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"A Valediction: Forbidding Mourning" by John Donne is about the never ending love he had for his wife. He says that they will never be separated even when they are apart meaning they are always together spiritually.

It is a must read poem as it is really touching.

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9y ago
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9y ago

From line 21 in "Valediction: Forbidding Mourning" until the end of the poem, John Donne compares the two souls (his soul and his lover's soul) to feet that move together. The simile in the last stanza compares the soul to a foot which runs when the other foot (his lover's soul) runs.

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9y ago

John Donne was writing of his own death. He was leaving his pregnant wife (who he was imprisoned for) to go to Europe.

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8y ago

Talking about our love of someone to others will only cheapen it.

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14y ago

Several people keep watch at their friend's deathbed.

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10y ago

Forces more powerful than the moving of the earth do less harm.

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9y ago

There are no excerpts to choose from. You could just paraphrase it by putting it into your own words or summarizing.

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8y ago

Forces more powerful than the moving of the earth do less harm best paraphrases the lines in the third stanza in 'A Valediction Forbidden Mourning.'

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Q: What best paraphrases the lines in the third stanza in A Valediction Forbidden Mourning?
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Which best paraphrases the last two lines of the second stanza of A Valediction Forbidding Mourning below?

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Consider the second stanza of A Valediction Forbidding Mourning below What are tear floods and sigh tempests?

The second stanza of A Valediction Forbidding mourning states intense displays of emotions in that stanza.


Used in the second stanza of A Valediction Forbidding Mourning what does profanation mean?

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Which is best paraphrase for third stanza of valediction forbidding mourning poem?

Basically, the third stanza of John Donne's A Valediction Forbidding Mourning is saying this: Life is scary and sometimes painful. We wonder what it means. But the afterlife, even though we often fear it more, has no pain and fear in store for us.


In the seventh stanza of A Valediction Forbidding Mourning the twin compasses refers to what?

In the seventh stanza of "A Valediction Forbidding Mourning," the twin compasses symbolize a strong and unwavering connection between the two lovers. The image of the compasses suggests that despite physical distance, their souls are spiritually connected and will always come back together.


Consider the first stanza of A Valediction Forbidding Mourning below What is the attitude of the virtuous men toward death?

They do not struggle against it. heaven


What is part of the central conceit in A Valediction Forbidding Mourning?

The narrator compares his love to gold beaten into a thin leaf. The conceit involves a drafting compass. The poem has an irregular rhyme scheme.


Consider the sixth stanza of A Valediction Forbidding Mourning what is the most likely meaning of breach here?

It is being beaten into a very thin sheet.


Consider the sixth stanza of a valediction forbidding mourning what is most likely meaning of breach here?

It is being beaten into a very thin sheet.


What line in the third stanza of a Valediction Forbidding Mourning refers to people who read divine meaning into natural disasters?

"Men reckon what it did and meant"


Which of the lines in the third stanza of A Valediction Forbidding Mourning refers to people reading divine meaning into a natural disaster?

The line "Thy firmness makes my circle just" in the third stanza of A Valediction Forbidding Mourning can be interpreted as referring to people attributing divine meaning to a natural disaster, seeing it as part of a larger cosmic plan.


What is happening to the gold in the sixth stanza of a valediction forbidding mourning?

In the sixth stanza of "A Valediction: Forbidding Mourning," the speaker compares their separation to the properties of gold: just as gold can be stretched to create a fine wire, their love remains strong and consistent despite physical distance. The gold acts as a metaphor for the enduring strength and resilience of their love.