There are three main characters who are women in the play 'Antigone'. The three represent different models of female behavior. One model is represented by the main character of the same name. She's presented as a rebel among women in her passionate outbursts and her unconventional behavior. For example, Antigone believes that convictions can be had, feelings can be experienced, and work can be done by women as well as by men. She doesn't believe that she needs a man to tell her what to say, feel, or do. She knows on her own what's right and wrong, what's comfortable and uncomfortable, and what to do about them.
Another model of female behavior is represented by Theban Queen Eurydice, who is Creon's wife, Haemon's mother, and Antigone's future mother-in-law. Eurydice only appears towards the end of the play. Her main contribution is her suicide. She seems to have lived in her husband's shadow, and been content to follow his orders. But with the loss of both her sons, she's in a difficult position. Does she continue to respect Creon and live life as the obedient, subservient female? Or does she dare to question an authority that costs her the lives of both her children? She's anguished enough to not want to continue living on Creon's terms. But at the same time, she feels so much anguish that she can't make the effort to rebel. Besides, she knows the price that Antigone pays for rebellion.
Still another model is represented by Antigone's sister, Ismene. Ismene is actually a transition between Antigone's rebellious extreme and Eurydice's traditional extreme. She initially seems to be what may be called today a pre-suffragist supporter of the status quo. She believes in being respectful to earthly authorities and obedient to men. She operates from a gender basis, in that certain activities and responsibilities are for men alone and others for women alone. But she subsequently shows promise of change in her brave, sensible attempts to defend Antigone against Creon's wrath.
Anger, love, sadness and sorrow are emotions portrayed by Antigone and Ismene in "Antigone" by Sophocles (495 B.C.E. - 405 B.C.E.).Specifically, Theban Princess Antigone exhibits anger in her interaction with her uncle King Creon. She expresses love in referring to her brother Polyneices and other dead family members whereas Ismene only expresses it once in terms of Antigone and once in terms of Antigone and Prince Haemon. Antigone manifests brief sadness over her fate. She shows sorrow over her family's fate whereas Ismene only manifests it over her and her sister's fates.
men are portrayed as strong, cruel and horrible and women and portrayed as weak and useless
Sentence her to death is what Creon does to Antigone in "Antigone" by Sophocles (495 B.C.E. - 405 B.C.E.).Specifically, Theban Princess Antigone deliberately breaks a royal edict recently issued by King Creon, her uncle and intended father-in-law. Creon tends to have a negative attitude towards women in general and towards Antigone in particular. Nevertheless, Antigone does nothing to try to get Creon to pardon her or give her a sentence other than death.
Independence versus obedience is the difference between Antigone's and Ismene's respective views on the role of women in society in "Antigone" by Sophocles (495 B.C.E. - 405 B.C.E.).Specifically, Theban Princess Antigone believes strongly about the importance of family ties, the gods and Theban traditions. She does not allow anyone or anything to dissuade or intimidate her. She feels confident of her ability to analyze situations and act upon what she sees. In contrast, all notion of independence is lost on Antigone's sister, Princess Ismene. Ismene thinks that men are born and destined to dominate and lead and that women are born and destined to follow and obey.
The is very few sibling rivalry present in Antigone, however, the first seen I suppose could be some type of sibling rivalry. When Antigone tells her sister, Ismene, that she is going to bury their brother, Polyneices, despite the law against it, the sisters get in an argument. Later on, when Antigone is convicted, Ismene tries to take credit for the crime along with her sister, and another argument ensues.
Anger, love, sadness and sorrow are emotions portrayed by Antigone and Ismene in "Antigone" by Sophocles (495 B.C.E. - 405 B.C.E.).Specifically, Theban Princess Antigone exhibits anger in her interaction with her uncle King Creon. She expresses love in referring to her brother Polyneices and other dead family members whereas Ismene only expresses it once in terms of Antigone and once in terms of Antigone and Prince Haemon. Antigone manifests brief sadness over her fate. She shows sorrow over her family's fate whereas Ismene only manifests it over her and her sister's fates.
Antigone is a Greek play. It is about a group of women, led by Antigone, who refuse to be intimate with their partners as long as those partners support or participate in war.
Most women are portrayed as individually beautiful but corrupt at the same time.
Giulia Paola Di Nicola has written: 'Nostalgia di Antigone' -- subject(s): Antigone (Greek mythology), Drama, Women, Antigone (Greek mythology) in literature, Women in literature 'Donne e politica' -- subject(s): Women in politics, Interviews 'Le ragioni del matrimonio' -- subject(s): Family, Marital quality, Marriage, Social aspects, Social aspects of Family, Social aspects of Marriage, Social conditions 'Antigone' -- subject(s): Drama, Antigone (Greek mythology), Women, Antigone (Greek mythology) in literature, Women in literature 'Ignazio Silone' -- subject(s): Criticism and interpretation
Creon discussed the family tradition of women preparing the dead for the afterlife with Antigone.
men are portrayed as strong, cruel and horrible and women and portrayed as weak and useless
Sentence her to death is what Creon does to Antigone in "Antigone" by Sophocles (495 B.C.E. - 405 B.C.E.).Specifically, Theban Princess Antigone deliberately breaks a royal edict recently issued by King Creon, her uncle and intended father-in-law. Creon tends to have a negative attitude towards women in general and towards Antigone in particular. Nevertheless, Antigone does nothing to try to get Creon to pardon her or give her a sentence other than death.
Independence versus obedience is the difference between Antigone's and Ismene's respective views on the role of women in society in "Antigone" by Sophocles (495 B.C.E. - 405 B.C.E.).Specifically, Theban Princess Antigone believes strongly about the importance of family ties, the gods and Theban traditions. She does not allow anyone or anything to dissuade or intimidate her. She feels confident of her ability to analyze situations and act upon what she sees. In contrast, all notion of independence is lost on Antigone's sister, Princess Ismene. Ismene thinks that men are born and destined to dominate and lead and that women are born and destined to follow and obey.
The is very few sibling rivalry present in Antigone, however, the first seen I suppose could be some type of sibling rivalry. When Antigone tells her sister, Ismene, that she is going to bury their brother, Polyneices, despite the law against it, the sisters get in an argument. Later on, when Antigone is convicted, Ismene tries to take credit for the crime along with her sister, and another argument ensues.
The main kind of love that's portrayed in the play 'Antigone' is charitable or compassionate love. For charity and compassion result in the respect for and, in some regards and ways, helpfulness toward those who have no defenses, those who need our consideration and our help. Additionally, there's the romantic love between Antigone and her first cousin and fiance Haemon. There's the patriotism, or the love of country, between the blind Prophet Teiresias and the Theban state and people. There's the parental love between Queen Eurydice and her son, Haemon. There's the filial love between Antigone and her dead parents, Theban King Oedipus and Queen Jocasta. There's the familial love between Antigone and her dead brother Polyneices.
Luke has a special interest in women. Only he tells us of the prominence of women in Christ's ministry.
It is in a lengthy onstage announcement delivered by a messenger that the fates of Antigone and Haemon are learned in "Antigone" by Sophocles (495 B.C.E. - 405 B.C.E.).Specifically, death cannot be portrayed onstage according to the rules of ancient Greek drama. Theban Princess Antigone and her betrothed Prince Haemon commit suicide. Their deaths therefore have to be reported onstage by another character. A messenger or a servant tends to fill that informational role in ancient Greek theater.