _______ _______ | | | | | | | | | | | | | | | |Drum 1: - g d g - g d g - g d g - g d g Drum 2: d G d g d G d g d G d g D - - - Drum 3: d G - - G - d g D - D - D - - - Jun-Jun: X - - X X - - X X - - X X - - X sticks: x - - - x - - - x - - - x - - -Tips:Part 1: To keep good time, play the silent one as a "ghost" note on the side of the drum with the left or lead hand.Part 3: The second G departs from strict alternation of hands by beat; but it helps give an overall balance with the final three D's, and gives a certain desired tone quality. The middle D might be varied as a G if desired; but again the repeated bass with the same hand gives a certain repetitive effect hard to achieve by using both hands.Sticks: The stick part wasn't taught as part of the traditional rhythm. But we've found with the trance dance step we use (from West Africa) that it's helpful to use the regular stick beat as a constant timekeeper. It also induces its own trance effect; as the Australian aborigines do so well with sticks.Here is Pepe Danza's version of Candombe, with a note about its origins:"Candombe is a transformation of rhythms that came probably from Nigeria and/or Congo. I would say it is mostly an urban phenomenon, being a dance rhythm used in celebrations and carnival in Uruguay. It is definetly a trance rhythm and we play for hours with many variations. The drums that play it are called TAMBORILES. As in so many afro traditions, it is the interplay of three drums that create the feel. These are called CHICO, PIANO and REPIQUE. There's more parts to candombe. It's incredibly rich and complex!. The original Tamboriles are played with stick and hand, and these are my own adaptations for djembe."The basic drum parts are as follows:"_______ _______ _______ _______ | | | | | | | | | | | | | | | |Chico - p t p - p t p - p t p - p t p Repique g p - g p - g p - g p t g - p - variation - p - g p t g p - p - g p - - - Piano (jun jun) M - - X - - - - - - - X X - - - M=muted The sticks or clave should be playing 3-2 clave or x - - x - - x - - - x - x - - -
What are the piano chords for Eric prydz-pjanoo?
RH4|A-A-a-a-g--g-g--A-A-a-a-g--g-g--A-A-a-a-g--g-g--A-A-a-a-g--g-g--| RH4|g-g-f-f-d--d-d--g-g-f-f-d--d-d--g-g-f-f-d--d-d--g-g-f-f-d--d-d--| RH4|A-A-a-a-g--g-g--A-A-a-a-g--g-g--A-A-a-a-g--g-g--A-A-a-a-g--g-g--| RH4|g-g-f-f-d--d-d--g-g-f-f-d--d-d--g-g-f-f-d--d-d--g-g-f-f-d--d-d--| LH3|g-g-f-f-D--D-D--D-D-f-f-c--c-c--c-c-d-d-D--D-D--D-D-f-f-g--g-g--| LH2|g-g-f-f-D--D-D--D-D-f-f-c--c-c--c-c-d-d-D--D-D--D-D-f-f-g--g-g--|
How do you Finish this letter sequence b c d e g p?
S
How can you convert GDP at mp into GDP at fc?
G=G D=D P=P mp=fc-NIT G=G D=D P=P mp=fc-NIT
How can you find lead sheet notation for piano for gracias a la vida?
here is its s s s * - S P ( - P O [%P] P O s Y i 4 - s s s s s s s * S P ( - P O [%P] P P s O [4o] i - * * * * ( ( ( ( % % % % 4 4 4 4 - s s s s * - S P ( - P O [%P] P O P P s O [4o] i - s s s s s * - S P ( - O O s P O O s P O O g g g g g * - s D ( - D D [%D] D D S - [4s] s s s s s s s s* - S P ( - O O s P O O s P O O - O g g g D g D ( - P s S - [%D] D D s D s 4 - i o O - g g g D g D ( - P s S S D s D D s D s 4 i o O - g g g D g h ( H h - D D D D S S s - s s s s * - S P ( - O P O o o s o O 4Share this:
Which are the closed lower case letters?
a, b. d. e, g, o, p and q.a, b. d. e, g, o, p and q.a, b. d. e, g, o, p and q.a, b. d. e, g, o, p and q.
'p q' means p is wife of q and p plus q means p is father of q and p q means p is sister of q than g h plus r d how is g relatied th d?
g h plus r d g is the sister of (h plus (r is a sister of d)) g is the sister of h is the father of r is the sister of d so g is d's aunt.
What has the author P G D Marr written?
P. G. D. Marr has written: 'Coherent image processors'
What are the Energy levels of an atom?
Energy Level: Sublevels1: s2: s, p3: s, p, d4: s, p, d, f5: s, p, d, f, g6: s, p, d, f, g, h7: s, p, d, f, g, h, i
What do economists count when computing G D P?
dk
What is the answer to the ditloid 200 d for p g in M?
$200 for Passing Go in MonopolyOther variations are:200 P for P G in M200 pounds for passing go in Monopoly.200 D for P G in M200 dollars for Passing Go in Monopoly.200 dollars for passing go in monopoly
Is grand-daughter the correct spelling?
Grampa can be spelled g r a m p a -or- g r a n d p a.
What are some eight letter words with 1st letter P and 4th letter P and 6th letter G and 8th letter D?
According to SOWPODS (the combination of Scrabble dictionaries used around the world) there are 1 words with the pattern P--P-G-D. That is, eight letter words with 1st letter P and 4th letter P and 6th letter G and 8th letter D. In alphabetical order, they are: propaged
What are the sublevels in order of increasing energy?
The answer is: S,P,D,F. Beyond F they follow normal alphabetic order: G, H, I, etc.
200 D for P G?
200 Dollars for Passing Go
