Periodic phrasing is the organization of musical phrasing in a manner which invites an antecedent-consequent, or question-answer style, manner. The music is divided into pairs of an equal number of measures, and the phrase of music is divided into an open-ended phrase that requires a second phrase as a response.
An example of guitar phrasing would be how you actually play the notes in the music, (similar to singing) playing them as they appear on the music, ie, whole notes, half notes, quarter notes, etc, with bends, rests, holds, etc...the actual expression, or translation, of the music.
Vocal back phrasing is when a singer intentionally sings off tempo by singing before, (or after), the beat. One modern singer who is well known for his use of this method is Willie Nelson, so listening to his music can familiarize you with vocal back phrasing. Back phrasing can also be performed instrumentally. In this case, you play the notes a beat or two later than they are written.
Meter is a result of the periodic effect of pulse/beat in music
Romantic music (such as that of Tchaikovsky and Schumann) consists of emotional, sometimes dream-like ideas behind the music. The style is often legato and extra dramatic, consisting of intense phrasing and sudden changes in dynamics. To me, it is the funnest style of music to play, and it often depicts stories of love.
In Baroque music, phrasing was continuous, while in Classical era music phrasing was short and based on cadences.
Phrasing of music is indicated by slurs.
Eva Badura-Skoda has written: 'Interpreting Mozart' -- subject(s): Interpretation (Phrasing, dynamics, etc.), Performance practice (Music), Piano music, History 'Interpretating Mozart on the keyboard' -- subject(s): Interpretation (Phrasing, dynamics, etc.), Piano music 'Wolfgang Amadeus Mozart' 'Interpreting Mozart' -- subject(s): Interpretation (Phrasing, dynamics, etc.), Performance practice (Music), Piano music, History
An example of guitar phrasing would be how you actually play the notes in the music, (similar to singing) playing them as they appear on the music, ie, whole notes, half notes, quarter notes, etc, with bends, rests, holds, etc...the actual expression, or translation, of the music.
Hale A. VanderCook has written: 'Expression in music' -- subject(s): Interpretation (Phrasing, dynamics, etc.), Music
G. Kogan has written: 'Voprosy pianizma' -- subject(s): Interpretation (Phrasing, dynamics, etc.), Musical criticism, Performance, Pianists, Piano, Piano music 'Rabota pianista' -- subject(s): Interpretation (Phrasing, dynamics, etc.), Piano music
Vocal back phrasing is when a singer intentionally sings off tempo by singing before, (or after), the beat. One modern singer who is well known for his use of this method is Willie Nelson, so listening to his music can familiarize you with vocal back phrasing. Back phrasing can also be performed instrumentally. In this case, you play the notes a beat or two later than they are written.
Antoine Geoffroy-Dechaume has written: 'Les \\' -- subject(s): History, Interpretation (Phrasing, dynamics, etc.), Music, Music theory, Performance, Theory
Meter is a result of the periodic effect of pulse/beat in music
Poetic phrasing means encountering a heavy use of rhyme.
Hans Vogt has written: 'Pianistische Grundbegriffe' -- subject(s): Interpretation (Phrasing, dynamics, etc.), Piano music 'Johann Sebastian Bach's chamber music' -- subject(s): Chamber music, History and criticism
Eve O'Kelly has written: 'The Contemporary Music Centre, Ireland' 'The recorder today' -- subject(s): Interpretation (Phrasing, dynamics, etc.), Recorder (Musical instrument), Recorder music
Friedrich Klausmeier has written: 'Musikalische Interpretatin' -- subject(s): Interpretation (Phrasing, dynamics, etc.), Music, Musical analysis