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He DOES drown in the sea: "The gray pony knocked him into the sea, abd he was washed out where there is a great surf on the white rocks."

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Conflict of Riders to the Sea?

After Nine days of constant grieving for her missing son, Michael, old Maurya is fallen into a restless sleep. Her daughter, Cathleen, is busy with household tasks, when another daughter, Nora, slips quietly into the kitchen with a bundle given her by the young priest. It contains part of the clothes taken from the body of a drowned man far in the north. They have been sent to the family for identification, since the clothes may belong to her missing brother. The girls go to open the package but then decide to hide it in case their mother, who is waking up, should come in and see them crying. Maurya enters. After the sea had claimed the lives of her husband and four eldest sons, Maurya tries to discourage Bartley, her last living son, from going to Connemara to sell a horse, which was the trip Michael took when he died. But Bartley insists that he will cross the mainland in spite of winds and high seas. Mad and aggravated at Bartley for not listening to her pleas, Maurya allows him to go, however, without her blessing. Cathleen and Nora persuade their mother to chase Bartley with the food they forgot to give him and to give him her blessing regardless of her fears. While she is gone the girls open the package. Nora recognizes her own stitching in one of the socks, and immediately knows that the owner of the clothes was indeed her brother, Michael. Their only comfort is the hope that his body has been given a good Christian burial where it was washed up. Maurya returns horrified with a vision she has seen of Michael riding on the horse behind Bartley. She claims that the vision proves that her fear of Bartley's death is being realized. When her daughters show Maurya the clothes her only response is that the boards she bought for Michael's coffin will serve for Bartley instead. As Maurya speaks the neighboring women enter keening. The Men follow shortly, carrying the body of Bartley who has been knocked off a cliff into the waves by the horse he was intending to sell. The play closes on the note of Maurya's accepting surrender to the sea, and to the course of life: "They're all gone now and there isn't anything mire the sea can do to me… No man at all can be living forever and we must be satisfied."


Character Analysis of Riders to the Sea?

CHRACTERS IN Riders to the Sea are Maurya , Cathleen , Nora & Bartley. Men carrying Bartley's body & women keening ahead of the dead may be seen as rather choral figures at a point of transcendence.Maurya: an old Aran fisher-woman whose name echoes the Greek word moira, meaning 'fate'. She is a poor victim of dark fatality as represented by the unrelenting sea. The most important aspect of her chracterisation is the change in her attitude to life & death after her last son & the last surviving male member of her family, Bartley, is drowned in the sea. Maurya senses a paradoxical victory over the tyrant-god, for the sea can cause no more harm to the old woman who becomes a sort of mythical embodiment of suffering humanity & the transcendence of suffering.Bartley: He is the one of the two riders in the play, the other being the ghost of Maurya's fifth son, Michael. Stubborn in his decision to go to the sea despite the old mother's premonition & entreaties, Bartley stands for the survival instinct in man, the eros as opposed to the thanatos( death drive) of which the all-devouring sea is the pervading symbol. Bartley rides the red mare, while Michael's grey pony follows him. It is the grey pony which knocks the red mare down into the sea. Cathleen forgets to give Bartley his bread at the time of his departure; Maurya is unable to deliver the bread as well as her blessing to Barley at the Spring-well; we learn at the end that Maurya forgot to buy nails required for making his coffin. The symbols like the bread & nails, and the fact that Bartley's near-sacrificial death ironically salvages Maurya from her long victimhood, may suggest that Synge conceived Bartley as a Christ figure.Cathleen & Nora: They are the two daughters of Maurya. The elder daughter, Cathleen, is more responsible and hard-working, taking care of the household. Nora is a bit immature and innocent, serving as a link with the world out of doors.YOU MAY CALL THE SEA AN ABSENTEE CHARACTER, AN INVISIBLE FATAL AGENCY, THE ANTAGONIST WHOSE PRESENCE IS AN OMINOUS OMNIPRESENCE.by TANAY SARKAR(MALDA).Mail-mailmetanay@yahoo.co.in(UseSubject-wiki.ansers "RidersToTheSea")


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The climax of J.M. Synge's play "Riders to the Sea" occurs when Maurya receives the news that her last surviving son, Bartley, has drowned at sea. This moment represents the culmination of the play's central conflict between the characters and the relentless power of the sea. Maurya's acceptance of Bartley's death and her final resignation to the sea's dominance mark the emotional peak of the story.


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