That her behavior leaves Creon no choice is the way in which the chorus first characterizes Antigone's punishment in "Antigone" by Sophocles (495 B.C.E. - 405 B.C.E.).
Specifically, the chorus does not sympathize with Theban Princess Antigone. The members insist that she is every bit as proud, stubborn, uncompromising, uncontrolled and unlucky as her father, disgraced Theban King Oedipus. They make no mention about her courage and a lot of mention about her perceived character flaws.
Yes, the chorus takes a position in the argument between Antigone and Creon in "Antigone" by Sophocles (495 B.C.E. - 405 B.C.E.).Specifically, the chorus draws its membership from Thebes' accomplished, respected, wise elders. The members therefore have closer ties to the reigning monarch than to any other character in Thebes. They indeed find nothing good to say about Theban Princess Antigone, whom they characterize as emotionally out of control as her father, disgraced Theban King Oedipus.
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The Chorus are basically the citizens.
Supportively to the edict, Antigone's punishment, Ismene's release in the beginning and then supportively to Polyneices' burial and Antigone's release in the end are the ways in which the chorus leader reacts to Creon's decision in "Antigone" by Sophocles (495 B.C.E. - 405 B.C.E.).Specifically, the chorus leader begins the play with the observation that kings rule the way that they must. He criticizes Theban Princess Antigone's emotional and disrespectful outbursts. He does not oppose Antigone's arrest and punishment, but does come out in defense of Princess Ismene's innocence. But by the end, he moves from support for his sovereign to criticism. For example, he firmly states that the bodies of Polyneices and the disloyal Theban dead need to be buried and that Antigone needs to be released from her live burial.
Curses, fate, flaws and punishment are four themes revealed by the chorus in "Antigone" by Sophocles (495 B.C.E. - 405 B.C.E.).Specifically, the chorus of Theban elders devote the parados and the first ode to the human flaw of pride and recklessness. They discuss the divine curses on Theban Princess Antigone's father Oedipus and great-grandfather King Labdacus in the second ode. They mention fate in the third ode. They refer to punishment throughout all of the odes.
Yes, the chorus takes a position in the argument between Antigone and Creon in "Antigone" by Sophocles (495 B.C.E. - 405 B.C.E.).Specifically, the chorus draws its membership from Thebes' accomplished, respected, wise elders. The members therefore have closer ties to the reigning monarch than to any other character in Thebes. They indeed find nothing good to say about Theban Princess Antigone, whom they characterize as emotionally out of control as her father, disgraced Theban King Oedipus.
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The Chorus are basically the citizens.
Supportively to the edict, Antigone's punishment, Ismene's release in the beginning and then supportively to Polyneices' burial and Antigone's release in the end are the ways in which the chorus leader reacts to Creon's decision in "Antigone" by Sophocles (495 B.C.E. - 405 B.C.E.).Specifically, the chorus leader begins the play with the observation that kings rule the way that they must. He criticizes Theban Princess Antigone's emotional and disrespectful outbursts. He does not oppose Antigone's arrest and punishment, but does come out in defense of Princess Ismene's innocence. But by the end, he moves from support for his sovereign to criticism. For example, he firmly states that the bodies of Polyneices and the disloyal Theban dead need to be buried and that Antigone needs to be released from her live burial.
Curses, fate, flaws and punishment are four themes revealed by the chorus in "Antigone" by Sophocles (495 B.C.E. - 405 B.C.E.).Specifically, the chorus of Theban elders devote the parados and the first ode to the human flaw of pride and recklessness. They discuss the divine curses on Theban Princess Antigone's father Oedipus and great-grandfather King Labdacus in the second ode. They mention fate in the third ode. They refer to punishment throughout all of the odes.
The flaw in Antigone that the chorus pointed out to her in Scene 4, line 45 was her lack of respect for human laws. This flaw would lead to her death, and the chorus blamed Antigone for her own demise.
Leader of Chorus
The chorus comments on the actions of the main characters in the play 'Antigone'. Most of their comments deal with the actions of Theban King Creon. But the chorus also comments on the single-focused passionate fury of Antigone.
The word 'Koryphaios' is Greek for 'leader of the chorus'.The leader had neither the authority nor the power to let Antigone go. That decision was Creon's as King of Thebes. Antigone was sentenced to death. The original punishment was being assailed by stones until dead. But King Creon changed the punishment to a slow, lonely death by being walled up in a remote cave. Once in the cave, Antigone killed herself.
Antigone is the person whom the chorus blames for her trouble in "Antigone" by Sophocles (495 B.C.E. - 405 B.C.E.).Specifically, the chorus blames Theban Princess Antigone's stubbornly passionate contrariness in showing no respect to King Creon in terms of his laws and in terms of his person as her uncle, sovereign and intended father-in-law. But at the same time, the chorus charges Antigone's parents with serving as improper role models. The chorus also concedes that Antigone's personality is hardened by her family's uphill struggle against multiplying, relentless divine curses against the Theban royal house.
maybe its because your so fat
That the chorus leader expresses amazement is what makes the audience feel that the chorus cares for Antigone when she is brought back with the guard in "Antigone" by Sophocles (495 B.C.E. - 405 B.C.E.).Specifically, the chorus leader can interact directly with other characters. He immediately inserts himself into Theban Princess Antigone's upcoming interaction with the guard and her uncle, King Creon. He offers an opportunity for Antigone to defend herself on the basis of the unexpectedness of her as the perpetrator.