That Creon needs to do what Teiresias tells him to is what the chorus leader tells Creon about Teiresias' predictions in "Antigone" by Sophocles (495 B.C.E. - 405 B.C.E.).Specifically, Teiresias the blind prophet announces that the mourning and suffering that goes around all Thebes will come back to the Theban royal household. He cautions that Creon needs to bury Polyneices' body and free Princess Antigone. King Creon does not stop his torrent of insults and threats. But he mentions the predictions to the chorus leader, who says to do what Teiresias says.
The chorus leader reacts to Creon with a mix of respect and caution. While acknowledging Creon's authority and the importance of law and order, the chorus leader also subtly conveys the need for balance and wisdom in governance. They express concern over Creon's rigid stance and the potential consequences of his decisions, highlighting the tension between authority and moral responsibility. Ultimately, the chorus leader serves as a voice of reason, urging Creon to consider the broader implications of his actions.
The chorus comments on the actions of the main characters in the play 'Antigone'. Most of their comments deal with the actions of Theban King Creon. But the chorus also comments on the single-focused passionate fury of Antigone.
That kings do what they must is the way in which the chorus leader reacts to Creon's decree in Oedipus Rex by Sophocles (495 B.C.E. - 405 B.C.E.).Specifically, the chorus leader is one of Thebes' most accomplished, respected and senior citizens. He therefore starts from a position of support for Theban King Creon. So he validates what Creon says and does ... in the beginning.
It is in careful defense of Creon that the chorus responds when Oedipus becomes angry with Creon in "Oedipus Rex" by Sophocles (495 B.C.E. - 405 B.C.E.).Specifically, the chorus characterizes Creon as reasonable. The members describe Theban King Oedipus as rash and uncontrolled. They suggest that Creon is behaving deferentially and sanely, in line with an individual fighting for his life against false charges.
the chorus asking the god to heal the wrong that creon did.
That Creon needs to do what Teiresias tells him to is what the chorus leader tells Creon about Teiresias' predictions in "Antigone" by Sophocles (495 B.C.E. - 405 B.C.E.).Specifically, Teiresias the blind prophet announces that the mourning and suffering that goes around all Thebes will come back to the Theban royal household. He cautions that Creon needs to bury Polyneices' body and free Princess Antigone. King Creon does not stop his torrent of insults and threats. But he mentions the predictions to the chorus leader, who says to do what Teiresias says.
The chorus comments on the actions of the main characters in the play 'Antigone'. Most of their comments deal with the actions of Theban King Creon. But the chorus also comments on the single-focused passionate fury of Antigone.
That kings do what they must is the way in which the chorus leader reacts to Creon's decree in Oedipus Rex by Sophocles (495 B.C.E. - 405 B.C.E.).Specifically, the chorus leader is one of Thebes' most accomplished, respected and senior citizens. He therefore starts from a position of support for Theban King Creon. So he validates what Creon says and does ... in the beginning.
To support his edict is what Creon commands the chorus leader in "Antigone" by Sophocles (495 B.C.E. - 405 B.C.E.).Specifically, Theban King Creon announces his edict of non-burial of the disloyal Theban dead. The leader of the chorus of Theban elders comments that Creon may do as he wishes as king of Thebes. Creon then in essence directs the leader to make sure that the edict is defended, protected and supported.
It is in careful defense of Creon that the chorus responds when Oedipus becomes angry with Creon in "Oedipus Rex" by Sophocles (495 B.C.E. - 405 B.C.E.).Specifically, the chorus characterizes Creon as reasonable. The members describe Theban King Oedipus as rash and uncontrolled. They suggest that Creon is behaving deferentially and sanely, in line with an individual fighting for his life against false charges.
That he rules as he must and then that he needs to rethink his position are ways in which the chorus reacts to Creon's new edict in "Antigone" by Sophocles (495 B.C.E. - 405 B.C.E.).Specifically, Theban King Creon informs the chorus about his edict against burial of the disloyal Theban dead. The chorus observes that Creon must rule as he must and makes no comment on the law violating divine will and Theban traditions. But just before the end of the play, the chorus says that Creon must violate his own law by burying Polyneices and setting Antigone free.
The chorus does not make fun ofAntigone. It warns her about the danger of going against Creon.
Bury Polyneices and release Antigone is what the chorus thinks that Creon should do in "Antigone" by Sophocles (495 B.C.E. - 405 B.C.E.).Specifically, the chorus cannot interact directly with any of the onstage characters. But its leader can do so. The chorus leader in fact asks Theban King Creon to bury the exposed body of Polyneices and to free Princess Antigone from her walled up cave.
Yes! He fails to take advice from the chorus and his son, Haemon.
It is Creon that the chorus supports in "Antigone" by Sophocles (495 B.C.E. - 405 B.C.E.).Specifically, the chorus draws its members from the most accomplished, respected and senior of Theban citizens. It therefore has a tendency to support the reigning king. The chorus indeed refrains from criticizing Theban King Creon despite his violation of divine will and Theban traditions. At the same time, it tends to be highly critical of Princess Antigone's personality.
That the chorus leader questions his decisions regarding Ismene hints that Creon is starting to lose the trust of those around him in "Antigone" by Sophocles (495 B.C.E. - 405 B.C.E.).Specifically, Theban King Creon characterizes his niece, Princess Ismene, as showing nothing but wisdom her entire life. But he charges her with helping Antigone break the law based on one incident of distraught behavior. The emotionalism may be explained by concern over the imminent death of her sister Antigone. But Creon pushes on with arrest, interrogation and sentencing. Creon's people respond with distruct, which is shown in the chorus leader daring to question what Creon plans to do about Ismene, but not about Antigone.