On the violin the G string, which is the G under middle C, has the lowest frequency (196Hz).
The lowest string on a four string double bass is an E string. If you have a fairly rare five string double bass then the lowest fifth string is a B string.
The Double Bass or the Contrabass is the lowest member of the string family.
Here are the frequency, in Hertz, of the violin's four strings in order from lowest to highest: G: 196 Hz D: 293.66 Hz A: 440 Hz E: 659.25 Hz The G at 196 Hz is the lowest pitch on the violin (though a very rare and unconventional technique call subharmonics allows for a player to go below that). On each string the violin can theoretically attain as high a pitch as the violinist desires, but in practical terms, a pitch two octaves and a fifth above the fundamental (the open string with no fingers laid down). It is possible to go higher on the string, but it is very rarely, if ever, used, and it is extremely difficult to produce good tone at such extremes.
No, because a trombone is around the same frequency of a trumpet.The tuba is (out of my musical Knowledge) the instrument with the lowest frequency
The four properties of the string that affect its frequency are length, diameter, tension and density. These properties are- When the length of a string is changed, it will vibrate with a different frequency. Shorter strings have higher frequency and therefore higher pitch.
The tone produced by one vibration of a string is called a fundamental frequency. This fundamental frequency is the lowest frequency at which the string will vibrate, and it determines the pitch of the note that is produced.
The lowest frequency possible in a vibrating string undergoing resonance is called the fundamental frequency. It occurs when the string vibrates in a single segment, producing the longest wavelength and lowest pitch.
The fundamental frequency is the lowest mode of vibration of a system. If you think of a taut string, the lowest mode with which it can vibrate is the one where the centre of the string travels the maximum distance up and down so the string forms a single arc. It is also possible for it to vibrate so that two arcs (one up and one down) fit into the string, and there are many more possibilities with higher frequencies. On a stringed instrument you can hear the fundamental frequency as the normal note which the string plays, and the others as overtones. Other systems exhibit the same phenomenon.
The lowest note on a guitar is the open sixth string, which is tuned to E. This note is produced by plucking the string and allowing it to vibrate at a low frequency, creating a deep sound.
The lowest string on a four string double bass is an E string. If you have a fairly rare five string double bass then the lowest fifth string is a B string.
The typical range of a guitar in terms of pitch and frequency is from about 82 Hz to 1,046 Hz. This range covers the low notes of the guitar's lowest string to the high notes of the highest string.
If the string length doubles, the frequency of the vibrating string decreases by half. This is because frequency is inversely proportional to the length of the string.
The pitch of the lowest guitar string is E.
The Double Bass or the Contrabass is the lowest member of the string family.
Varying the length of a string changes its vibration frequency. A shorter string vibrates at a higher frequency while a longer string vibrates at a lower frequency. This relationship is described by the formula: frequency is inversely proportional to the length of the string.
Here are the frequency, in Hertz, of the violin's four strings in order from lowest to highest: G: 196 Hz D: 293.66 Hz A: 440 Hz E: 659.25 Hz The G at 196 Hz is the lowest pitch on the violin (though a very rare and unconventional technique call subharmonics allows for a player to go below that). On each string the violin can theoretically attain as high a pitch as the violinist desires, but in practical terms, a pitch two octaves and a fifth above the fundamental (the open string with no fingers laid down). It is possible to go higher on the string, but it is very rarely, if ever, used, and it is extremely difficult to produce good tone at such extremes.
Because the strings are longer and thicker which makes the frequency lower, which makes the note lower.