The major scales with only one black key on the piano are G major (with an F sharp), and F major (with a B flat).
F#(F sharp)/Gb(G flat) major. If it is written in F# major the notes of the scale are F# (black), G# (black), A# (black), B natural (white), C# (black), D# (black), E# (white), F#(black). If written in Gb major the notes of the scale are Gb (black), Ab (black), Bb (black), Cb (white), Db (black), Eb (black), F natural (white), Gb (black). Keep in mind that both scales contain the exact same pitches but are just written with different note names.
it is the note "A".A.
the note of "D" :)
No. Parallel key signatures share the same tonic, or starting note. Relative minor/major are the scales that share a key signature.
Chords don't have "tonic notes". Scales do. The tonic note of the G major scale is G (in fact, the tonic note of the X major/minor scale will always be X). Chords do have roots, but that's equally boring: the root of the G major chord is G.
Fa is the 4th scale-degree of both the C major and minor scales.
Any scale can start on any note. That's why there are 12 major scales.
F#(F sharp)/Gb(G flat) major. If it is written in F# major the notes of the scale are F# (black), G# (black), A# (black), B natural (white), C# (black), D# (black), E# (white), F#(black). If written in Gb major the notes of the scale are Gb (black), Ab (black), Bb (black), Cb (white), Db (black), Eb (black), F natural (white), Gb (black). Keep in mind that both scales contain the exact same pitches but are just written with different note names.
when singing scales in the key of C what note is TE?
Ti is the seventh note in a major scale (do re mi fa so la TI do). In the key of C, the Ti note would be B.
When you sing scales, you start on a note and if the key is major, you sing Do Re Mi Fa Sol La Ti Do. That's the first thing you learn. Then you switch to minor, and chromatic. It can get complicated. You should master singing major first.
The keynote is the note which starts any scale (whether black, white, major or minor) so if the keynote is A you are in the key of A major - with three sharps.
it is the note "A".A.
the note of "D" :)
No. Parallel key signatures share the same tonic, or starting note. Relative minor/major are the scales that share a key signature.
You can have a musical scale starting anywhere you like. On the piano, the simplest scale is C major, in which the second note is D. In all major and minor scales, you can find the second note by moving up two semitones from the first note (C-C#-D or G-G#-A)
There are 7 white notes, and 5 black notes on the piano, so all together you have 12 different notes, and therefore, 12 different sounding major scales.If we include the three enharmonic ones - that makes fifteen key signatures and, therefore, fifteen major scales in total.They are, from the flattest key (the one with the most amount of flats) to the sharpest key, in order: Cb, Gb, Db, Ab, Eb, Bb, F, C, G, D, A, E, B, F# and C#. These are all the "real keys".Now, if you want to get theory crazy - you can look at the "imaginary scales" as well - which are scales you can figure out theoretically, but you wouldn't use them for practical reasons. This would include keys like D# Major (9 sharps) and Gbb Major (13 flats), in which case there would be an additional 20 major scales (one for every note and its enharmonic equivalent) as well, making a total of 35 scales (for the 15 real key signatures and the 20 imaginary keys).