Act 2 - Prince Orlofsky's Ball in Johann Strauss 'Die Fledermaus'
The term is 'aria-cabaletta'. An example being Violetta's aria from act 1 of La traviata - 'È strano! è strano……Ah! fors e lui' [aria] - 'Sempre libera' [cabaletta].
Although not an aria in the strict sense, Brunnhilde's Immolation Scene from act 3 of Wagner's Götterdämmerung which can take in excess of 10 minutes.
aria "Il dolce suono" from the 3rd act
An aria is a solo for one character, a song or an extended scene. An overture is an orchestral piece, sometimes incorporating themes from an opera or ballet, played before the first act.
Mimi introduces herself to Rodolfo and the audience in this aria in act 1.
The aria is the Elvira Arturo duet from Bellini's I Puritani. It is from Act III and it is just an excerpt of the aria.
"Eri tu" (Renato's aria from Act 3 of "Un Ballo in Maschera")
The term is 'aria-cabaletta'. An example being Violetta's aria from act 1 of La traviata - 'È strano! è strano……Ah! fors e lui' [aria] - 'Sempre libera' [cabaletta].
Giovanni Battista Pergolesi, Salustia - aria of Claudio - act I
Although not an aria in the strict sense, Brunnhilde's Immolation Scene from act 3 of Wagner's Götterdämmerung which can take in excess of 10 minutes.
aria "Il dolce suono" from the 3rd act
An aria is a solo for one character, a song or an extended scene. An overture is an orchestral piece, sometimes incorporating themes from an opera or ballet, played before the first act.
aria aria
Signore, ascolta! Song by Liu from Puccini’s Turandot (First Act)
Mimi introduces herself to Rodolfo and the audience in this aria in act 1.
aria does not get pregnant.
There is an exceptionally famous aria that Figaro sings in act 1 ' Largo al factotum della città' - 'Make way for the factotum of the city'