0
Beastly is a very popular book by Alex Flinn which was also turned into a movie.
Wiki User
∙ 13y ago
Wiki User
∙ 8y agoBeastliness is the state or condition of being beastly - characterizing the nature of a beast, being contrary to the nature and dignity of a person.
Add your answer:
Earn +20 pts
Who came up with sister from another mister phrase?
Christopher S. from Arizona, who was known to be too hip to be square, came up with that saying in the early 90's. In his mind and then in reality, it quickly caught on and spread to all over the English speaking world, including Wisconsin (which is commonly known as the darkest corner of the Earth, but only in his mind. Because he is the only person who believes the Earth is square and has corners). He coined the term to refer to his only friend, Mildred the cat. The square corners thing was a rumor started by Andria who attempted to steal Christopher's IP and Trademark on the phrase, but she knows that Christopher doesn't even own a cat because the feds took all his previous cats away. Beastliness is frowned upon, after all. And Christopher is quite a sexy beast. Note: "Andria" is a figment of Christopher's imagination. She is included in this answer only because she is part of Christopher S's, the "creator of 'sister from another mister,'" reality. Bitch, this phrase is older than Facebook!™ To answer the question, who came up with the phrase, Christopher did. End of story.
What rhymes with grimy?
Many words rhyme with cleanliness. Here are just a few: beastliness, brotherliness, burliness, chilliness, cleanliness, comeliness, costliness, courtliness, cowardliness, crumbliness, cuddliness, curliness, dailiness, dastardliness, deadliness, disorderliness, earliness, friendliness, ghastliness, ghostliness, godliness, grisliness, hilliness, holiness, homeliness, jolliness, kindliness, knightliness, leisureliness, likeliness, liveliness, loneliness, lordliness, loveliness, lowliness, manliness, mannerliness, mealiness, miserliness, motherliness, neighborliness, niggardliness, oiliness, orderliness, portliness, prickliness, priestliness, princeliness, saintliness, scaliness, seemliness, shapeliness, silliness, sisterliness, slovenliness, smelliness, sprightliness, stateliness, steeliness, surliness, timeliness, ugliness, uncleanliness, unearthliness, unfriendliness, ungainliness, ungodliness, unholiness, unlikeliness, unruliness, unseemliness, unsightliness, untimeliness, unworldliness, wiliness, wobbliness, womanliness, wooliness, woolliness, worldliness
What does koompage mean?
1: an expression to show your beastliness. 2:the taking of a dump. 3: YEEEAAAHHH!!!!!!!!!!
Is Katniss pregnant in the mockingyjay?
No, it was just a story that Peeta made up in order to emphasize the beastliness of the Hunger Games.
What Shakespeare plays mention vanity?
In Henry IV Part 1, Prince Henry says, "That trunk of humours, that bolting-hutch of beastliness, that swollen parcel of dropsies, that huge bombard of sack, that stuffed cloak-bag of guts, that roasted Manningtree ox with pudding in his belly, that reverend vice, that grey Iniquity, that father ruffian, that vanity in years?"Probably the most well known Shakespeare quote about vanity, "Vanity, thy name is woman," is actually a misquote. In Hamlet, Hamlet says "Frailty, thy name is woman."
Which is better Mercenaries 1 or 2?
Mercenaries 2 is definitely better. There are more weapon choices, more vehicles, a bigger map, bigger gangs, and more mini-games. - Xthe AnswererX As you can see from the comment above this person hasn't played the first one, blind, or what he truly believes but mercs 2 is horrible and didn't have the Longevity, game play, and root to it the deck was awesome and all the so called "improvements" downgraded this game that i thought would be way better than or equal to the complete beastliness of mercenaries 1 to explain my point better go to this link: http://www.gamefaqs.com/xbox360/932882-mercenaries-2-world-in-flames/reviews/review-128142
Who came up with sister from another mister phrase?
Christopher S. from Arizona, who was known to be too hip to be square, came up with that saying in the early 90's. In his mind and then in reality, it quickly caught on and spread to all over the English speaking world, including Wisconsin (which is commonly known as the darkest corner of the Earth, but only in his mind. Because he is the only person who believes the Earth is square and has corners). He coined the term to refer to his only friend, Mildred the cat. The square corners thing was a rumor started by Andria who attempted to steal Christopher's IP and Trademark on the phrase, but she knows that Christopher doesn't even own a cat because the feds took all his previous cats away. Beastliness is frowned upon, after all. And Christopher is quite a sexy beast. Note: "Andria" is a figment of Christopher's imagination. She is included in this answer only because she is part of Christopher S's, the "creator of 'sister from another mister,'" reality. Bitch, this phrase is older than Facebook!™ To answer the question, who came up with the phrase, Christopher did. End of story.
What rhymes with grimy?
Many words rhyme with cleanliness. Here are just a few: beastliness, brotherliness, burliness, chilliness, cleanliness, comeliness, costliness, courtliness, cowardliness, crumbliness, cuddliness, curliness, dailiness, dastardliness, deadliness, disorderliness, earliness, friendliness, ghastliness, ghostliness, godliness, grisliness, hilliness, holiness, homeliness, jolliness, kindliness, knightliness, leisureliness, likeliness, liveliness, loneliness, lordliness, loveliness, lowliness, manliness, mannerliness, mealiness, miserliness, motherliness, neighborliness, niggardliness, oiliness, orderliness, portliness, prickliness, priestliness, princeliness, saintliness, scaliness, seemliness, shapeliness, silliness, sisterliness, slovenliness, smelliness, sprightliness, stateliness, steeliness, surliness, timeliness, ugliness, uncleanliness, unearthliness, unfriendliness, ungainliness, ungodliness, unholiness, unlikeliness, unruliness, unseemliness, unsightliness, untimeliness, unworldliness, wiliness, wobbliness, womanliness, wooliness, woolliness, worldliness
What 11 letter word ends with ness?
abusiveness, adaptedness, adverseness, agelessness, aimlessness, airlessness, airsickness, amativeness, amiableness, amorousness, amusingness, ancientness, animateness, anxiousness, arduousness, artlessness, assuredness, austereness, averageness, awesomeness, awkwardness, balefulness, bashfulness, beardedness, bearishness, beastliness, belatedness, betweenness, biliousness, bindingness, bizarreness, blessedness, bookishness, boorishness, boundedness, breathiness, brittleness, brusqueness, brutishness, bullishness, caddishness, callousness, capableness, carefulness, cleanliness, coltishness, compactness, complexness, conciseness, copiousness, cordialness, correctness, corruptness, costiveness, courtliness, crabbedness, crookedness, crowdedness, crumbliness, crunchiness, cultishness, cunningness, curableness, curiousness, currentness, cursiveness, cursoriness, darlingness, decidedness, deviousness, devotedness, diffuseness, distantness, diverseness, dividedness, doggishness, dolefulness, dollishness, doltishness, donnishness, doughtiness, drunkenness, dubiousness, durableness, dutifulness, earnestness, earthliness, elderliness, elusiveness, emulousness, endlessness, enviousness, equableness, erosiveness, eternalness, ethicalness, evasiveness, extremeness, factualness, faddishness, fatefulness, fatuousness, fearfulness, feelingness, fertileness, festiveness, fictiveness, fidgetiness, finicalness, finickiness, fittingness, flightiness, floweriness, folkishness, foolishness, foppishness, foreignness, foreverness, forgiveness, forlornness, forwardness, franticness, fretfulness, frowardness, fulsomeness, furtiveness, gainfulness, gaseousness, gawkishness, genericness, genteelness, genuineness, ghastliness, ghostliness, girlishness, glaringness, gleefulness, godlessness, godlikeness, gracileness, gradualness, graphicness, gristliness, grouchiness, growthiness, guardedness, gutlessness, haggardness, haplessness, harmfulness, hatefulness, haughtiness, hawkishness, healthiness, heedfulness, heinousness, hellishness, helpfulness, hideousness, hirsuteness, hoggishness, hopefulness, hurriedness, hurtfulness, ignobleness, immenseness, inexactness, ingrownness, inhumanness, initialness, instantness, intenseness, irksomeness, jealousness, jitteriness, joblessness, jointedness, joylessness, knowingness, laggardness, languidness, lastingness, lawlessness, learnedness, lengthiness, liberalness, likableness, liltingness, limitedness, lissomeness, literalness, livableness, logicalness, losableness, loutishness, lovableness, lumpishness, lustfulness, lyricalness, mannishness, marchioness, massiveness, mawkishness, mindfulness, miserliness, movableness, mundaneness, naturalness, naughtiness, needfulness, nervousness, neutralness, noisomeness, nonbusiness, notableness, nothingness, noxiousness, obliqueness, obscureness, obviousness, odorousness, ominousness, onerousness, ongoingness, operoseness, orderliness, outwardness, painfulness, passiveness, paunchiness, peevishness, pensiveness, pepperiness, perfectness, pettishness, piggishness, pinkishness, piquantness, piteousness, pitifulness, playfulness, pliableness, pointedness, pompousness, potableness, preachiness, preciseness, presentness, prickliness, privateness, profaneness, profuseness, prudishness, puckishness, pushfulness, queenliness, radicalness, raffishness, raucousness, raunchiness, raylessness, reddishness, relatedness, relaxedness, repleteness, restfulness, restiveness, retiredness, riotousness, roguishness, roundedness, ruinousness, ruthfulness, ruttishness, saintliness, saplessness, scrappiness, scrawniness, scruffiness, seasickness, selfishness, seriousness, serriedness, servileness, sexlessness, shadowiness, shallowness, shapeliness, sickishness, sightliness, silveriness, sincereness, sinlessness, sinuousness, sizableness, sketchiness, slavishness, slenderness, slouchiness, songfulness, sottishness, soulfulness, specialness, splashiness, springiness, squalidness, squashiness, squishiness, starchiness, stateliness, staunchness, stiltedness, strangeness, streakiness, stringiness, studiedness, stuntedness, stylishness, suasiveness, subacidness, sublimeness, subtileness, supremeness, swarthiness, swinishness, tactfulness, tearfulness, tediousness, teemingness, tenableness, tenuousness, thirstiness, threadiness, thriftiness, throatiness, toplessness, tricksiness, tunableness, tunefulness, typicalness, unawareness, uncanniness, uncleanness, uncouthness, ungodliness, unhandiness, unhappiness, uniformness, unluckiness, unmanliness, unquietness, unreadiness, unsoundness, unusualness, uprightness, uptightness, uselessness, vacuousness, valiantness, variousness, verboseness, viciousness, viscousness, visibleness, voguishness, volubleness, waggishness, wakefulness, waspishness, waywardness, wealthiness, weightiness, welcomeness, willfulness, willingness, wimpishness, winsomeness, wishfulness, wistfulness, witlessness, wolfishness, womanliness, worldliness, zealousness, zestfulness
What was the origin of sodium?
"We pass through countries as through revolving doors, impermanent residents of nowhere" (Pico Iyer). All our chosen authors, Kazuo Ishiguro, Brian Friel, and Philip Larkin deal with characters and personas that feel displaced and have no sense of belonging, therefore are "impermanent residents of nowhere"this isolation is an important motif in all three texts.The 20th century was an era of dramatic technological advancement, conflict, medical breakthroughs, warfare and death. Therefore at the time the three texts, "The Remains of the Day" written in 1989, 'Translations' written in 1980 and 'Whitsun Weddings' a collection of poetry written in 1964, the authors were surrounded by a new competitive society, which obviously had an influence on the themes and opinions tackled within the three texts. Freedom of speech, which is a major influence on Larkin's poetry, and being allowed to believe what and whom we want ironically resulted in a period of time in which people felt lonely and alienated, despite the fact that decisions and choices they made were their own. In comparison to Larkin within Ishiguro's novel, it is the lack of free speech that causes all the problems and the need for matters of political scale, and matters of the heart to be kept quiet. Language plays a role in all our texts but most predominantly in 'Translations', it is key to remember that 'Translations' is a play, so some elements maybe be created purely for dramatic affect. Within this essay I will look at how each author presents loneliness and alienation in relationships between individuals and with society as a whole, and how relationships can cause loneliness and alienation and also how relationships reflect loneliness and alienation. Alongside analysing how the characters, audience and writers are affected, it will help to also determine which of the texts deal with which elements of isolation and whether it is the focus within their works.Loneliness and alienation are both forms of isolation, but both describe entirely different ways in which a being can be isolated. In terms of relationships, 'Loneliness' is often caused by relationships between individuals, it is in a situation where someone has knowingly segregated themselves from the world around them through the choices and decisions they have made. In contrast to loneliness Alienation in terms of relationships, however, is someone who is forcibly pushed aside by society and made outsiders. Thus far Ishiguro reflects the failure of relationship through the formality of Stevens narrative, which is shows the failure within the 1920's society creating lonely individuals. Philip Larkin shows the failure within the 1960's society as a cause of Alienation, and the more open some people were the more reserved others became, and the relationships presented by Friel reflect the loneliness and alienation present in Ireland in the 1980's, and the hostility between different cultures.Personal relationships within the three texts cause and reflect loneliness and alienation, Ishiguro and Friel focus on the relationship between father and son and how that can cause loneliness and alienation, whereas Friel shows how that relationship reflects loneliness and alienation. Stevens' father, is the first role model Stevens had as a child, and as we can see he has followed in his footsteps, both have spent their whole lives in service and have very little to show for it. This is classed as one Stevens' more personal relationship, though in some cases Stevens even addresses his father with surprising formality and even refers to him in the third person "it has been felt that father should no longer be asked to wait at table, whether or not guests are present". There is a formal language that Stevens uses that you would not expect between father and son. Though it does become clear that perhaps Stevens' father has never made an effort to be close to his son, which could therefore explain perhaps why Stevens' struggles to have anything other than a professional relationship. We never hear of Stevens' mother and her absence suggests that his father never had a successful relationship which maybe has influenced Stevens and because to him his father never had a personal relationship and yet he has become a successful butler so why can he not do the same, which could be the reason Stevens finds it so hard to have anything other than a professional relationship between himself and Miss Kenton, and constantly refers to it as a "faulty staff plan". The relationship between Stevens and his father can be linked well to Philip Larkin's 'Dockery and Son', where the persona can be compared to both Stevens and his father "To have no son, no wife, No house or land still seemed quite natural". This reflects the loneliness people feel when they are outsiders looking in on a relationship they are not a part of "For Dockery a son, for me nothing". We know that Larkin's poetry was intended to be for the common man, and yet ironically, most of the personas presented are often outsiders. We get the impression that Stevens' father has avoided talking to his son on a personal level before so when he says to Stevens on his deathbed "I'm proud of you. A good son. I hope I've been a good father to you" as Stevens has no idea how to receive the sentiment expressed here. Stevens obviously does love his father, as he is proud and defensive of him, which is particularly noticeable during his frequent debates with Miss Kenton. Another example of a bond of Father and Son is that of Hugh and Manus in Brian Friel's "Translations" .The main father figure in the play is Hugh, though he can been seen to be a very bad example. He seems firstly to be a paternal influence to the community, than of his own son Manus. Hugh and Manus parallel each other, both are seen as father figures and teachers, but you could say that Hugh almost contributes to the suppression of the Irish as, unlike Manus, he charges for his help and with holds information from the others, for example when Maire first asks him to teach her English he refuses. Hugh's first line reflects his character, which patronises Doalty 'adequately sobrius to overhear your quip' which causes certain characters to feel slight resentment to him, which cause him loneliness and reflects the alienation the Irish feel from the English speaking community. Ironically, Friels play about Irish identity, and their loss of language is written in English, so therefore he is actually indirectly reflecting the alienation within his play. "Translations" is no lyrical snarl at British beastliness; it shows cultures and people trying to 'translate' each other's signs and souls". Some critical readings of Translations, like this one from Jack Kroll, feel that "Translations" is more about the progression and change of Ireland more than the alienation and loneliness that Anglicisation caused, personally I disagree as in 1981 when the play published, Ireland was in turmoil the religious and political unrest was alienating large groups of people.Through Stevens Ishiguro presents loneliness as a physical barrier that prevents the characters from progressing, whereas Larkin and Friel present it as more of a mental barrier . The Berlin Wall "was a concrete barrier… that completely enclosed the city of West Berlin, separating it from East Germany, including East Berlin" After the collapse in 1989 which was the same year of the publication of 'The Remains of the Day', there was a definite sense of liberation that was felt all over the world as people were being reunited with those who in some cases they had not seen since the war, this must have been a key influence within the context of 'The Remains of the Day' as we see Miss Kenton try to break down the professional barrier between herself and Stevens, we see this clearly when Miss Kenton encounters Stevens reading a Romantic novel and Stevens' reluctance to tell her anything about the book "almost as though the two of us had been suddenly thrust on to some other plane of being altogether" A Marxist interpretation is that Stevens is an oppressed worker and unable to leave the mind set that he is first and foremost a butler, which prevents him from ever having a personal, loving relationship, I totally agree with this interpretation as it is Stevens professionalism that prevents him from having anything other than a professional relationship. With Larkin, the title of his poetry "Whitsun Weddings" reflects the attitudes of the time, as in 1964 the Whit break was a particularly advantageous time of year to marry, and was basically it was the norm for couples to marry over this break, we know that Larkin was very 'anti - marriage', and even in the first line of ' The Whitsun Weddings' that his plan is to get away from the conforming society "That Whitsun, I was late getting away", as if his poetry reflects the loneliness faced by people who do not wish to follow the trend, and how not conforming creates a barrier between the individual and society.Throughout all three of our literary texts, we see loneliness and alienation caused by relationships between men and women 'conditional love', in 'The Remains of the Day' there is Miss Kenton and Stevens, within 'Translations' we have Maire and Yolland, who's relationship causes Manus' loneliness, and within Larkin's poetry we have 'The Arundel Tomb', the bonds between men and women within the three texts are very different to the bonds between father and son, as it is a conditional form of love that involves choosing to be together. The only character that ever gets close enough to Stevens to criticise him is Miss Kenton. Stevens', as with all the other characters establishes a professional relationship between the two of them. Though it can be argued that Stevens' relationship with Miss Kenton is the most emotional he ever has throughout the novel, in contrast to Stevens and Miss Kenton, 'Mr Bleaney' a person who has no-one at all and the only human contact he has is with his housekeeper but even she did not know him, and he remained alone "He stayed the whole time he was at the bodies" which in some cases shows that despite Stevens lack of personal relationships, he is socially above Mr Bleaney. Both Miss Kenton and Stevens whilst in Darlington Hall present two very lonely characters to begin with, this leads to them meeting in the evenings in front of the fire and discussing upcoming events at Darlington Hall. Though their relationship is fraught with arguments, this is usually because Miss Kenton is one of the only people perceptive enough to realise the Stevens' blind trust of Lord Darlington's decisions and faces him with harsh words. The argument that puts distance between Stevens and Miss Kenton is the topic of the dismissal of the two Jewish maids. Lord Darlington, being Nazi sympathiser, wishes to dismiss the two recently employed maids because they are Jewish. Stevens carries out his duty with no apparent issue, but Stevens being an unreliable narrator, we are left often infuriated at his lack of personal opinion within the novel. In comparison to the relationship between Miss Kenton and Stevens is that of the personas presented in Philip Larkin's 'Arundel Tomb' this poem was inspired by a real tomb that of the 2nd Earl of Arundel and his wife. The basis of the poem I feel is that love survives the couple "What will survive of us is love", Andrew McCulloch feels "The prosody pulls in one direction while the syntax pulls in the other" whereas I disagree and feel both the language and form reflect the loneliness that others feel when being an outsider looking in at true 'undying love', just like Manus and the pain he feels when he hears about Maire and Yolland. Though within the poem Larkin represents love through just a stone, cold and inert, almost an abstraction from real life, and questions whether the true condition of love is transience not survival.Professional relationships play a large role in creating loneliness and alienation throughout all three of a literary texts, Stevens' relationship with Lord Darlington results in him being left behind by society, Lancey's superior attitude toward the Irish people leaves him alienated from society, and within Larkin's poem 'Ambulances' societies professional attitude towards each other and only wishing to know just enough to get by, though this lack of personal relationships within the texts in some cases shows how far a character is willing to go professionally and how in turn that isolates them from others, for example love and relationships are sacrificed for Stevens' vision of a 'great' butler, and his father's death is no exception as he refuses to allow it to distract him from his post as butler to Lord Darlington. His determination to go as far as he can professionally isolates Stevens from those around him, creating a very lonely character. The fact that he is the sole narrator of the novel, suggests he has no future with anyone. In "Ambulances" by Philip Larkin, the persona provides us with a third person narrative, much like Stevens. "Closed like confessionals" this appears to be a contradiction of the very purpose of confessionals, they are meant to be open, and this appears to be a sign of a society moving on, they now have no need for confessional but this in turn could leave people behind thus alienating them. In contrast to the character of Lancey in "Translations" who is alienated by a society that is not moving forward and opposes the very thought of change, one critical reading by Stephen Regan is that Larkin tackles alienation from a society that is constantly moving forward, and Friel tackles loneliness and alienation caused by a society that rejects the very thought of change, we can support this reading of Friel by looking into the very nature of Ireland in 1981 when "Translations", Seamus Deane after first seeing the play described it is "a sequence of events in history which are transformed by his writing into a parable of events in present day". Almost the characters appear to experience alienation in some way, Lancey as I mentioned is a foreigner in a country he has no affection or understanding of. Owen feels alienated from Baile Beag after he returned; he is dressed differently and now doesn't seem to fit in with the community. Owen has been away to a society that has been moving forward and is returning to a society whose reluctance to move on alienates any who wish to become a part of it. Yolland tells Hugh that he feels cut off from and his inability to communicate with frustrates him. Though we see the characters try many different ways to escape their isolation, unlike the characters and persona of Stevens and "Mr Bleaney" who choose rather than confront their isolation to ignore until irreparable damage has been done. We see Jimmy Jack escape through his classical poetry, and Maire attempts her escape through a relationship with Yolland.Through professional relationships we see people actually choosing to alienate themselves from society, as Stevens would rather remain in the service of Lord Darlington than move on, Lancey's reluctance to co-operate with the Irish, and in Larkin's poem 'Ignorance' where society wish to know only what they need to, which conforms to the philosophy of Larkin's about the 'absence of knowledge'. Lord Darlington is deceased at the time of Stevens' narrative and yet Stevens still feels the need to almost protect his old employer's reputation "I can declare that he was a truly good man at heart, a gentleman through and through, and one I am today proud to have given my best years of service to" but Lord Darlington is not as innocent and gullible as Stevens would like the reader to believe. Lord Darlington is clearly still living in the past, much like Stevens, as he feels that the aristocracy still has the influence it once had, during the 'international conference' Mr Lewis calls him "amateur" and unfortunately he is right. Miss Kenton and Reginald Cardinal are the only two characters that challenge Stevens' blind trust of Lord Darlington Though Stevens is stubborn and refuses even years after Lord Darlington's death to say a bad word against him. This shows how the class system had a huge affect on how people saw certain matters and how Stevens still can not escape from feeling that Lord Darlington is superior and nothing he can do must be wrong and even if it was, he would blindly carry on so as to become a truly "great butler". In comparison to Darlington, with Larkin there is a reluctance to conform to the social mores that are present within the community for example "Ignorance" the very title suggests reluctance, "That when we start to die, Have no idea why", this poem reflects the idea of existentialism, and reflects Larkin's need to make up his own rules. As the three texts progress as we see in Translations, loneliness and alienation differ, and we see that through more professional acquaintances, such as Lancey and Yolland, and, Stevens and Lord Darlington which can be compared to the persona within "Ambulances", which show how people choose to become alienated from society "Brings closer what is left to come, and dulls to distance all we are" the persona in the poem distances themselves from the casualty, which links to Larkin's philosophy of the absence of knowledge, and we only wish what we need to and yet there is a need to confront our fears about our own mortality by allowing our morbid curiosity to watch the ambulance "The children strewn on steps or road, Or women coming from the shops" so therefore by society not wanting to know they are in turn alienating themselves from others.To conclude, Loneliness and Alienation are at the heart of 20th Century literature but I feel this is only because Loneliness and Alienation are at the heart of the 20th Century, with the free love, new advancements and more and more opinionated people stepping into the forefront there are those who are bound to be left behind and become trapped in a society that they no longer conform to, and find themselves like Stevens and Jimmy Jack stuck in the past and unable to move forward even if they wanted to. The relationships the characters and personas have, or in some cases don't have, throughout their literary life span determine what form of isolation they will be subjected to. Inevitably though it is the experience the authors have had that determine the path their characters take. Philip Larkin was considered an outsider (because of his opinion on marriage) and never had a successful loving relationship with anyone, so therefore many of his personas face the same problem of being excluded from society. Ishiguro, a Japanese writer, shows us his interpretation on 'Englishness' and how the class system and the need to be the best you can be professionally creates very lonely characters, and Friel whose context is based on the modern events and troubles of Ireland mirror those of a different era, and how this loss of identity and need for change alienates people from society. So, finally, Loneliness and Alienation, throughout the three literary texts are influenced by the relationships they have or don't have, and all the characters that are left alone have only the past to comfort them "There is no greater sorrow than to recall in misery the time we were happy"(Dante).
