The desecration of the bodies of the disloyal Theban dead and the suicides of Antigone, Haemon and Eurydice are the tragic results of Creon's stubbornness and pride in "Antigone" by Sophocles (495 B.C.E. - 405 B.C.E.).
Specifically, Theban King Creon decides to issue a controversial, unpopular edict that denies to his enemies cherished, divinely sanctioned rights of all Thebans to below-ground burials and Theban-style funeral rites. He refuses to back down in the face of widespread suffering of the families of the unburied dead and despite civil disobedience by Princess Antigone, his niece and intended daughter-in-law. In fact, he sentences Antigone to be buried alive, an incident that brings about the successive suicides of Antigone; Prince Haemon, Antigone's betrothed and Creon's son; and Queen Eurydice, Creon's wife and Haemon's mother.
cindy!
Creon's tragic flaw is hubris, thinking he can set the laws of human beings above the laws of the gods.
Antigone is more tragic than Theban King Creon. The adjective 'tragic' refers to an unhappy ending or outcome. So Antigone is more tragic, because she ends up dead. Except for his life, Creon loses everything that means something to him.
Both Antigone and Creon meet tragic ends, but Antigone's is more tragic in "Antigone" by Sophocles (495 B.C.E. - 405 B.C.E.).Specifically, an end is tragic when the outcome of a human life leads to suffering or takes an unfortunate turn. The description fits both Theban Princess Antigone and King Creon. Antigone's end is tragic because she loses her life and therefore forfeits the opportunity to marry her beloved first cousin, Prince Haemon and to have children with him. Creon's end is a bit less tragic since he still lives at the play's end even though he loses everyone and everything that gives his life meaning.
Her rashness, and loyalty
cindy!
Antigone is more tragic than Theban King Creon. The adjective 'tragic' refers to an unhappy ending or outcome. So Antigone is more tragic, because she ends up dead. Except for his life, Creon loses everything that means something to him.
Creon's tragic flaw is hubris, thinking he can set the laws of human beings above the laws of the gods.
Both Antigone and Creon meet tragic ends, but Antigone's is more tragic in "Antigone" by Sophocles (495 B.C.E. - 405 B.C.E.).Specifically, an end is tragic when the outcome of a human life leads to suffering or takes an unfortunate turn. The description fits both Theban Princess Antigone and King Creon. Antigone's end is tragic because she loses her life and therefore forfeits the opportunity to marry her beloved first cousin, Prince Haemon and to have children with him. Creon's end is a bit less tragic since he still lives at the play's end even though he loses everyone and everything that gives his life meaning.
Her rashness, and loyalty
Creon is not the tragic hero in "Antigone" by Sophocles (495 B.C.E. - 405 B.C.E.).Specifically, a hero is the main character, the holder of great powers, and the doer of great deeds. That hero is tragic when his life takes an unfortunate turn. The description of the hero does not fit Theban King Creon, who is capable of no great deed or power. But the description of tragic does fit Creon, as a tragic figure in a tragic play about the tragedy of the tragic heroine Antigone.
Arrogance, foolhardiness or stubbornness may be seen as Creon's tragic flaw in issuing an illegal royal edict in "Antigone" by Sophocles (495 B.C.E. - 405 B.C.E.).Specifically, Theban King Creon shows arrogance, or an exaggerated sense of self, when he issues an edict that contradicts divine will and Theban traditions. He manifests foolhardiness when he deliberately defies the gods, whom he appears to think he can emulate or beat at their own game. He expresses stubbornness every step of the way in standing behind his edict until loss, pain and suffering are about to descend upon his own household.
That she numbers among the play's cast of characters and that her life comes to an unfortunate end is the reason why Antigone can be considered a tragic character in "Antigone" by Sophocles (495 B.C.E. - 405 B.C.E.).Specifically, Antigone is a main character who influences and is affected by the interactions among the other main characters. Great changes can be expected of her as Princess of Thebes, and yet her life is cut short, suddenly and cruelly. What she does therefore defines her as a main character and what happens to her therefore defines Antigone as tragic.
That they advance the plot, create tension and increase audience interest are reasons for why tragic flaws are important other than for creating irony in "Antigone" by Sophocles (495 B.C.E. - 405 B.C.E.).Specifically, Theban Princess Antigone's tragic flaw of uncontrolled passionate outbursts advances the plot by impelling her to brag about breaking her uncle Creon's edict of non-burial of the disloyal Theban dead. King Creon's tragic flaw of stubbornness creates tension by keeping him from seeking common grounds at points when reconciliation still is possible. Prince Haemon's tragic flaw of pride increases audience interest by making him unforgiving about mutual wrongs and pushing him to try to kill his own father.
That she is a child who suffers but who is not known to do great things is the reason why Antigone is not the tragic hero of the play "Oedipus Rex."Specifically, a person who is tragic meets with a bad end. A person who is heroic is capable of doing great deeds. The job description matches Antigone's father, Theban King Oedipus, in the play "Oedipus Rex" and herself in the play "Antigone".
Antigone herself is not the tragic hero of Antigone. The tragic hero of Antigone is Creon. Creon is a well-intentioned king, that comes from royal blood, but he brings his death upon himself with his tragic flaw. His flaw was that he paid more attention to the laws of man and easily forgot about the power of the gods. After everyone that he loves dies, Antigone (his niece), Haimon (his son), and Eurydice (his wife), he becomes a better person and changes his views. However, it is too late for Creon by the end of the tragedy, and he is too weighed-down by his own guilt. He chooses to die.
Because Antigone is the main character and the tragic hero, the play by Sophocles (495 B.C.E. - 405 B.C.E.) is called "Antigone" instead of "Creon."Specifically, the main character is the person who affects the course of action. The tragic hero is the character who does great deeds but meets with an unfortunate end. Both descriptions fit Theban Princess Antigone. In fact, her burial of her brother Polyneices affects the actions of all other characters, is a great deed, and results in the unfortunate turn that her life takes.