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Personally, I believe that although Malvolio deserved his fate to begin with, he is respected (in a strange way) when he does not use this as a difference in personality. But, I do not think he should be pitied; despite him being the only sad/worse off character in the end.

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Q: In the play Twelfth Night is Malvolio a character to be pitied or does he deserve his fate?
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How has Oedipus change since beginning of play?

At the beginning, Oedipus was full of pride and very boastful, "I AM OEDIPUS!" Towards the end, he was more confused and pitied, and just really upset and sad. "I am Oedipus..."


What does Shakespeare mean by the word fair?

Beautiful. The base meaning of "fair" is actually the opposite of "dark", in the way that we would talk about a "fair-haired person" or "fair-skinned person". At the time, extreme paleness was thought to be the pinnacle of beauty, probably because aristocrats didn't have to spend hours in the sun working, and could therefore be untanned. Therefore the makeup women wore was as white as clown makeup, to make them as "fair" as possible. People who had the misfortune to be born with dark skins were pitied for their ugliness.


How do Oedipus' promises create tension in 'Oedipus Rex'?

Theban King Oedipus promises his people that he will seek out and punish the killer[s] of his royal predecessor, Theban King Laius. He promises that the punishment will be carried out even should the perpetrator[s] be found within his own household. This promise raises the possibility that the royal householdindeed will be the very place where the criminal[s] will be found. It raises the additional possibility that the city's own beloved king may be the killer or one of the killers.These possibilities all create tension, because Oedipus takes on the roles of law giver and law enforcer, of king and of judge. To these administrative roles must be added the possible and increasingly probable roles that Oedipus plays as law breaker and law suppliant, as the perpetrator of crimes and as the victim of his own ignorance, pride, and short temper. The ever increasing number of roles that Oedipus takes on increases his chances of being punished, pitied, or both.


What did lennox say in act 3 scene 6 in Macbeth?

LENNOX1 My former speeches have but hit your thoughts,2 Which can interpret further: only, I say,3 Things have been strangely borne. The gracious Duncan4 Was pitied of Macbeth; marry, he was dead.5 And the right-valiant Banquo walk'd too late,6 Whom, you may say, if't please you, Fleance kill'd,7 For Fleance fled. Men must not walk too late.8 Who cannot want the thought how monstrous9 It was for Malcolm and for Donalbain10 To kill their gracious father? damned fact!11 How it did grieve Macbeth! did he not straight12 In pious rage the two delinquents tear,13 That were the slaves of drink and thralls of sleep?14 Was not that nobly done? Ay, and wisely too;15 For 'twould have anger'd any heart alive16 To hear the men deny't. So that, I say,17 He has borne all things well: and I do think18 That had he Duncan's sons under his key-19 As, an't please heaven, he shall not-they should find20 What 'twere to kill a father; so should Fleance.21 But, peace! for from broad words and 'cause he fail'd22 His presence at the tyrant's feast, I hear23 Macduff lives in disgrace: sir, can you tell24 Where he bestows himself?LordThe son of Duncan,25 From whom this tyrant holds the due of birth26 Lives in the English court, and is received27 Of the most pious Edward with such grace28 That the malevolence of fortune nothing29 Takes from his high respect. Thither Macduff30 Is gone to pray the holy king, upon his aid31 To wake Northumberland and warlike Siward,32 That, by the help of these-with Him above33 To ratify the work-we may again34 Give to our tables meat, sleep to our nights,35 Free from our feasts and banquets bloody knives,36 Do faithful homage and receive free honours:37 All which we pine for now. And this report38 Hath so exasperate the king that he39 Prepares for some attempt of war.LENNOXSent he to Macduff?Lord40 He did; and with an absolute "Sir, not I,"41 The cloudy messenger turns me his back,42 And hums, as who should say "You'll rue the time43 That clogs me with this answer."LENNOXAnd that well might44 Advise him to a caution, to hold what distance45 His wisdom can provide. Some holy angel46 Fly to the court of England and unfold47 His message ere he come, that a swift blessing48 May soon return to this our suffering country49 Under a hand accursed!LordI'll send my prayers with him.Exeunt


Comic strip for Romeo and Juliet?

There have been many Romeo and Juliet translations in modern English text, but few have dared approach the subject matter in quite the same bold, bawdy, post-modern manner as Juliet and Her Romeo in the New Millennium. We've added our own modern twist to the Romeo and Juliet script, minus the famous love quotes and poems but with the addition of bawdy rhyme and comedic timing. Savor the dialogue below:JulietOh Romeo, wouldst thou leave me with my pony on the go? For if thou did I'd be obliged to slap it. And t'would never be exactly comme il faut, Indeed, I'd be constrained to handicap it.RomeoRacy girl, full dressage would lead to insufficient woe, A prematurely consummated plot because I lingered. Pray, cool down till I remount incognito, And be content with fervid equus fingered.JulietFlaccid pilgrim, thou wouldst leave me here in vaginated toil, All wanting and askew, a panting ingenue, To work myself into an artless broil, Akin to hand-stretched, frothied Montagues!RomeoAh Juliet, it ne'er occurred to me in fondest reverie, That even spirited mares not beg for intermission. Aye, countless swindled maids must be'n recorded history, Encumbered and unsated by so minuscule a seat of acquisition.JulietCockered boy, do not peter out on me in phallic bonhomie, For as you rise to empathize the nightingale doth sing, Which yet leaves time for lusty-thrusted spirited activity, By thine uplifted night bird fully...cocked...in wanton caroling.RomeoHollow night bird, tis not the nightingale you hear, But the prudent owl who know'st when to rest, Too wise to let us our own plot besmear, By labile minored pleas effused from being penisless.JulietAye, pleas as soundless as thy hoots for venerated plots, Whilst nightingales give way to cranky larks, Who spend long sterile days tied up in knots, Unsparked by dickering, stage-struck patriarchs.RomeoPoor stunted ears mistake the nagging screech of larks, For the gloried matinals of noble roosters, Whose fertile-throated calls ne'er fail to mark, The bawdy barnyard mien of great producers.JulietAlack, the pitied gait of limpest boosters, Fixed on long-winded plots but weakly proffered, By err-brained Montagues who would be roosters, Yet end stage-roasted capons, fully Stoppard.RomeoOh shamèd stable girl, thou wouldst malign, The noble-spirited clan of Montagues, Who even in high hubris would incline, To tender vulvaed Capulets sweet-tongued coos.JulietHence bid to drink vile potions by a hasty-witted friar, Then enter stage-struck Romeo fully blindered, Who doth belie stilled Juliet consumed in wishful ire, For his scene-stealing heart at full tilt daggered!RomeoOh sacrilege! Thou wouldst impale my loving heart, For crimson lips and cheeks so fair in everlasting rest, Embraced in dateless bargain, never to depart Our own dim nightèd palace ever blest.JulietSo quick forgotten thy dispatch of Paris, Whilst on thy whiny pilgrimage to me, Hence mewling over Tybalt in frozen animus, And none of it for me but all for thee!RomeoOh woe is me! Thou speak'st not as Juliet, Now lost most lovèd night bird, No greater beauty nature could'st beget, No sound more lovely in a single word.JulietNay Romeo, thy self-love played to me as purest love, Doth come from fawning boys too blind to see, That plots which play as wars can not be love, That horses as would plots run loving free.(Romeo makes a silent plea)JulietLong winded boy, alight. Save thy hackneyed story line, For trophied concubines best served supine, Akin to hollow-brainèd Rosaline..

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I was pitied greatly because my house caught on fire.


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