Sympathetic to her plight as an unmarried young girlappears to be the tone of the chorus' dialogue with Antigone in "Antigone" by Sophocles (495 B.C.E. - 405 B.C.E.).
Specifically, the chorus compares her live burial to a marriage bower. The members describe her isolation in terms of preparation for her deathly bridegroom. They seem a bit depressed over what happens to such a young girl who does not get to experience marriage and parenting. But they state that ultimately her own uncontrolled misbehavior puts her where she is.
Argumentative and solemn is the way to describe the tone of "Antigone" by Sophocles (495 B.C.E. - 405 B.C.E.).Specifically, the play deals with the conflict between two higher authorities. The main characters argumentatively line up in defense of divine will or royal power. The chorus members solemnly make observations about the characters, the events and the gods.
Critical and supportive are the respective attitudes of the chorus in regard to Antigone and Creon in "Antigone" by Sophocles (495 B.C.E. - 405 B.C.E.).Specifically, the chorus criticizes Theban Princess Antigone for her disrespectful treatment of King Creon and for her uncontrolled passions. In contrast, they do not criticize Creon for the bullying, insults and threats that typify his interactions with Princess Antigone, Prince Haemon and Teiresias the blind prophet. The chorus members therefore show a consistently critical attitude towards Antigone and a uniformly supportive attitude toward Creon.
Yes, Antigone is justified in her attitude throughout her confrontation with Creon in "Antigone" by Sophocles (495 B.C.E. - 405 B.C.E.).Specifically, Theban Princess Antigone has the right to defend and protect herself and her brother Polyneices against her uncle King Creon. She manifests courage in her interactions with this stalker who brooks no independent thinking and cheats people out of their hard earned rights.But she needs to tone down the way in which she expresses her disappointments in Creon and his godless rule over Thebes.
It is with a boasting, disrespectful and stubborn attitude that Antigone is brought before Creon in "Antigone" by Sophocles (495 B.C.E. - 405 B.C.E.).Specifically, Theban Princess Antigone gets what she wishes for. She intends to break her uncle King Creon's law by burying her brother Polyneices and not to fight her death sentence. She makes no excuses for her civil disobedience. She responds to every question in an angry, contradictory, disdainful, insulting tone. She refuses to back down from her disrespect and therefore loses all chance for getting her uncle to rescind his law or lighten or negate her sentence.
That it goes from respect to anger is the change in Haemon's attitude towards Creon in "Antigone" by Sophocles (495 B.C.E. - 405 B.C.E.).Specifically, Theban Prince Haemon begins his conversation with his father, King Creon, in a deferential and respectful tone. But he has trouble maintaining his calm and reason in the face of his father's contradictions, insults and threats. It is when Creon makes insulting and threatening remarks about Haemon's beloved first cousin and bride-to-be, Princess Antigone, that the son begins to replace patience and respect with disrespect and anger.
The Rich-Tone Chorus was created in 1968.
Argumentative and solemn is the way to describe the tone of "Antigone" by Sophocles (495 B.C.E. - 405 B.C.E.).Specifically, the play deals with the conflict between two higher authorities. The main characters argumentatively line up in defense of divine will or royal power. The chorus members solemnly make observations about the characters, the events and the gods.
Critical and supportive are the respective attitudes of the chorus in regard to Antigone and Creon in "Antigone" by Sophocles (495 B.C.E. - 405 B.C.E.).Specifically, the chorus criticizes Theban Princess Antigone for her disrespectful treatment of King Creon and for her uncontrolled passions. In contrast, they do not criticize Creon for the bullying, insults and threats that typify his interactions with Princess Antigone, Prince Haemon and Teiresias the blind prophet. The chorus members therefore show a consistently critical attitude towards Antigone and a uniformly supportive attitude toward Creon.
That she disdains her sister and dislikes her king is what Antigone respectively conveys in her dialogues with Ismene and Creon in "Antigone" by Sophocles (495 B.C.E. - 405 B.C.E.).Specifically, Theban Princess Antigone appears to disdain Princess Ismene. She in fact calls her basely born even though both share the same genealogy, the same parents and the same royal status. She likewise disparages and dislikes King Creon. She uses the same contradictory, rude language and tone on her uncle as she does on her sister.
The chorus in Ode IV of what? Could you please provide more context or specify the text you are referring to?
The paean in Antigone typically signals a shift in tone and prepares the audience for the climax of the play. It often foreshadows impending tragedy or resolution of the conflict within the story.
The way it functions and appears
Breaking his law and bragging about it are two things that Creon says anger him about Antigone in "Antigone" by Sophocles (495 B.C.E. - 405 B.C.E.).Specifically, Theban King Creon finds it offensive that Princess Antigone breaks his law of non-burial of the disloyal Theban. He finds it even more offensive that she has no shame about her civil disobedience. It is a wonder that he does not add the third strike of how offensive she is in her attitude, tone and word choice.
Yes, Antigone is justified in her attitude throughout her confrontation with Creon in "Antigone" by Sophocles (495 B.C.E. - 405 B.C.E.).Specifically, Theban Princess Antigone has the right to defend and protect herself and her brother Polyneices against her uncle King Creon. She manifests courage in her interactions with this stalker who brooks no independent thinking and cheats people out of their hard earned rights.But she needs to tone down the way in which she expresses her disappointments in Creon and his godless rule over Thebes.
The purpose of the chorus in the prologue of a play is to provide background information, set the scene, and help establish the tone or themes of the work. They often address the audience directly and can help guide viewers through the story.
The tone of the passage in the news appears to be informative and neutral, presenting facts objectively without expressing a strong opinion or emotion.
The author's tone towards the government appears critical, skeptical, or even disapproving. Words and phrases that convey this tone could include "inefficient bureaucracy," "excessive regulations," or "lack of transparency."