Her early work was in the genre of Imagism, and was strongly influenced by Ezra Pound, who was a figure who loomed large over other Modernist poets, most prominently T.S. Eliot. Her work was influenced a great deal by both World Wars, and she, like many Modernists, attempted to create something completely new with her work. The peers who influenced her and the events that influenced her both define her as a Modernist writer.
The poem "Heat" (1919) does not display any of the sense of discontinuity present in much of the contemporary Modernist poetry.
Modernist writers of fiction tended to prefer indirect characterization. Modernist writers also preferred unreliable narrators. Other literary devices used in modernist writing were stream-of-consciousness and interior monologue.
Arthur K. Doolittle has written: 'The technology of solvents and plasticizers' -- subject(s): Plasticizers, Solvents
Hilda Watts Bernstein has written: 'South Africa' -- subject(s): Politics and government
Eliza Doolittle
Hilda Doolittle's birth name is Hilda Doolittle.
The poem "Heat" (1919) does not display any of the sense of discontinuity present in much of the contemporary Modernist poetry.
Hilda Doolittle was born on September 10, 1886.
Hilda Doolittle was born on September 10, 1886.
Hilda Doolittle went by H. D..
Hilda Doolittle died in 21 September 1961 of stroke.
Hilda Doolittle has written: 'Tribute to Freud' -- subject(s): Cases, clinical reports, statistics, Psychoanalysis
The narrator is unsure what it is.
By zooming in and out of one perspective
By zooming in and out of one perspective
Yes, Ernest Hemingway is considered a modernist writer. He is known for his simple, clear writing style that focuses on themes such as disillusionment, alienation, and the impact of war on individuals. His works, such as "The Sun Also Rises" and "A Farewell to Arms," reflect the experimentation and introspection characteristic of modernist literature.
D.H. Lawrence is considered a modernist writer due to his exploration of complex psychological themes, his experimentation with narrative structure and style, and his rejection of traditional Victorian values and conventions in his works. He often delved into taboo subjects such as sexuality, intuition, and the unconscious mind, reflecting the modernist emphasis on individual consciousness and subjective experiences.