There are more works than you can count. Start with the Opera "Samson and Delilah" by Camille Saint-Saens. J. S. Bach wrote the St. Matthew Passion and the St. John Passion, and many other composers of the 18th century wrote similar works. Another example would be the Messiah, written by G. F. Handel
song
One notable musical composition that presents a theme from a nonmusical source is "Pictures at an Exhibition" by Modest Mussorgsky. Originally composed for piano and later orchestrated by Maurice Ravel, the piece was inspired by an art exhibition featuring works by the artist Viktor Hartmann. Each movement represents a different artwork, capturing its essence through music, thus translating visual art into a musical narrative. This composition exemplifies the interplay between visual and auditory experiences.
One notable musical composition that presents a theme from a non-musical source is "Symphonic Variations" by César Franck. This piece is inspired by the concept of variation and transformation, reflecting the idea of personal growth and development. The music captures the essence of its non-musical inspiration through intricate themes and variations that convey emotional depth and complexity. This approach highlights how composers can translate abstract ideas into a musical form, creating a rich auditory experience.
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A musical motive is typically a short, distinctive melodic or rhythmic idea that serves as a building block for a composition. Any description that suggests a long, complex phrase or an entire musical theme would not accurately describe a musical motive. Additionally, terms that refer to harmonic progressions or lyrics would also not fit the definition of a musical motive.
Psalm.
symphonic poem
it means that the painting he painted is peaceful
song
Yes, it is a noun. Its meanings include a topic, or a musical composition (e.g. theme song).
symphonic poem
The motif in a musical composition acts as a recurring musical idea or theme that helps unify the piece and develop its themes. By repeating and transforming the motif throughout the composition, the structure is strengthened and the themes are developed in a cohesive manner.
Thematic transformation is a compositional technique where a musical theme or motif undergoes alteration in terms of rhythm, harmony, texture, or other musical elements throughout a piece. This process allows the theme to be developed and reimagined in various ways, adding depth and coherence to the composition.
The coda in music theory is a concluding section that provides a sense of closure to a musical piece. It is typically placed at the end of a composition and often includes a unique musical idea or theme. The coda impacts the overall structure of a musical composition by signaling to the listener that the piece is coming to an end and providing a final resolution to the musical journey.
Motif--A recurring subject, theme or idea. Thus being in a musical work, art, or literature. Phrases--A section of a musical composition. Usually 4 or 8 measures.
A polyphonic composition based on one main theme or subject is called a fugue. In a fugue, the main theme, known as the subject, is introduced and then imitated by different voices or instruments in a contrapuntal manner. This creates a complex and intricate musical texture.
In music, a coda is a concluding section that provides a sense of closure to a musical composition. It is typically placed at the end of a piece and often includes a distinctive musical theme or passage that brings the composition to a satisfying end. The coda serves to signal the conclusion of the piece and can add a final flourish or resolution to the music.