In the play 'Antigone', no information is given as to the age of Haemon. But in ancient Greece, betrothal arrangements tended to be made in childhood for the future bride and groom. From the actions and speech of Haemon, the reader may be permitted to think in terms of an age of around 18 years.
Theban King Creon was the brother of Queen Jocasta. He was the father of Haemon. Jocasta was the mother of Antigone. So Creon was Antigone's uncle, and Jocasta Haemon's aunt. That made the betrothed couple Antigone and Haemon first cousins.
'Bloody' is an English equivalent of 'Haemon' [Άιμον, Haimon].
Haemon tells his father Creon to not act with sovereign and to listen to other people's thoughts.
Creon didn't kill Haemon. Creon decided too late to release Antigone. She was already dead, and Haemon tried to save her but Creon called him stupid. This was "the last straw" per say, so Haemon lashed out on Creon and Haemon fell on his sword killing himself.
The death of his father or that of himself is what Haemon means by saying that Antigone's death will cause another. Antigone is Haemon's beloved first cousin and bride-to-be. She's sentenced by Theban King Creon, Haemon's father and her own uncle, to death by being walled up in a remote cave. Haemon tries to kill his father. When he fails, Haemon turns the sword on himself.
Creon is Haemon's father and Antigone is Haemon's forbideddn love.
Tithraustes haemon was created in 1885.
Haemon and Creon are both characters in Antigone by Sophocles. Haemon visits his father, Creon, to tell him not to kill Antigone.
Theban King Creon was the brother of Queen Jocasta. He was the father of Haemon. Jocasta was the mother of Antigone. So Creon was Antigone's uncle, and Jocasta Haemon's aunt. That made the betrothed couple Antigone and Haemon first cousins.
'Bloody' is an English equivalent of 'Haemon' [Άιμον, Haimon].
Haemon tells his father Creon to not act with sovereign and to listen to other people's thoughts.
Creon didn't kill Haemon. Creon decided too late to release Antigone. She was already dead, and Haemon tried to save her but Creon called him stupid. This was "the last straw" per say, so Haemon lashed out on Creon and Haemon fell on his sword killing himself.
The death of his father or that of himself is what Haemon means by saying that Antigone's death will cause another. Antigone is Haemon's beloved first cousin and bride-to-be. She's sentenced by Theban King Creon, Haemon's father and her own uncle, to death by being walled up in a remote cave. Haemon tries to kill his father. When he fails, Haemon turns the sword on himself.
Yes.
Suicide is what happens to Haemon at the end of "Antigone" by Sophocles (495 B.C.E. - 405 B.C.E.).Specifically, Theban Prince Haemon is engaged to his first cousin, Princess Antigone. But the engagement is broken when Haemon's father, King Creon, sentences Antigone to be buried alive. Haemon goes to rescue or join her and finds her hanging by the halter of her own dress. He unsuccessfully attempts to kill Creon and then kills himself.
Suicide by his own sword is what happens to Theban Prince Haemon in the play "Oedipus Rex" by ancient Greek playwright Sophocles (495 B.C.E. - 405 B.C.E.).Specifically, Haemon is upset over the death sentence meted out by his own father, Theban King Creon, to Antigone, the former's first cousin and bride-to-be. Haemon tries to talk his father out of carrying out the sentence. When Creon refuses, Haemon goes to the cave where Antigone is found dead by self-inflicted hanging. Haemon tries to kill Creon, and turns the sword on himself when he fails.
No, Haemon does not agree with his father in "Antigone" by Sophocles (495 B.C.E. - 405 B.C.E.).Specifically, father and son appear to disagree over everything despite an initial but fleeting agreement over paternal respect. That fragile base for getting along quickly shatters as Theban King Creon and Prince Haemon end up only agreeing to disagree. For example, Creon disdains the feelings and opinions of others and the worth of a woman. In contrast, Haemon paces what he thinks, says and does to the input of young and old, inexperienced and experienced, rulers and women.