a viola is an instrument, an Olivia is a person.
Theyre both women with two hands and two feet. Differences: They both have different names
No. Basically you have a love triangle. Orsino loves Olivia. Olivia loves Viola/Cessario and Viola loves Duke Orsino
In Shakespeare's play "Twelfth Night," Olivia refers to Viola, who is disguised as a young man named Cesario, as "Cesario." Throughout the play, Olivia is unaware of Viola's true identity and becomes infatuated with her male persona, leading to various comedic and dramatic situations. The name "Cesario" symbolizes the confusion and themes of identity central to the play.
After Viola left, Olivia instructed Malvolio to take care of her household affairs and tend to her needs. She expressed her desire for him to be more courteous and to avoid being overly formal, emphasizing the importance of being amiable and approachable. Olivia's interactions with Malvolio reflect her complex feelings toward him, blending respect with a hint of playful disdain.
he doesn't, he means for her to use her legs to walk through to see Olivia.
Theyre both women with two hands and two feet. Differences: They both have different names
No. Basically you have a love triangle. Orsino loves Olivia. Olivia loves Viola/Cessario and Viola loves Duke Orsino
In Shakespeare's play "Twelfth Night," Olivia refers to Viola, who is disguised as a young man named Cesario, as "Cesario." Throughout the play, Olivia is unaware of Viola's true identity and becomes infatuated with her male persona, leading to various comedic and dramatic situations. The name "Cesario" symbolizes the confusion and themes of identity central to the play.
No Duke Orsino marrys Viola
It is based on a short story "Of Apolonius and Silla" by Barnabe Rich, which in turn was based on a story by Matteo Bandello. The plot is of a young girl, Viola, who is shipwrecked in a hostile country and disguises herself as a young man to get a job with the local duke Orsino. Orsino is in love with a lady called Olivia and sends his new servant (called Cesario but really Viola in disguise) to persuade Olivia to reciprocate. Unfortunately Olivia falls for Cesario instead. Meanwhile Viola falls in love with Orsino, who is in love with Olivia, who is in love with Viola, who . . . you get the picture. The resolution comes about by the arrival of Viola's identical twin brother who went missing in the same shipwreck. He and Viola believe each other to have drowned. There is a subplot about the humiliation of Olivia's sour and puritanical head steward, Malvolio, at the hands of Olivia's other servants, her drunken cousin, and a foolish young man hoping to marry Olivia.
Duke Orsino is in love with Lady Olivia, but she won't have anything to do with suitors. Viola is shipwrecked and believes her twin brother Sebastian to be dead. She pretends to be a boy and becomes a servant to Orsino and gets sent to woo Olivia. However, Olivia falls in love with Viola, believing her to be a boy. Viola falls in love with Orsino. Sir Toby Belch (Olivia's uncle), Sir Andrew Aguecheek (his friend), Maria (a maid), Feste (a jester) and Fabian (a servant) plot to make a fool out of Malvolio (Olivia's head steward). They write a letter, apparently from Olivia, in which she confesses her love for Malvolio and wishes him to dress and behave in a ridiculous manner. Believing that this will get Olivia to marry him, he does everything the letter asks but Olivia, who knew nothing about this, has him locked away for being insane. They eventually set him free but he is furious. Sebastian, Viola's brother, turns up and, believing him to be Viola (who Olivia thinks is a boy) she asks him to marry her and he does. Viola's identity is revealed and Orsino falls in love with her and they marry and it is revealed that Sir Toby and Maria have also married.
Viola and Olivia exhibit contrasting attitudes toward their brother, Sebastian. Viola, believing her brother to be dead, expresses deep sorrow and longing for him, which drives her actions throughout the play. In contrast, Olivia is deeply affected by the loss of her brother, but her grief leads her to reject all romantic advances, including those from Viola (disguised as Cesario). While Viola's feelings are rooted in hope and determination, Olivia's are marked by mourning and withdrawal from social interactions.
Orsino and Olivia Sebastian and Viola Sir Toby and Maria
act 3 scene 1
The love triangle in the novel Twelfth Night involves Duke Orsino, Olivia, and Viola (disguised as Cesario). Duke Orsino loves Olivia, who in turn falls in love with Viola (disguised as Cesario). Viola/Cesario, however, loves Duke Orsino, creating a complex web of unrequited love and mistaken identities.
Yes, both unrequited love and mistaken identity are key plot elements in Twelfth Night. Orsino is introduced as someone pining for the love of Olivia, which he cannot win. Viola is also in love with Orsino which she cannot disclose without revealing that she is a woman. Olivia is in love with Viola, believing her to be a man, a love which cannot be requited. The near-identical twins Viola and Sebastian give rise to a number of mistakes as to identity. Antonio, thinking she is Sebastian, asks Viola for a return of his money. Sir Andrew and Sir Toby, thinking that they are dealing with Viola, attack Sebastian and get beaten up. Finally, Olivia marries Sebastian thinking he is Viola.
Viola marries Orsino, Olivia marries Sebastian, and Sir Toby marries Maria. Sir Andrew, alas, does not find anyone to marry.