Neoclassical
Igor Stravinsky's stylistic periods can be broadly categorized into three phases: the Russian period, the Neoclassical period, and the Serial period. The Russian period, exemplified by works like "The Firebird" and "The Rite of Spring," is characterized by folkloric themes and innovative orchestration. The Neoclassical period saw Stravinsky adopt classical forms and styles, as seen in compositions like "Pulcinella." In his later Serial period, he incorporated twelve-tone techniques, reflecting a more avant-garde approach to composition.
Prokofiev and his Symphony No. 1 in D Major, "Classical," may have been the first piece designated as Neoclassical. Stravinsky did a major study of this, and created numerous pieces in this style, for example, Pulcinella, and A Fairy's Kiss, both taking on styles of former composers.
Stravinsky composed Petrushka during they years 1910-1911. The ballet debuted in 1911.
Pulcinella
Neoclassical
Stravinsky Vivaldi
Igor Stravinsky
the major themes of neoclassical period were deism, human nature, and wit.
Prokofiev and his Symphony No. 1 in D Major, "Classical," may have been the first piece designated as Neoclassical. Stravinsky did a major study of this, and created numerous pieces in this style, for example, Pulcinella, and A Fairy's Kiss, both taking on styles of former composers.
Stravinsky composed Petrushka during they years 1910-1911. The ballet debuted in 1911.
Pulcinella
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The Twentith Century
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Three {Apex}
Jacques-Louis David epitomized the Neoclassical period of art history.