A libretto for any Opera, including Aida, is the creation of the words to sbe sung. If it is sung AND spoken, it is generally considered a musical or an operetta. The voices sing what the composer wrote in terms of music, but the poetry or words that tell the story are based on the librettist's work. In the case of Aida, A. Ghislanzoni was the librettist and the libretto was written in Italian. Someone else has translated the words into English - that person may or may not consider themselves a librettist - they may be a foreign language translater.
The 'libretto' is the words or story of the opera.
In an opera, the libretto is the lyrics to all the music in the opera.
Libretto.
A person who writes the libretto for an opera is simply referred to as the librettist.
The lyrics of an opera are called the "libretto."
Libretto is the text to an Opera.
The 'libretto' is the words or story of the opera.
In an opera, the libretto is the lyrics to all the music in the opera.
Libretto.
The text to an Opera.
A person who writes the libretto for an opera is simply referred to as the librettist.
The lyrics of an opera are called the "libretto."
"Libretto" is the technical term for the text and lyrics.
The libretto.
Libretto.
The text of an opera is called a "libretto". It often contains both the original text (often in Italian or German) and the translation, commonly in English.
Aida, an Ethiopian princess, in the opera of that name.