Sonata da chiesa
trio sonata
Basso Continuo, often shortened to just continuo can be the underlying structured music - used many times when, for instance, a Bach cantata is performed - the continuo part is usually played on an organ or other period instrument.
Basso continuo is a type of musical notation. It was very prevalent in the Baroque era which lasted from 1600-1750. Basso continuo is when chords, intervals, and non-chord tones are written above or below the bass line in a piece of music.
Basso Continuo
Basso continuo - The basso continuo, used throughout baroque music, is a technique by which a harmonic foundation lends support to a melodic line that carries the main melodies of a composition.
characteristic of baroque music: Rhythm tonality melody terraced dynamics texture basso continuo(figured bass) words & music
Basso Continuo, often shortened to just continuo can be the underlying structured music - used many times when, for instance, a Bach cantata is performed - the continuo part is usually played on an organ or other period instrument.
Basso continuo is a type of musical notation. It was very prevalent in the Baroque era which lasted from 1600-1750. Basso continuo is when chords, intervals, and non-chord tones are written above or below the bass line in a piece of music.
Basso Continuo
Basso continuo refers to the accompaniment provided by other instruments in Baroque music. Basso continuo accompanied the melodic line, and was usually played by a keyboard, whether harpsichord or, later, pianoforte; sometimes the cello provided the accompaniment.It was notated as just the bottom line, with the musician expected to fill in the harmony as indicated by the composer in numbers for the chords. Hence, the alternative name for basso continue was "figured bass".Usually the organ or harpsichord part that plays with other instruments for a Cantata.Instrument/s that accompanied the melodic line in Baroque music
Basso continuo - The basso continuo, used throughout baroque music, is a technique by which a harmonic foundation lends support to a melodic line that carries the main melodies of a composition.
characteristic of baroque music: Rhythm tonality melody terraced dynamics texture basso continuo(figured bass) words & music
The basso continuo is the "underpinning" of a piece. The cello would have played the lowest voice line. A harpsichord or another keyboard instrument would have added chord figures along with the bass line to support the other music being played along with it.
The two main concepts associated with Baroque music are basso continuo and the doctrine of the affections. These were used to create elaborate and emotional musical genres such as opera, cantata, and concerto.
Pachelbel wrote Cannon in D around 1680, while working at the Predigerkirche in Erfurt, Germany. It was written in or around 1680, during the baroque period, as a piece of chamber music for three violins and basso continuo, but has since been arranged for a wide variety of ensembles.
Claudio Montiverdi's work was the catalyst that sparked the transition from the Renaissance style of music into the Baroque period. He developed two unique styles in polyphono and the basso continuo technique.
It is too simplistic to give a single answer to this question. The answer strongly depends on the time period. At the dawn of the continuo era (approximately 1600), the first continuo players were organists. The organ was the instrument expected to realize the continuo, which was at first designed to support the performance of sacred vocal music. Shortly afterwards, Giulio Caccini published his "Le nuove musiche", in which the theorbo (a kind of large lute) was clearly the intended continuo instrument for this collection of secular love songs. Indications in the score of one of the earliest operas (Claudio Monteverdi's "L'Orfeo" in 1607) show a large and colourful continuo section, consisting of organs, harpsichords, theorbos and harps. Present research strongly suggests that no bass-line reinforcement (such as the cello or viola da gamba) was used in very early 17th-century music that was accompanied by continuo alone. In this time period, the continuo instruments were chord-playing instruments such as lute, guitar, harpsichord, organ and harp. Later in the 17th century, reinforcement of the bass line itself became desirable. This role was filled by both string and wind instruments: the cello, bass viol and violone; and the dulcian, bassoon and sackbut could serve this purpose. By the 18th century it was likely that a combination of a bass-line instrument and a chord-playing instrument was the usual norm, although it was still possible for a single keyboard instrument (harpsichord or organ) to serve satisfactorily. Earlier instruments like the dulcian and sackbut were unlikely to have been used by this point in time.
*Typical baroque music features, lots of frilly ornaments and fancy bits such a trills & turns.* Look at the instruments, your most likely to hear string instruments, wind instruments. The music is often accompanied by the basso continuo. It is usually accompanied in chords and features keyboard instruments (harpsichord What_instrument_would_most_likely_play_the_basso_continuo_in_a_Baroque_musical_piece, organ family) and early guitars (lutes, theorbos, gitterns). The work of the chording instrument can be supplemented by other lower register instruments: cello, viola da gamba, bassoon family members. In most cases of Baroque composition the makeup of the basso continuo group would be left to the performers (and the part itself would be largely improvised).* It is normally whats called homophonic which means melody and accompaniment, so the lower register and the basso continuo play the accompaniment, accompanying the higher instuments which chords.* There are no pianos, trumpets, clarinets and other modern instruments