If suitors choose the wrong casket in Shakespeare's "The Merchant of Venice," they must agree to three conditions: they must leave immediately, never reveal which casket they chose, and remain single for the rest of their lives. These conditions emphasize the seriousness of the choice and serve as a deterrent against frivolous or insincere suitors. Ultimately, they reflect Portia's desire for a worthy husband who truly understands her value.
In "The Merchant of Venice," the suitors seeking to win Portia's hand must choose between three caskets: gold, silver, and lead. Each casket has an inscription that hints at its true nature, and only the one who selects the correct casket, which is the lead one, will win her love. This test serves to reveal the true character and values of the suitors, as Portia desires a husband who chooses wisely and values inner worth over superficial appearances.
In The Merchant of Venice there was a casket of gold, one of silver, and one of lead.The casket of gold (chosen by the Moroccan prince) contained a skull with a scroll in it that read: "All that glisters is not gold;Often have you heard that told.Many a man his life hath soldBut my outside to behold,Gilded tombs do worms enfold.Had you been as wise as bold,Young in limbs, in judgment old,Your answer had not been inscroll'd:Fare you well; your suit is cold."This gold casket's skull and scroll represents simply the cliched moral that one should not judge "a book by its cover", for inside the gold it could very well be a gross skull that belongs in the tomb.In the casket of silver (chosen by the prince of Arragon) there was the smiling face of an idiot with a scroll that read:"The fire seven times tried this:Seven times tried that judgment is,That did never choose amiss.Some there be that shadows kiss;Such have but a shadow's bliss:There be fools alive, I wis,Silver'd o'er; and so was this.Take what wife you will to bed,I will ever be your head:So be gone: you are sped."In the casket of lead (chosen by Bassanio) there was a portrait of Portia with a scroll that read:You that choose not by the view,Chance as fair and choose as true!Since this fortune falls to you,Be content and seek no new,If you be well pleased with thisAnd hold your fortune for your bliss,Turn you where your lady isAnd claim her with a loving kiss.This is the same moral lesson throughout. That "all that glitters is not gold", and thus Bassanio chose correctly.
He thinks that gold, being more valuable than silver or lead, is more appropriate to Portia, who is a valuable person. He says, "Never so rich a gem was set in worse than gold. They have in England a coin that bears that figure of an angel stamped in gold, but that's insculped upon. But here an angel in a golden bed lies all within."
We learn that Portia's a bit of a racist. After he's gone she says, "Let all of your complexion choose me so.", which is to say, not at all.
The link between the two stories arises as a result of the relationship that Bassanio has with characters in the two plot streams. The association is created when Bassanio, who is out of pocket, approaches his friend and confidante, Antonio, a wealthy Christian merchant, for financial assistance so that he may woo the beautiful Portia, a wealthy heiress from Belmont. Bassanio wishes to stand an equal chance against a number of other suitors, who come from privileged backgrounds and the money will give him such an opportunity. Antonio does not have the ready cash that Bassanio needs but asks him to seek a loan in Venice by using his name as guarantee. He is a person of good standing and assures Bassanio that he will also seek a loan. Bassanio soon encounters Shylock, the Jewish moneylender, who is prepared to extend him a loan of 3 000 ducats should Antonio sign as surety to the bond. Antonio agrees to Shylock's harsh terms which state that the loan should be settled in three months without any interest charged. If he should forfeit, Antonio has to allow Shylock to cut out a pound of his flesh. Bassanio asks his friend not to agree to these terms but Antonio, confident that he will be able to settle the debt comfortably, signs the agreement. Bassanio takes the money and goes off to try his luck in winning Portia's hand in a lottery, in which a suitor should choose the right casket from three, that her deceased father had concocted. It is through these actions that an association between the two stories is created. It is important to note that Antonio and Shylock despise each other. Antonio believes that Shylock is committing a grave sin by lending out money and profiting from the interest he charges. Shylock hates Antonio for having severely criticized him openly and humiliating him by spitting on his gaberdine, kicking him and calling him a dog. He seeks revenge against the Christian. Bassanio is successful in choosing the right casket and wins Portia's hand. He does, however, receive an unsettling message from Antonio in which he states that he has been imprisoned for forfeiting on the bond. He had suffered a number of mishaps with his ships and could not settle the debt. The vengeful Shylock has been insistent that he should have his pound of flesh. Bassanio is utterly distraught. Portia notices his distress and after discovering the reason for this, offers to help. She urges Bassanio to rush to his friend's aid immediately after their marriage and offers to repay the debt many times over. She formulates a plan to further assist the traumatized Antonio by going to Venice disguised as a doctor of law with Nerissa as her assistant. It is in this manner that the two plots achieve a confluence.
In "The Merchant of Venice," the suitors seeking to win Portia's hand must choose between three caskets: gold, silver, and lead. Each casket has an inscription that hints at its true nature, and only the one who selects the correct casket, which is the lead one, will win her love. This test serves to reveal the true character and values of the suitors, as Portia desires a husband who chooses wisely and values inner worth over superficial appearances.
Portia's dad wants to make sure Portia marries an okay guy instead of some dumb tool, so he puts it in his will that any guy who wants to marry her has to choose one of the three caskets. It's supposed to be a test that only a guy who will love Portia as she deserves and for who she is can pass.
In William Shakespeare's play "The Merchant of Venice," Portia's father's will stipulates that she cannot choose her own husband. Instead, suitors must choose between three caskets—gold, silver, and lead—each containing a different message about true worth and love. The suitor who selects the casket that holds Portia's portrait will win her hand in marriage. This condition reflects her father's desire to ensure that Portia's husband truly values her for who she is, rather than for her wealth.
He had to swear that if he failed the test he would live a celibate life.
Prince Arragon chose the silver casket since he thinks he is the best, and shouldn't choose what most of the people, the common ones, chose (the gold casket). He thought that the gold casket tricks you with the appearance, and that he should look to it from the inside not the outside. Also, Arragon thinks that he deserves Portia, and he should get what he deserves. Hope that helped ...
In Scene 1, Portia wants to know the secrets that Brutus is keeping about Caesar. She is getting frustrated toward Brutus because he is keeping secrets. She wants to know why he can't sleep. He tells her that he will tell her, but someone knocks at the door and the conversation is interrupted.
There is no god or goddess specifically named Porsche in classical mythology. The name "Porsche" is more commonly associated with the German automotive manufacturer founded by Ferdinand Porsche in 1931. It is possible that the name was inspired by the ancient Greek goddess of victory, Nike, but there is no direct connection between the two.
In The Merchant of Venice there was a casket of gold, one of silver, and one of lead.The casket of gold (chosen by the Moroccan prince) contained a skull with a scroll in it that read: "All that glisters is not gold;Often have you heard that told.Many a man his life hath soldBut my outside to behold,Gilded tombs do worms enfold.Had you been as wise as bold,Young in limbs, in judgment old,Your answer had not been inscroll'd:Fare you well; your suit is cold."This gold casket's skull and scroll represents simply the cliched moral that one should not judge "a book by its cover", for inside the gold it could very well be a gross skull that belongs in the tomb.In the casket of silver (chosen by the prince of Arragon) there was the smiling face of an idiot with a scroll that read:"The fire seven times tried this:Seven times tried that judgment is,That did never choose amiss.Some there be that shadows kiss;Such have but a shadow's bliss:There be fools alive, I wis,Silver'd o'er; and so was this.Take what wife you will to bed,I will ever be your head:So be gone: you are sped."In the casket of lead (chosen by Bassanio) there was a portrait of Portia with a scroll that read:You that choose not by the view,Chance as fair and choose as true!Since this fortune falls to you,Be content and seek no new,If you be well pleased with thisAnd hold your fortune for your bliss,Turn you where your lady isAnd claim her with a loving kiss.This is the same moral lesson throughout. That "all that glitters is not gold", and thus Bassanio chose correctly.
He thinks that gold, being more valuable than silver or lead, is more appropriate to Portia, who is a valuable person. He says, "Never so rich a gem was set in worse than gold. They have in England a coin that bears that figure of an angel stamped in gold, but that's insculped upon. But here an angel in a golden bed lies all within."
We learn that Portia's a bit of a racist. After he's gone she says, "Let all of your complexion choose me so.", which is to say, not at all.
When Homer says the suitors "imagined as they wished," he is referring to the suitors' arrogant belief that Penelope would eventually choose one of them as her husband, despite her clear rejection of their advances. The suitors were deluding themselves into thinking that she would succumb to their charms rather than remaining faithful to Odysseus.
The suitors hope that Penelope will choose one of them as her new husband, as they believe Odysseus will never return. They have been pressuring Penelope to make a decision and have been waiting for her to give them an answer.