For the same reason that many long-deceased authors are still studied and taught, that is classicism and historical interest. The song cycle would not pass muster if presented as Contemporary entertainment. The basic plot deals with a dying child and attempts by his family to take him home to die. The cause of the illness or injuries is not revealed, nor is this presented as a sort of guessing game. The song, is in a word, morbid, and if presented as a modern rock song with a similar theme- probably re-written to have a boy-girl romance- well it would probably be banned. Many radio stations did not air Last Kiss, where the unnamed lead character gives his dying girl friend this last kiss. ( cause of death being an auto accident). There was some sort of morbid romance about children dying young and in off-beat locations in the nineteenth century. Thankfully, this is no longer a legitimate plot device in most cases, there is enough horrifying child abuse in the daily Journals.
Franz Schubert wrote The Erlking in his teenage years. It was written in 1815
In Schubert's "Erlkönig," the character of the Erlking is differentiated musically through his lyrical, flowing melodies that contrast sharply with the agitated piano accompaniment representing the father and the child. The Erlking's music is more serene and seductive, often in a higher register, which highlights his enchanting and deceptive nature. Additionally, the dynamics and tempo shift when the Erlking speaks, creating a sense of urgency and drawing the listener into his beguiling presence. This stark contrast captures the tension between the dangers of the Erlking and the desperation of the father and child.
It's in through-composed form.
The Erlking is about a father and son who are riding home on a horse and the Erlking, who is like a mythical seductive elf. The song has rapid repeated octaves in triplets in the piano, which represent the horse's hooves. The Erlking is trying to convince the child to come with him and in fear, the child pleads with his father to protect him. The father, who cannot see or hear the Erlking, reassures his son that everthing is alright. The Erlking tells the child that they can play games and that his daughters can take care of the child. The child becomes more and more terrified and his dad will not take him seriously. The song ends with the father riding into the courtyard with the child dead in his arms.
The repeated triplets show an ever increasing sence of urgency, and the acsending scales that occur sound rather menacing and could represent the Erlking drawing closer to taking the boy.
"The Erlking" by Franz Schubert is a lied for voice and piano, with the vocal part typically sung by a solo singer and the piano providing accompaniment. The piece portrays the interaction between a father and his son, who is being haunted by the supernatural Erlking.
Some popular old Baptist hymnal songs that are still sung in churches today include "Amazing Grace," "How Great Thou Art," "Blessed Assurance," "Just As I Am," and "It Is Well with My Soul."
Franz Schubert wrote The Erlking in his teenage years. It was written in 1815
Some examples of older church hymns that are still commonly sung in churches today include "Amazing Grace," "How Great Thou Art," "Holy, Holy, Holy," and "Great Is Thy Faithfulness."
Yes, a ballad is a form of poetry that is often meant to be sung. Traditional ballads were typically sung as songs and were passed down orally through generations. Today, ballads can still be performed as songs or read as poetry.
It didn't ... it is still sung today, and quite popular in the Roman Catholic Mass Liturgies.
The Erlking - 2003 was released on: USA: January 2003 (Sundance Film Festival)
The Erlking - 2009 was released on: USA: 2 February 2009 (Midwest ScareFest)
Erlking by Schubert (also spelled: Der Erlkönig) is in the key of G minor.
A powerful tradition of field-songs, which are still sung today.
Yes Henry VIII had composed this song which was a very famous song which is still sung today.
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