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bending (lowering) the 3rd, 5th, and 7th scale degree
A Phrygian chord progression in music often features a minor tonality, a lowered second scale degree, and a sense of tension and resolution. Common examples include the use of the i - bII - i or i - bIII - iv chord progression in songs.
The Dorian mode in music theory is a scale that has a unique sound due to its specific pattern of whole and half steps. It is characterized by a minor tonality with a raised sixth degree compared to the natural minor scale. In composition, the Dorian mode is often used to create a melancholic or mysterious atmosphere. It is commonly employed in jazz, rock, and folk music to add depth and color to melodies and harmonies.
The solfege syllable for the sixth degree of the natural minor scale is "La."
A dominant seventh chord is built on the fifth scale degree of a major scale.
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Bending (lowering) the 3rd, 5th, and 7th scale degree
bending (lowering) the 3rd, 5th, and 7th scale degree
bending (lowering) the 3rd, 5th, and 7th scale degree
Refraction is the bending of light when it passes through a lens. This bending occurs due to the change in speed of light as it moves from one medium (such as air) to another (such as glass). The degree of bending depends on the refractive index of the materials involved.
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The angle of incidence affects the degree of bending of light in a semicircular prism by determining the angle of refraction as the light enters and exits the prism. A larger angle of incidence will result in a greater angle of refraction, causing the light to bend more as it passes through the prism. The relationship between the angle of incidence and the angle of refraction is determined by Snell's Law.
Volatile is the word that best describes market prices that change often and to a great degree with dramatic spikes and plunges.
Volatile is the word that best describes market prices that change often and to a great degree with dramatic spikes and plunges.
Expanded or extended tonality can be related to composers such as Hindemith and early Schoenberg. It means extension of the common practice tonality. It results in highly chromatic music, where remotely related regions / harmonies are introduced, often in rather dense manner, free use of extended chords (9ths, 11ths, 13ths) as well as quartal harmony. Basically, it is all about quite free use of the whole chromatic gamut, while still maintaining a sense of central tone (tonic), though it is often hard to determine if you are in major or minor due to the high degree of chromaticism.
Correlation