the "pit"
ya go English 9
woohoo
NOT
THRUST STAGEIn theatre, a thrust stage (also known as a platform stage or open stage) is one that extends into the audience on three sides and is connected to the backstage area by its upstage end.Many of the works of Shakespeare were first performed on the thrust stage of the Globe Theatre and lend themselves to such a stage design in modern times as well.
There is no difference between the yard and a pit in an Elizabethan theater. The two terms are synonymous. The pit was the area in front of the stage where people stood and watched the play. It was the cheapest part of the theater. Purchasing seats overlooking the stage cost an additional fee.
The pit was a name for the area immediately surrounding the stage. The tickets for the Pit were and are the cheapest, because there are no seats. You have to watch the play standing up. You get a really close view of the stage, which enables you to be spat upon and maybe worse by the actors.
The audience members who stood at the front of the stage during a performance were often referred to as the "groundlings." This term was commonly used in the context of Elizabethan theatres, such as the Globe Theatre, where groundlings paid a lower price to stand in the pit area and watch the play. Their proximity to the stage allowed for a more interactive and engaging experience with the performers.
The term "apron stage" refers to the part of a theater stage that extends beyond the proscenium arch and into the audience area. This design allows for closer interaction between the performers and the audience, creating a more intimate experience. The apron stage is often associated with Elizabethan theaters, such as the Globe Theatre, where it facilitated dynamic performances and greater visibility for spectators. The term "apron" itself is derived from its resemblance to a garment worn in front of the body, emphasizing its forefront position in the theater space.
pit PIT PiT pIt Pit
the area under the stage where the actors changed costumes
The physical space between performers and the audience is typically called the stage or performance area. The distance can vary depending on the type of event or venue, with performers often positioned on a stage or platform separate from the audience seating area.
THRUST STAGEIn theatre, a thrust stage (also known as a platform stage or open stage) is one that extends into the audience on three sides and is connected to the backstage area by its upstage end.Many of the works of Shakespeare were first performed on the thrust stage of the Globe Theatre and lend themselves to such a stage design in modern times as well.
The part of the stage that typically had a trapdoor is known as the "trap" or "trapdoor area." This feature was commonly used in theaters, particularly during the Elizabethan era, to allow characters to enter or exit the stage dramatically or to create special effects, such as the appearance of ghosts or other supernatural elements. The trapdoor was usually located center stage or towards the front, facilitating visibility for the audience.
There is no difference between the yard and a pit in an Elizabethan theater. The two terms are synonymous. The pit was the area in front of the stage where people stood and watched the play. It was the cheapest part of the theater. Purchasing seats overlooking the stage cost an additional fee.
They were both backstage structures in theaters. Because the use of backstage elements can be flexible, it is hard to be dogmatic, but it would appear that the skene, which was the building immediately behind the Greek stage, and which contained usually three exits, might approximate more closely to the modern wings, being an area immediately adjacent to the stage for the storage of props and costumes required in the production. The tiring-house, a term in Elizabethan theatre, would appear to be more like the modern green room, being used for actors to relax while offstage, and also for long-term storage (this storage area was also called a scene-room, a word which derives directly from the Greek skene.)
They were both backstage structures in theaters. Because the use of backstage elements can be flexible, it is hard to be dogmatic, but it would appear that the skene, which was the building immediately behind the Greek stage, and which contained usually three exits, might approximate more closely to the modern wings, being an area immediately adjacent to the stage for the storage of props and costumes required in the production. The tiring-house, a term in Elizabethan theatre, would appear to be more like the modern green room, being used for actors to relax while offstage, and also for long-term storage (this storage area was also called a scene-room, a word which derives directly from the Greek skene.)
The pit was a name for the area immediately surrounding the stage. The tickets for the Pit were and are the cheapest, because there are no seats. You have to watch the play standing up. You get a really close view of the stage, which enables you to be spat upon and maybe worse by the actors.
The audience members who stood at the front of the stage during a performance were often referred to as the "groundlings." This term was commonly used in the context of Elizabethan theatres, such as the Globe Theatre, where groundlings paid a lower price to stand in the pit area and watch the play. Their proximity to the stage allowed for a more interactive and engaging experience with the performers.
32 x32 x 3.1416=area
The term "apron stage" refers to the part of a theater stage that extends beyond the proscenium arch and into the audience area. This design allows for closer interaction between the performers and the audience, creating a more intimate experience. The apron stage is often associated with Elizabethan theaters, such as the Globe Theatre, where it facilitated dynamic performances and greater visibility for spectators. The term "apron" itself is derived from its resemblance to a garment worn in front of the body, emphasizing its forefront position in the theater space.