The "x-height" of a typeface is height of lower-case letters. More specifically, this refers to the non-ascender/non-descender letters (ascenders being those with ascending parts that rise above the midline, the tall letters b, d, f, h, k, l,and descenders being those letters with tails that drop below the baseline, typically g, j, p, q, y; this does, of course vary with the design of the typeface: some typefaces will have a descender z, such as many cursive fonts, and other nuances, and some are entirely without descenders. X-height is literally the height of the lowercase letters such as x (obviously), v, w and z. Letters with curves at the top and bottom (c, o, s, e, n, u) can be spoken of as having the same x-height, although technically, rounded letters usually slightly taller than the x, for optical balance.
The x-height of a typeface is important for several reasons. Most importantly, the x-height determines the top/bottom center of mass for a line of type, since in most situations, there are relatively few uppercase letters, and the ascending portions of letters are visually very insignificant. X-heights contribute a great deal to the way a typeface sets. Much of typography is less a matter of objective measurements than it is subjective perception and feel. For example, a typeface with a large x-height is generally easier to read at smaller type sizes, being generally larger and less cramped, while small x-heights can impact legibility. They can also appear somewhat chunkier on the page, since the x-height contributes the majority of a line of type's substance.
On the other hand, type with a large x-height tends to appear to take up more space on a line, making text areas on a page appear somewhat darker and denser in color, and lines may need comparatively more leading (line spacing) to preserve an ideal page color and texture. Large x-heights can also make a typeface look bulky and round.
the circumference of a square would be the perimeter. you find the perimeter of a square by finding length(2)xheight(2). * * * * * Except that it is easier to calculate for a square since the length is the same as the height and so the answer is length*4
The space between letters in printing (or typography) is called tracking.
In typography, any part of a letter that passes below the baseline is called a "descender". Letters with descenders include lowercase g, j, p, q, and y.
Em space is a relative unit of measurement used in typography. Once the size of an em is established, the size every other character and other typographic units of measurement can be determined as a fraction of em. The reason why em is used is because the letter "m" is the only letter that has relatively the same width in its capital and lowercase form. There is also something called en space. En is usually about half the width of an em so if the em space is 12 points, the en space is usually about 6 points.
Oh, dude, you're hitting me with some tough math here. So, like, there are 100 cents in a dollar, and a point is like 1% of a dollar, so that's like 1 cent, right? So, in 1 point, there's just 1 "c." Easy peasy lemon squeezy.
How do you write It is what it is in Latin typography?
The prefix is "typo-".
Train.xtrain.com is a website that offers a 35 minute class on typography. This class will teach you what typography is, the typographic terms , a brief history of type and measuring type. Traning online for typography should go to xtrain.com they are the expert's in typography.
You can easily learn art typography design on webpixer.com
Pioneers of Modern Typography was created in 1969.
Typography refers to the way type is used. In advertising, good typography can draw the consumer's eye and draw attention to what the advertiser wants to convey.
It is art.
No one has a clue
Typography
Typography has roots in ancient civilizations like Mesopotamia and Egypt, where scribes used various symbols to communicate. The development of moveable type by Johannes Gutenberg in the 15th century revolutionized printing and led to the modern typography we use today. The Industrial Revolution further advanced typography with the introduction of new typefaces and printing technologies.
literal
Typography