reversal
C.reversal
There is no evidence that Shakespeare had ever heard of Aristotle's Poetics and considerable evidence that he had not. The evidence that he had not is that virtually none of his tragedies pay attention to Aristotle's strictures on what tragedy should be about. For example, King Lear changes from an autocrat, to a madman, to someone who is serenely centred to someone who is shattered by grief. Consider what Aristotle thought were essential to tragic heroes--that they be good (is Lear's treatment of Cordelia and Kent good?), appropriate (is the spectacle of a king stripping himself naked and acting like a child appropriate?), and consistent. King Lear is none of these, and particularly not consistent. The Shakespearean tragic hero who most complies with Aristotle's ideas is Timon in Timon of Athens; the one who least complies is Hamlet. Thank heaven Shakespeare knew nothing of Aristotle.
Yes, it can be argued that Theban King Creon isn't an Aristotelian tragic hero. According to Aristotle [384 B.C.E.* - 322 B.C.E.], the tragic hero is a good person who does great things. But he loses everything due to his own tragic flaw. He also realizes his role in foredooming his own tragedy. It's true that Creon loses everything through his tragic flaw of pride. But he isn't a good person, and doesn't do great things. Instead, he's a selfishperson who does villainous things. For example, he refuses to honor the god given rights of his own citizens. Likewise does he remain unmoved by the suffering of his entire city. Creon ends his heartless, ruthless rule only when he sees that bad thingswill happen to him and his family. So he reverses his position only when he and his family are to be included in the suffering. He doesn't reverse his position because of his own self-awareness and self-knowledge. *Before the Christian Era
Aristotle thinks that good tragedy is when you reach the highest level as a human being can reach and in one moment everything falls down. Good tragedy for oristatle is a lost of everything man have gained.
Yes, Antigone is a good tragic hero. She has the quality of bravery in burying the body of her brother Polyneices against the manmade law of her uncle, Theban King Creon. In so doing, she shows that she acknowledges some moral authority higher than an earthly power such as a monarch. This makes her good. She also suffers for her convictions. She is arrested, receives a death sentence, and commits suicide. This makes her tragic.
reversal
C.reversal
According to Aristotle, for the style of a speech to be good, it must be clear, appropriate for the audience and occasion, and engaging. Aristotle believed that a good style should enhance the persuasiveness of the speech.
According to Aristotle, a good government is one that seeks the common good and promotes the well-being of all its citizens. He believed that a good government should uphold laws that are just, provide for the basic needs of its people, and allow for the participation of its citizens in decision-making. Aristotle also emphasized the importance of moderation and balance in governance.
Aristotle believed that the audience would identify with the tragic hero if they were of intermediate moral standing, where they exhibit both good and bad qualities. This balance allows the audience to see elements of themselves in the character's struggles and flaws, making the tragic hero's downfall more relatable and impactful.
Aristotle believed that a good government should prioritize the common good of its citizens, promote justice and equality, and be guided by wise and virtuous leaders who act in the best interest of the people.
Some good questions to ask Aristotle might be about his views on ethics, politics, or metaphysics, such as "What is the highest good for humans according to your philosophy?" or "How do you define a just society?" or "What is the nature of change and causality in your metaphysical system?"
true
Aristotle states that the highest good is happiness when we ask what it is.
The English term 'tragic flaw' means a character flaw or error of a tragic hero that leads to his downfall. It is not necessarily a very helpful concept, as a lot of tragic heroes do not appear to have them, and English students are forced to go to quite ridiculous lengths to find them. a weakness in a central character of high rank
There is no evidence that Shakespeare had ever heard of Aristotle's Poetics and considerable evidence that he had not. The evidence that he had not is that virtually none of his tragedies pay attention to Aristotle's strictures on what tragedy should be about. For example, King Lear changes from an autocrat, to a madman, to someone who is serenely centred to someone who is shattered by grief. Consider what Aristotle thought were essential to tragic heroes--that they be good (is Lear's treatment of Cordelia and Kent good?), appropriate (is the spectacle of a king stripping himself naked and acting like a child appropriate?), and consistent. King Lear is none of these, and particularly not consistent. The Shakespearean tragic hero who most complies with Aristotle's ideas is Timon in Timon of Athens; the one who least complies is Hamlet. Thank heaven Shakespeare knew nothing of Aristotle.
According to Aristotle, philosophy is the study of fundamental truths about existence, knowledge, values, reason, mind, and language. He viewed philosophy as the highest form of intellectual inquiry, aiming to uncover the nature of reality and help individuals cultivate wisdom and virtue. Aristotle believed that philosophy was essential for understanding the world and living a good life.