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What is swivel boom mic?
A boom microphone is a microphone on a boom which is normally on a headset. A swivel boom would be a headset microphone that can swivel.
What do you need to mic your drum set?
It depends on where you are, and what size building you are playing in. if you are in a small-medium hall, then most kits will be able to carry their sound over the rest of the music without needing amplifications at all, apart from maybe a mic underneath the hi-hat to pick up them and the snare. For large gigs, stadiums and the such, or recording, most people use: 1 capacitor mic above the ride 1 capacitor above the crash 1 capacitor above by the high hats 1 unidirectional mic by the snare, 1 by high tom, 1 by low tom, 1 by floor tom, and 1 by bass drum. This covers 8 tracks right there - and normally in recording practices you actually use 2 tracks per instrument, say track 1 cranked over to full left channel and track 2 cranked over to full right channel. This is what produces the true stereo effect.
What figure of speech is used in this sentence he was as stiff as wood the quick boom boom boom boom of the drum lizardy look?
Simile
Are there any disadvantages to an AKG C418 Mic?
There are always disadvantages to everything. The C418 was (it is discontinued) a clip-on instrument microphone for drums and percussion. It was quite expensive, did not have a long enough boom to be used with instruments like a saxophone, and it required phantom or bias voltage power to operate.
What is the mic hole in the bass drum used for?
It is used to put a microphone in to make it louder.
What is swivel boom mic?
A boom microphone is a microphone on a boom which is normally on a headset. A swivel boom would be a headset microphone that can swivel.
How can you make a boom mic for movies cheap and Awesome?
To make a boom mic for movies that is cheap and awesome, you will need to buy a mic holder and a telescopic pole.
What are the best practices for using a boom mic recorder on set to capture high-quality audio for film production?
To capture high-quality audio on set using a boom mic recorder for film production, follow these best practices: Position the boom mic close to the actors but out of the frame, use a windscreen to reduce noise, monitor audio levels to avoid distortion, and record room tone for post-production editing.
What is the best way to capture high-quality audio on set using a boom mic and recorder?
The best way to capture high-quality audio on set using a boom mic and recorder is to position the boom mic close to the actors or subjects, aim it towards their mouths, and adjust the levels on the recorder to ensure clear and balanced sound. Additionally, using a windscreen and monitoring the audio levels during recording can help maintain quality.
Can you plug a boom mic into a flip video?
no i am sorry they can not... i am pretty sure that flip videos dont have a plugin for audio
Is stone a conductor or insulator?
That depends on what the stone is made of but most stones are insulators.
How old is sonic in sonic boom?
i have no clue but normally he is said to be 15
What are mic preamps used for?
A mic preamp is a sound tool that is used to increase a weak microphone signal. The functions usually found on a mic preamp are gain, phantom power, compression and equalization.
What instruments are used in justice crew's boom boom?
No instruments are used in this song
What is the Boom Operator on a movie set?
The Boom Operator on a movie set is a person who is the second in command in the Sound Department. Her/His duties include holding what is called a Boom Pole, which is a long fiber or aluminum pole, which typically has a shotgun mic affixed to the end, over the heads of the actors to pick up their dialog. The boom operator must be careful to keep the mic as close as possible to the people speaking, but out of view of the camera lens. Other important duties of the boom operator including putting wireless mics on actors, wiring vehicles for sound, and "planting" mics around the set to pick up dialog and ambiance.
What do you need to mic your drum set?
It depends on where you are, and what size building you are playing in. if you are in a small-medium hall, then most kits will be able to carry their sound over the rest of the music without needing amplifications at all, apart from maybe a mic underneath the hi-hat to pick up them and the snare. For large gigs, stadiums and the such, or recording, most people use: 1 capacitor mic above the ride 1 capacitor above the crash 1 capacitor above by the high hats 1 unidirectional mic by the snare, 1 by high tom, 1 by low tom, 1 by floor tom, and 1 by bass drum. This covers 8 tracks right there - and normally in recording practices you actually use 2 tracks per instrument, say track 1 cranked over to full left channel and track 2 cranked over to full right channel. This is what produces the true stereo effect.
What figure of speech is used in this sentence he was as stiff as wood the quick boom boom boom boom of the drum lizardy look?
Simile
