The are many which all the characters face. The main one's for Othello, who is a fool for passion, include's, love, revenge, and a fight with one's conscience.
The main conflict is the internal one within Othello, between his love of Desdemona and his fear that Iago is right about her being an adultress.
Conflicts in a drama are central struggles that drive the narrative and character development. They can be external, such as conflicts between characters or against societal forces, or internal, where a character grapples with personal dilemmas and emotions. These conflicts create tension and propel the plot forward, ultimately leading to resolutions that reveal deeper themes and truths. They are essential for engaging the audience and making the story compelling.
Walter Lee Younger's external conflicts primarily involve his struggles with financial instability and his desire to assert his masculinity and provide for his family, particularly as he faces opposition from his wife Ruth and mother Lena regarding his dreams. Internally, Walter grapples with feelings of inadequacy and frustration, torn between his aspirations for a better life through entrepreneurship and the harsh realities of systemic racism and economic hardship. This internal struggle amplifies his desperation, leading to impulsive decisions that affect his family's dynamics and future. Ultimately, Walter's conflicts reflect the broader themes of dreams, identity, and the pursuit of dignity.
Is a dectable change in the internal or external environment
A hero is made internally. He or she may have an external motivation, but they have to be brave and honorable internally to become a hero.
descibe both internal and external conflict in this story
more complex
A charictor seems more simple
Adding internal conflicts to a character's external conflicts will make a character seem more complex and relatable. It can also add depth to their personality and motivations, making them more interesting to the audience. Combining internal and external conflicts can create a rich narrative that drives the character's development throughout the story.
Internal/ External conflicts
Mrs. Chen faces internal conflicts such as feelings of guilt or self-doubt about her decisions, and external conflicts like societal pressures or challenges from family members. These conflicts can affect her personal well-being and relationships with others.
An external conflict is when Connor has to figure out why Branwell win't talk anymore.
Koro Apirana struggles with internal conflict over his traditional beliefs and his desire to maintain cultural heritage, while facing external conflicts with his granddaughter Paikea's gender, as he seeks a male heir to lead their Maori tribe. These internal and external conflicts create tension and challenges for Koro as he grapples with his beliefs and societal expectations.
The color purple is neither an internal nor an external conflict. It is a physical attribute with no direct association to conflicts in literature or storytelling.
Internal conflicts have to do with emotion, hunger, and pain, and anything else you can think of that is internal. (thoughts are good too.) External conflicts have to do with things on the outside of you or things on the outside world such as weather, animals, or maybe even broken bones.
Internal and external conflicts both involve obstacles or challenges that a character faces. Internal conflicts arise within a character's mind or emotions, while external conflicts involve struggles with outside forces such as other characters or the environment. Both types of conflict help to drive the plot and develop the characters.
An external conflict is when beterli fought with keevan and broke his skull and leg. An internal conflict is when keevan fears that he wont be at the impression to impress a dragon.