The secondary dominant of b minor is a C# major chord.
B natural.
An E dominant 7 chord consists of the notes E, G, B, and D. The intervals in this chord are a root (E), major third (G), perfect fifth (B), and minor seventh (D).
E major.
Mass in B minor was created in 1749.
The chords in the key of B major are B major, C minor, D minor, E major, F major, G minor, and A diminished.
yes D minor
B natural.
The dominant is the 5th tone in the scale. In a D Major scale, the dominant is A.
In music theory, the major dominant triads are built on the fifth scale degree of major scales and consist of the following: G major (in C major), D major (in G major), A major (in D major), E major (in A major), and B major (in E major). Minor dominant triads, often used in harmonic minor contexts, include: E minor (in A minor), B minor (in E minor), F# minor (in B minor), C# minor (in F# minor), and G# minor (in C# minor). These triads are essential for creating tension and resolution in Western music.
The dominant note for D major and D minor is A.
Dominant triads, which are built on the fifth (or dominant) note of the scale, are (almost) always major - even when written in a minor key. This is because the middle note (which is the 7th note of the scale - known as the leading note) is always raised by a chromatic semitone.For example:The C major dominant triad is composed of the notes G, B, and D.The a minor dominant triad is composed of the notes E, G#, and B. Although there are no accidentals in the key signature of this scale, the 7th note is raised from G-natural to G# in order to make it a harmonic scale.That's not to say that minor dominant triads don't exist, because they do. They're just rare. You might be able to find a minor dominant triad in a situation where the dominant triad is played in conjunction with a descending melodic line (i.e. where the 6th and 7th notes of the scale aren't raised).
The dominant of B is F#.
An E dominant 7 chord consists of the notes E, G, B, and D. The intervals in this chord are a root (E), major third (G), perfect fifth (B), and minor seventh (D).
E major.
In the abbreviation Bb, the "B" allele is dominant and the "b" allele is recessive. Therefore, an individual with the genotype Bb would express the dominant "B" allele.
Depends on what form of the minor scale you're using, and there are a great variety of options in any case, but here are some basics. (i) e-minor (e, g, b) (ii) f#-diminished (f#, a, c) or f#-minor (f#, a, c#). The latter deviates from the scale slightly, but is a common alteration. (III) G-major (g, b, d) (iv) a-minor (a, c, e), or sometimes altered to A-major (a, c#, e) (V) B-major (b, d#, f#) or b-minor (b, d, f#). The latter is the one that technically fits within the natural minor scale, but the former is more commonly used, because it leads easily back to the tonic (i). (VI) C-major (c, e, g) (VII) D-major (d, f#, a) Most commonly used chords are tonic (i, e-minor) and dominant (V, B-major). ii and iv chords lead easily into the dominant, and III is also moderately common because it is the relative major key. If you need more than this, you should pick up a music theory book.
The Phrygian dominant scale is often associated with the chords built on its notes, typically starting with the i chord (minor) and including the bII major chord. A common chord progression using the Phrygian dominant scale could be i - bII - V, for instance, E minor - F major - B major in E Phrygian dominant. This progression emphasizes the characteristic flat second and dominant fifth qualities of the scale, creating a distinctive sound.