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The phantom of the operas first name is Erik.
the right side.
Amiette Baskerville is the biggest phantom of the opera fan. No exceptions!
The second one. Traditionally, operas have little or no spoken dialogue at all - as opposed to musicals, which have songs to illustrate major sequences and dialogue in between. (Thus Lloyd Webber's "Phantom", insofar as the film, is NOT actually a traditional opera, nor is the stage show; it is technically a musical.)
"Moulin Rouge!" and "Pretty Woman" were both based on 'La Traviata'. "Camille", with Greta Garbo is based on the same novel that inspired 'La Traviata'.
The phantom of the operas first name is Erik.
Erik destler
the right side.
Amiette Baskerville is the biggest phantom of the opera fan. No exceptions!
Many operas have been adapted for this instrument. Notably, however, the Phantom of the Opera features an organ written into the score.
The phantom of the opera's real name is Erik, but if you mean his real real name then its Gerard Butler.
The Phantom of the Opera (or Erik) doesn't had a last name that is known to the audience. Madame Giry and no other characters make reference to it.
The second one. Traditionally, operas have little or no spoken dialogue at all - as opposed to musicals, which have songs to illustrate major sequences and dialogue in between. (Thus Lloyd Webber's "Phantom", insofar as the film, is NOT actually a traditional opera, nor is the stage show; it is technically a musical.)
yes, they have operas in Italy just as they have operas in every other country. In fact you can see which operas are scheduled on the site below.
Johann Adolf Hasse has written: 'Alcides an der Doppel-Strasse' -- subject(s): Librettos, Operas 'Egeria' -- subject(s): Librettos, Operas 'Soliman' -- subject(s): Librettos, Operas 'Arminio' -- subject(s): Librettos, Operas 'L'Ipermestra' -- subject(s): Ballets, Librettos, Operas 'Miserere, for S.S.A.A. voices and string orchestra' -- subject(s): 51st Psalm, Choruses, Sacred (Women's voices, 4 parts) with string orchestra, Psalms (Music), Vocal scores with piano 'Il Ruggiero, o vero, L'eroica gratitudine' -- subject(s): Librettos, Operas 'Alessandro nell'Indie' -- subject(s): Librettos, Operas 'Il trionfo di Clelia' -- subject(s): Ballets, Librettos, Operas 'Demetrio' -- subject(s): Ballets, Librettos, Operas 'Viriate' -- subject(s): Librettos, Operas 'Cajus Fabritius' -- subject(s): Librettos, Operas 'Alfonso' -- subject(s): Ballets, Librettos, Operas 'Il Demetrio' -- subject(s): Librettos, Operas 'Artaxerxes' -- subject(s): Librettos, Operas 'Alcide al bivio' -- subject(s): Librettos, Operas 'Adriano in Siria' -- subject(s): Librettos, Operas 'Asteria' -- subject(s): Ballets, Librettos, Operas 'Euristeo' -- subject(s): Librettos, Operas 'Leucippus' -- subject(s): Librettos, Operas 'Artaserse' -- subject(s): Librettos, Operas 'Solimano' -- subject(s): Librettos, Operas 'Eurimedonte, e Timocleone, ovvero, I rivali delusi' -- subject(s): Librettos, Operas 'Das Olympische Spiel' -- subject(s): Librettos, Operas 'L'opera Semiramis reconnue' -- subject(s): Librettos, Operas 'Parthenope' -- subject(s): Librettos, Operas 'Alfonso' -- subject(s): Librettos, Operas 'Romolo, ed Ersilia' -- subject(s): Librettos, Operas
One of Rossini's operas is the Barber of Seville.
Operas composed by other composed are not Puccini operas.