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Behn's work should always be read with an eye toward her contemporary political world. She was a Royalist, and her works frequently treat Puritans and democracy roughly. The subtitle "Banish'd Cavaliers" is a reference to the world of exile that the Cavalier forces experienced during the interregnum. Behn based her play on Thomas Killigrew's Thomaso, or The Wanderer (1664). It features multiple plots, dealing with the amorous adventures of a group of Englishmen in Naples at Carnival time. The "rover" of the play's title is Willmore, a rake and naval captain, who falls in love with a young woman named Hellena, who has set out to experience love before her brother sends her to a convent. Complications arise when Angellica Bianca, a famous courtesan who falls in love with Willmore, swears revenge on him for his betrayal. In another plot, Hellena's sister Florinda attempts to marry her true love, Colonel Belvile, rather than the man her brother has selected. The third major plot of the play deals with the provincial Blunt, who becomes convinced that a girl has fallen in love with him but is humiliated when she turns out to be a prostitute and a thief. Contemporary feminist scholars often focus on the play's many instances of women vulnerable to rape, and the tragic results of Angellica's being jilted by Willmore. They see in these plot elements a protest against the powerlessness of women in Behn's time. Willmore (who may have been a parallel to Charles II or John Wilmot, 2nd Earl of Rochester) proved to be an extremely popular character, and four years later Behn wrote a sequel to the play. King Charles II was himself a fan of The Rover, and received a private showing of the play.

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What were some plays in the 1660s?

In the 1660s, notable plays included "The Country Wife" by William Wycherley, a quintessential Restoration comedy that explores themes of infidelity and social pretenses. Another significant work was "The Man of Mode" by George Etherege, which satirizes the manners and morals of the aristocracy. Additionally, "The Rover" by Aphra Behn emerged as an important play showcasing a woman's perspective in a male-dominated theatrical landscape. These works reflect the vibrant and often scandalous nature of Restoration England's theatrical scene.


Who are the girl play writers during Shakespeare's time?

Alas, there were no female playwrights in Shakespeare's time unless you count Mary Sidney, Countess of Pembroke, who translated a French version of Antony and Cleopatra by Robert Garnier into English, with no intent that it should be performed. The earliest known female author of an original play in English at any rate is Aphra Behn, who was born about 1640 and whose play The Roverwas written in 1677. This was almost a hundred years after Shakespeare's time, in the Restoration period.


What is the literary importance of Shakespeare's All the world?

I guess you are talking about Jaques' speech in As You Like It which starts "All the World's a Stage". It's a vivid if somewhat cynical portrayal of men in various stages of their life. It's a fun speech to learn and deliver because it is so colourful. That does not give it literary importance, however. I don't think it has any literary importance: it did not start a fashion for writing similar speeches or anything like that. Aphra Behn did not feel obliged to compose a "Seven ages of woman" speech.


What is poem is Harry Behn well known for?

Harry Behn was an American screen writer, children's author and an artist. He also made illustrations for his poems. His most famous literary work is poem 'Trees'. It is a beautiful poem that invites children to not only see and marvel on trees but also wonder about their importance to the world. The illustrations are very thought provoking and eye catching.


What led to the 1660-1680's Revival of theater?

The revival of theater from the 1660s to the 1680s was largely sparked by the Restoration of Charles II to the English throne in 1660, which reestablished a more permissive cultural climate after years of Puritanical censorship. The reopening of theaters allowed for the resurgence of dramatic arts, with a focus on new forms of comedy and restoration plays that often critiqued societal norms. Additionally, the influence of European theatrical traditions, particularly French drama, brought fresh styles and themes to English audiences. This period marked a vibrant exchange of ideas, leading to the flourishing of playwrights like Aphra Behn and John Dryden.