Octet
Petrarchan Sonnet: the first half is an Octave( first 8 lines) to introduce the theme or problem followed by the sestet( last 6 lines) where the conclusion is made or problem solved. Usually in line 9 you will the the Volta which is the turning point in the sonnet. typically rhyme schemed: abba abba cdcd ee
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The Art of the Shakespearean SonnetThe sonnet is a traditionally rigid poetic form featuring fourteen lines with rhyme, meter, and logical structure. The form was first developed in Italy during the High Middle Ages, with such well-known figures as Dante Alighieri putting it to use. But the most famous sonneteer of that time was Francesco Petrarca, and it is after him that the Italian sonnet got its name. The Petrarchan sonnet's fourteen lines are divided into an octave (eight lines) and a sestet (six lines), with the sestet responding to some proposition introduced in the octave. The rhyme scheme varied somewhat, but typically featured no more than four or five rhymes, for example abbaabba cdecde.Thomas Wyatt introduced the sonnet form into the English language in the early 16th century. Although Wyatt stuck to Petrarchan conventions, the form soon evolved into a specifically English one, and it was used by a good number of Renaissance poets - including Shakespeare. In fact, the English sonnet is often referred to as the Shakespearean sonnet for the same reason the Italian sonnet is often named after Petrarch. It is also sometimes referred to as the Elizabethan sonnet, after the era during which it took shape.The Shakespearean sonnet is distinct from the Petrarchan sonnet in a number of ways. First, the octave-sestet division is replaced by a quatrain-couplet division, with three quatrains of four lines each followed by a closing two-line couplet. The rhyme scheme of a traditional Shakespearean sonnet is abab cdcd efef gg, increasing the total number of rhymes to seven. The meter is iambic pentameter, five feet of two syllables each (ten syllables total per line), where each foot is normally an iamb consisting of an unstressed syllable followed by a stressed one. Finally, the logical structure of a Shakespearean sonnet parallels that of the Petrarchan to a certain extent, in that the third quatrain sometimes introduces a twist on the theme of the preceding two; but it is the distinctive couplet that carries the pop, normally delivering a great overarching message or a deeply insightful thought.
There are 14 lines in a Shakespearean sonnet. The first twelve lines are divided into three quatrains with four lines each, and the final two lines are called a couplet.
There are fourteen lines, organized in three units of four lines called quatrains and a final couplet of two lines. In a Shakespearean sonnet the quatrains generally set up the situation and the couplet comments on it or sums it up. Sometimes Shakespeare wrote with a more Petrarchian setup, where the first eight lines set up the situation, and the last six take it in a different direction.
Of the two great families of Sonnet - Petrarchan and Shakespearean - only the Petrarchan has a first part.In a Petrarchan sonnet the poem divides 8:6; forming the Octave and the Sestet.
The first 8 lines of a sonnet are called the octet.
The rhyme scheme of a Petrarchan Sonnet is abbaabbacdcdcd. In a Petrarchan or Italian Sonnet, the first eight lines are related. Line 9 is called "the turn", signifying a change in rhyme pattern and a change in subject matter. Each line of a sonnet consists of 10 syllables following a pattern of unstressed syllable, stressed syllable (each pair is an "iamb").
Eight line poem is TRIOLET from French a little trio , Ian
If you are asking about an Elizabethan sonnet, it has 3 quatrains (ababcdcdefef) and a rhyming couplet (gg). If you are talking about a Petrarchan sonnet, the first section is called an octave (8 lines interrhymed--abbaabba) and the second section is called a sestet (six lines interrhymed--cdecde).
The first part of an Italian sonnet is called an octave, which consists of eight lines. The octave typically sets up the problem or situation that is further explored in the sestet.
The 'change in perspective' (the Volta) is a characteristic of a Petrarchan sonnet, not a Shakespearean sonnet. Many Shakespearean sonnets sum up (or sometimes comment ironically) on their main argument in the couplet. But the change in topic or focus is not necessary in a Shakespearean sonnet, the way it is in a Petrarchan; so the answer to your question is: 'In general, no.'
A fourteen line poem in iambic pentameter (in English) is very likely to be a sonnet. It isn't guaranteed to be a sonnet - but the first thing you check is whether it is a sonnet or not.
its a 14 line poem metered in iambic pentameter. It ia Shelley's most famous from 1817. Iambic is a verse consisting of a short syllable followed by a long or an unaccented syllable followed by an accented. A pentameter in this case is verse or line of poetry of five feet
Petrarchan Sonnet: the first half is an Octave( first 8 lines) to introduce the theme or problem followed by the sestet( last 6 lines) where the conclusion is made or problem solved. Usually in line 9 you will the the Volta which is the turning point in the sonnet. typically rhyme schemed: abba abba cdcd ee
An octet is used to represent an eight line stanza. However it is also called an octave when used in a Sonnet as the first eight lines.
The first and last stanzas of "Eros Turannos" from "The Man Against the Sky" by Edwin Arlington Robinson are written in an eight-line stanza called an octet. This stanza form is commonly used in the Petrarchan or Italian sonnet.