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Jazz improvisation that involves playing in response to the chord changes of the song is called?

Scat singing


James Brown avoided using musical elements from the past like call-and-response field hollers and improvisation?

false


What are some of the specific features of big-band writing?

call and response style sections of solo improvisation large groups w/ seperate sections: brass, sax, rhythm etc. use of different mutes on brass instruments walking bass used


What is the difference between jazz and the blues?

Blues is a vocal and instrumental form of music based on the use of the blue notes and a repetitive pattern that most often follows a twelve-bar structure. It emerged in African-American communities of the United States from spirituals, work songs, field hollers, shouts and chants, and rhymed English and Scots-Irish narrative ballads. The use of blue notes and the prominence of call-and-response patterns in the music and lyrics are indicative of African influence. The blues influenced later American and Western popular music, as it became part of the genres of jazz, bluegrass, rhythm and blues, rock and roll, hip-hop, and pop songs. I suggest you check Blues, Jazz on wikipedia to get a clear idea of both. Now Jazz music was very much a continuation of blues music, except that it took advantage of the instruments of the marching band. The jazz musician was basically "singing" just like the blues singers even though he was playing an instrument instead of using his vocals. The kind of dynamics and of improvisation was identical. The call-and-response structure was replicated in the dialogue between solo instrument and ensemble. Compared with European music, that for centuries had "trained" the voice to sound as perfect as the instruments, jazz music moved in the opposite direction when it trained the instruments to sound as emotional as as the human voice of the blues. After all, many jazz instrumentalists made their living accompanying blues singers in the vaudeville circuit. The main difference between jazz and blues, i.e. the heavy syncopation, was the original contribution of ragtime. Thus the marching bands contributed the instruments, blues singers contributed the improvisation, and ragtime contributed the syncopation (that ragtime had, in turn, taken from the "minstrel shows"). Jazz as a separate genre of music was born at the intersection of collective improvisation and heavy syncopation. Another defining feature was that it was mainly instrumental (blues music was mainly vocal). For some observers of the time jazz music may have sounded simply like the instrumental side of blues music, or the group version of ragtime, or a non-marching club-oriented evolution of the marching bands.


What do the term call and response refer to?

Call and response is a musical and cultural practice where a leader makes a call or statement, and a group or audience responds in unison. This interaction is commonly found in various musical genres, particularly in African, African American, and religious music traditions. It fosters a sense of community and participation, allowing for improvisation and engagement between the performer and the audience. The technique is also used in other contexts, such as oral storytelling and education.

Related Questions

The technique through which performers create music on the spot?

Improvisation.


Jazz improvisation that involves playing in response to the chord changes of the song is called?

Scat singing


James Brown avoided using musical elements from the past like call-and-response field hollers and improvisation.?

False


James Brown avoided using musical elements from the past like call-and-response field hollers and improvisation?

false


As a response to no you can't is 'can to' or 'can too' correct?

the word can't is a contraction that combines can and not. It is 'can, too.'


Why did Steve Paxton ignore what he learned from Limon's and Cunninghams technique?

Steve Paxton developed his own movement practice called Contact Improvisation partially as a response to his disillusionment with the rigidity and formalism of Limon's and Cunningham's techniques. He sought a more organic and spontaneous way of moving that prioritized physical contact and improvisation between dancers, which led to the development of Contact Improvisation as a form of movement exploration and expression.


What neuroendocrine system combines the actions of which?

The hypothalamic-pituitary-adrenal (HPA) axis combines the actions of the hypothalamus, pituitary gland, and adrenal gland to regulate stress response and hormone production.


What is interrogative order?

An interrogative order is a type of sentence that combines a command with a question. It is used to give a directive while seeking clarification or prompting a response from the listener.


What is an emotion that combines anger and fear?

An emotion that combines anger and fear is often described as being "fearful anger" or "rage." It can manifest as a response to feeling threatened or out of control, leading to a state of heightened alertness and aggression. This combination can make the individual feel a mix of wanting to both defend themselves and escape the threat.


What does sahcodha mean?

"Sahcodha" is a term used in Indian classical music and means a type of composition where the musical theme is presented by alternating between two performers or groups. It involves call-and-response patterns and improvisation, showcasing the musical skill and creativity of the performers.


What are some of the specific features of big-band writing?

call and response style sections of solo improvisation large groups w/ seperate sections: brass, sax, rhythm etc. use of different mutes on brass instruments walking bass used


In The Weary Blues look at the format of the poem Notice the lines which are indented How does this compare to call and response used in Jazz?

In "The Weary Blues," Langston Hughes uses indentation to mimic the call-and-response structure common in jazz music. The indented lines represent the call, while the following lines act as the response, creating a rhythmic and interactive quality similar to jazz improvisation. This format helps to bring out the musical quality of the poem and emphasizes the influence of jazz on Hughes' writing.