It doesn't symbolize anything really, but it does tell us something about the character that is speaking. Shakespeare had his comic or commonplace characters speak in prose but had the more serious and more noble characters speak in verse (that is, blank verse, which is unrhymed iambic pentameter).
So, in a play like A Midsummer Night's Dream, it is no surprise that the Duke Theseus, his fiancee Hippolyta, the lovers and the fairies speak verse while Bottom and the "rude mechanicals" speak prose. They do this even when they are talking to each other, as in the following exchange:
Titania:
I pray thee, gentle mortal, sing again.
Mine ear is much enamoured of thy note;
So is mine eye enthralled to thy shape,
And thy fair virtue's force perforce doth move me
On the first view to say, to swear, I love thee.
Bottom:
Methinks, mistress, you should have little reason for that, and yet, to say the truth, reason and love keep little company together nowadays. The more the pity that some honest neighbours will not make them friends. Nay, I can gleek on occasion.
(This strange-sounding last line means "Just kidding!")
B
All of Shakespeare's plays have at least some dialogue in iambic pentameter. The amount of prose varies from play to play.
Iambic pentameter is the verse form which most closely approximates the rhythm of English speech.
Mainly iambic pentameter. Please see the link.
Shakespeare wrote a lot of dialogue in his plays in blank verse, which is unrhymed iambic pentameter.
B
All of Shakespeare's plays have at least some dialogue in iambic pentameter. The amount of prose varies from play to play.
Iambic pentameter is the verse form which most closely approximates the rhythm of English speech.
Mainly iambic pentameter. Please see the link.
In order for the actors/actresses to remember their lines more easily during the plays.
Iambic pentameter is a metrical pattern in poetry consisting of five iambs per line. An iamb is a metrical foot comprising one unstressed syllable followed by one stressed syllable. Many Shakespearean sonnets and plays are written in iambic pentameter.
For instance, he wrote around 40 plays. He wrote sonnets in iambic pentameter.
Shakespeare wrote a lot of dialogue in his plays in blank verse, which is unrhymed iambic pentameter.
Do you mean, what sort of handwriting would he use? The same handwriting he always used: secretary hand. Or do you mean "When did Shakespeare use iambic pentameter?" The answer is in sonnets and in a lot of the dialogue in his plays, when it was supposed to be more powerful.
William Shakespeare is a popular poet, who wrote plays and poetry. Shakespeare's works were often written in an iambic pentameter.
Shakespeare and his contemporaries often used blank verse (unrhymed iambic pentameter) for the dialogue in their plays.
Iambic pentameter is a style of writing or speaking where a soft syllable follows a hard syllable. It sounds natural to the ears of English Speaking People. Most poetry is written in iambic pentameter. Many songs and hymns use the technique. Shakespeare used it for his plays. (A few places exist in his plays where he deliberately did not use it.) Think of a poem and speak it aloud. You are probably using iambic pentameter.-------------------------------------------------------------------------------------Correction to crossed out error:it should read "... a soft syllable is followed by a hard syllable."The iamb, a "foot" or "measure", consists of two syllables, only the second accented (as in "good-bye")and ...Pentameter: five measures (feet) to the line