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What is value of a Copy of an Antonius Stradivarius Cremonensis in 1700 with no. F943?
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Antonius Stradivarius Cremonensis Faciebat Anno 1736?
Have you found a violin with the label "Antonius Stradivarius Cremonensis"? Keep cool. It's almost certainly a fake. In the past some restorers have stuck labels (genuine or forged) inside instruments of various origins and there has been a proper business in labels, apart from the selling of violins. There have also been cases of old-time violin makers who would put the names of other contemporary makers on their own violins. Factories in the late 19th and early 20th centuries also labeled instruments as such by the thousands.Nowadays, no violin expert would judge the value of a violin by its label.Labels such as "Antonius Stradivarius Cremonensis Faciebat Anno 17", followed or not by circles with crosses, initials or other particular signs are made (in series) to be completed before being stuck on the instrument: actually "... Anno 17" shows only the first two numerals of any year of the 18th century. A complete label should read "... Anno 1715" or "... Anno 1707", or at least an year of the 18th century.There are also cases where you can't even seriously talk of fakes. A label like the following: "Antonius Stradivarius Cremonensis / Faciebat Anno 1721 / Made in Bohemia" is a joke rather a fake, considering that Stradivari never learned English. However, if you wish to learn more about the quality of the instrument you should take it to a violin maker, who will let you know if it is a good quality instrument. He may not be able to give you details of the period or school, but will be able to tell you if it was made by a good craftsman or on an assembly line. The addresses of violin makers, under the headings of States, can be found in the Reports of magazines for enthusiasts such as "Strad" or "String".If, after the first check, the violin maker recognizes a particular quality in the instrument, it may be worth while asking for a specialist's appraisal (Expertise) on the part of an expert and connoisseur (usually a restorer or well-known maker) who will issue a certificate of attribution and an estimate of the instrument's value. The cost of the expert's survey is, as a rule, quite modest if it concerns merely a verbal evaluation. There is, instead, a fixed price and a percentage of the instrument's value when a certificate evaluation is wanted.If you so wish, you can have a first opinion from the expert violin makers of the Cremona School of Violin Making (Scuola di Liuteria) sending photographs or colour slides taken in the most professional manner, with shots of the whole instrument and of its details. The evaluation may not be infallible (to value an instrument is not the same thing as valuing its photo), but it is possible to get a general indication. It's the best that can be done without having the instrument to hand.
When did antonio stradivarius stop making violins?
Antonio Stradivari made violins, violas, and cellos until his death in 1737. I myself have an authentic 1737 Stradivarius violin, though the ones made between 1666 and 1700 are priced much higher.
What is a Laurentius storioni g fecit cremona 1720 violin worth?
That depends on a number of factors.1. The instrument may indeed have been made in 1720, or it could be a repleca of an instrument made in 1720 (which is far more likely) and in such a case, the value may not be as great as you might expect.2. The quality of the instrument's craftsmanship goes a long way towards its end value. If it was hand made, that's a plus. If it was made by a reputable maker, that's even better.3. The actual age of the instrument. The older the violin, the more it is worth, typically.4. The current condition of the instrument plays a huge role in value as well. If you have a cracked back or face, or if the seams are opening up or if the fingerboard is cracked or warn down the value drops significantly. One can drop a lot of money into repairing an instrument to playable status.5. The quality of tone, resonance, and responsiveness that the player can get out of the instrument also plays a vital role in how much players are willing to pay for the instrument. And believe it or not, players will pay far more than collectors ever will... because it is their livelyhood.The best way to determine the worth of an instrument is to take it to a reputable repair shop and have it apraized. If they tell you it's valuable, you can have it repaired and sold, or you can keep it for yourself. However, it's always good to have quality instruments be placed in the hands of someone who is capable of playing it to its full potential.I did happen to find one instrument, a Laurentius Storioni fecit Cremonae 1790 Douglas Cox 2001 Brattleboro Vt #438 that was being sold for $16,000 USD from a dealer. The link is below:
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Jupiter Stradivarius was created in 1700.
Antonius Stradivarius Cremonensis Faciebat Anno 1736?
Have you found a violin with the label "Antonius Stradivarius Cremonensis"? Keep cool. It's almost certainly a fake. In the past some restorers have stuck labels (genuine or forged) inside instruments of various origins and there has been a proper business in labels, apart from the selling of violins. There have also been cases of old-time violin makers who would put the names of other contemporary makers on their own violins. Factories in the late 19th and early 20th centuries also labeled instruments as such by the thousands.Nowadays, no violin expert would judge the value of a violin by its label.Labels such as "Antonius Stradivarius Cremonensis Faciebat Anno 17", followed or not by circles with crosses, initials or other particular signs are made (in series) to be completed before being stuck on the instrument: actually "... Anno 17" shows only the first two numerals of any year of the 18th century. A complete label should read "... Anno 1715" or "... Anno 1707", or at least an year of the 18th century.There are also cases where you can't even seriously talk of fakes. A label like the following: "Antonius Stradivarius Cremonensis / Faciebat Anno 1721 / Made in Bohemia" is a joke rather a fake, considering that Stradivari never learned English. However, if you wish to learn more about the quality of the instrument you should take it to a violin maker, who will let you know if it is a good quality instrument. He may not be able to give you details of the period or school, but will be able to tell you if it was made by a good craftsman or on an assembly line. The addresses of violin makers, under the headings of States, can be found in the Reports of magazines for enthusiasts such as "Strad" or "String".If, after the first check, the violin maker recognizes a particular quality in the instrument, it may be worth while asking for a specialist's appraisal (Expertise) on the part of an expert and connoisseur (usually a restorer or well-known maker) who will issue a certificate of attribution and an estimate of the instrument's value. The cost of the expert's survey is, as a rule, quite modest if it concerns merely a verbal evaluation. There is, instead, a fixed price and a percentage of the instrument's value when a certificate evaluation is wanted.If you so wish, you can have a first opinion from the expert violin makers of the Cremona School of Violin Making (Scuola di Liuteria) sending photographs or colour slides taken in the most professional manner, with shots of the whole instrument and of its details. The evaluation may not be infallible (to value an instrument is not the same thing as valuing its photo), but it is possible to get a general indication. It's the best that can be done without having the instrument to hand.
When did antonio stradivarius stop making violins?
Antonio Stradivari made violins, violas, and cellos until his death in 1737. I myself have an authentic 1737 Stradivarius violin, though the ones made between 1666 and 1700 are priced much higher.
What is the value of 1 French Franc 1700?
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How much would a 1760 stradivarius violin go for?
Some go for millions of dollarsA Stradivarius made in the 1680s or during Stradivari's Brescian period (1690-1700) could be worth several hundred thousand dollars or more at today's prices in auction. If made during Stradivari's "golden period" (1700 to 1720), depending on condition, the instrument can be worth several million. They rarely come up for sale and the highest price paid for a Stradivarius (or any musical instrument) at public auction was 'The Christian Hammer', made in 1707, which sold for US $3,544,000 on May 16, 2006. Private sales of Stradivari instruments have exceeded this price omo kiki yi won gan o yoruba ni mo so
