It's by the issuing and the enforcing of a harsh decreethat Theban King Creon causes fear in the audience. Specifically, the decree denies the god given rights of all Thebans to proper burial if any Theban dies disloyal to the city.
It then is by showing himself to be vulnerable that Creon causes pity in the audience. Specifically, Creon loses everything that gives his life meaning. In response, the audience is moved to pity because of Creon's willingness to give public expression to all of his private disappointments, griefs and sorrows.
The purging of pity and fear is known as catharsis.
Pity and fear
inspire pity and fear in the audience.
Because Oedipus blind himself, and exile which makes the audience feel pity to Oedipus.
Pity and fear
The purging of pity and fear is known as catharsis.
inspire pity and fear in the audience.
Pity and fear
Because Oedipus blind himself, and exile which makes the audience feel pity to Oedipus.
Pity and fear
Pity and fear
Aristotle believed that a tragedy should inspire pity and fear in the audience. These emotions would lead to catharsis, a purging of those emotions through the experience of watching the tragic events unfold on stage.
Aristotle describes catharsis as the purification or purgation of emotions, particularly fear and pity, through art, such as in tragedy. He believed that experiencing these emotions in a controlled manner could bring about a sense of relief and emotional balance in the audience.
pity and fear
Aristotle believed that a tragedy, as a form of art, should evoke fear and pity in the audience, leading to a purging or cleansing of these emotions. This process, known as catharsis, serves to provide a sense of emotional release and clarity, allowing the audience to experience a deeper understanding and connection with the human experience portrayed in the tragedy.
Aristotle's audience would say that an action is virtuous when it strikes a balance between extremes, as per his doctrine of the Golden Mean. They would also acknowledge the importance of ethics in achieving eudaemonia, or human flourishing.
Yes, according to Aristotle, a tragedy should evoke emotions of pity and fear in the audience, leading to a purgation of these emotions, which he calls "catharsis." Through experiencing these intense emotions, the audience gains insight and understanding about the human condition.