most definitely yes
operas were written to move an audience and to influence them into thinking/feeling certain things
On the whole, most opera`s have a tragic ending, but operettas seem to have a happy ending. The tragis ending in the operas` seem to get the audience to become so involved that as the curtian closes for the final, they start to get a standing ovation.
The Phantom of the Opera (or Erik) doesn't had a last name that is known to the audience. Madame Giry and no other characters make reference to it.
yes, they have operas in Italy just as they have operas in every other country. In fact you can see which operas are scheduled on the site below.
Gioachino Rossini is best known for his operas, including "The Barber of Seville," "William Tell," and "La Cenerentola." He composed a total of 39 operas, with many of them being staples of the operatic repertoire. His works are characterized by their melodic richness, wit, and vibrant orchestration. Rossini's influence on the development of opera is profound, particularly in the bel canto style.
Operas composed by other composed are not Puccini operas.
they were both sung in the language of the audience
We know that he is a composer and a musician... he influenced his audience by his composition
its influence widens.
A larger influence
On the whole, most opera`s have a tragic ending, but operettas seem to have a happy ending. The tragis ending in the operas` seem to get the audience to become so involved that as the curtian closes for the final, they start to get a standing ovation.
Broader Influence-Apex :3
to influence audience
The Phantom of the Opera (or Erik) doesn't had a last name that is known to the audience. Madame Giry and no other characters make reference to it.
According to Aristotle, a speaker can influence an audience through ethos (credibility and authority of the speaker), logos (logical reasoning and arguments presented), and pathos (emotional appeal to evoke specific feelings).
Walter H. Rubsamen has written: 'Historical and patriotic subjects' -- subject(s): Ballad operas, Librettos 'Scottish ballad operas II: History and politics' -- subject(s): Drama, Ballad operas, Librettos 'Classical subjects I: Satire and burlesque' -- subject(s): Ballad operas, Librettos 'York ballad operas and Yorkshiremen' -- subject(s): Ballad operas, Librettos 'Descriptive music for stage and screen' -- subject(s): Program music, Motion picture music, Incidental music 'Country operas III: Sentimental and moral comedies' -- subject(s): Ballad operas, Librettos 'The medical and legal professions' -- subject(s): Ballad operas, Librettos 'Satire, burlesque, protest, and ridicule I' -- subject(s): Ballad operas, Librettos 'Farce: Magical transformation and necromancy' -- subject(s): Ballad operas, Librettos 'Court intrigue and scandal II' -- subject(s): Ballad operas, Librettos 'The influence of pantomime and harlequinade' -- subject(s): Ballad operas, Librettos 'Satire, burlesque, protest, and ridicule II' -- subject(s): Ballad operas, Librettos 'Music Research In Italian Libraries' 'Topical and nautical operas' -- subject(s): Ballad operas, Librettos 'Country operas II: Farcical humor and stratagem' -- subject(s): Ballad operas, Librettos
Radio didn't influence jazz. It merely allowed it to reach a much wider audience.
yes, they have operas in Italy just as they have operas in every other country. In fact you can see which operas are scheduled on the site below.