Justice, verity, temperance, stableness, bounty, perseverance, mercy, lowliness, devotion, patience, courage, fortitude. He left out tediousness, although from this speech and this scene in general he seems much attached to this quality.
I don't think Malcolm comes off very well in this scene. First of all he makes poor old Macduff, who has left Scotland in the hope of improving it with a different king, extremely depressed by saying that he would be a worse king than Macbeth. Then after depressing him in this way he turns around and says, "Hey, guess what? I was lying!" and proceeds to describe himself as being so perfect that he is practically a god. And why exactly should we believe him now?
Then when Ross brings Macduff the devastating news that his wife and children have been slaughtered, all Malcolm can do is to try to use this traumatic event to encourage Macduff to take revenge (basically to do all the work so that Malcolm can be king). He reminds me of those sleazy religious types that hover like vultures around people who are suffering crises with the hope that in that vulnerable state they will be persuaded to join the religious type's religion.
Basically, the scene doesn't help me to like Malcolm much.
he has absolutely no qualities what so ever
yes
no
very little If you want the reader to feel like they're in the scene of your poem, then try describing the scene then maybe add a little dialogue. Make the character say his or her feelings and thoughts so that the reader is "in their minds" so that they could feel the same way (possibly).
Most of the dialogue in the "balcony scene" takes place at the window in Juliet's room. Only the final line is on the actual balcony.
Dialogue between characters
i generally just put the description of the scene that is playing in parenthetical where it cues in on the dialogue. you could describe it in an action after the dialogue i suppose.
Alcott likely begins the chapter with character dialogue to immediately draw the reader into the scene and establish the characters' personalities and relationships through their conversation. Dialogue can also create suspense or tension, setting the tone for the rest of the chapter.
The Great Gatsby is a classic novel. The scene at the New York apartment reveals a lot about Tom's character, mainly that he is not going to marry Myrtle.
The nurse's dialogue in act 1 scene iii reveals her as talkative, humorous, and affectionate towards Juliet. She has a bawdy sense of humor and often speaks in a colloquial and direct manner, showing her warmth and closeness to Juliet. She is also portrayed as a loyal and caring figure in Juliet's life.
Elements such as setting descriptions, props, costumes, and character actions can help the audience understand where the scene takes place. Lighting, sound effects, and dialogue can also provide context for the location of the scene.
Dialogue, stage directions, and character names are typically found on a written script.
Dialogue can provide insight into characters' emotions, thoughts, and intentions through their words and interactions with others. By showcasing how characters speak and respond in conversations, dialogue allows readers to infer their feelings and moods, helping to create a more vivid and immersive experience. Additionally, dialogue can reveal underlying tensions, motivations, and conflicts that contribute to the overall atmosphere of a scene or story.
A writer can show indirect characterization by revealing a character's traits through their actions, dialogue, thoughts, and interactions with others, rather than explicitly stating traits. This allows readers to infer characteristics and motivations based on the character's behavior and the way they are perceived by other characters.
It's an exciting scene in a story, where there's something going on instead of description or dialogue.
Macbeth's actions on the battlefield in Scene 2 reveal his courage, loyalty to King Duncan, and prowess as a skilled warrior. He is portrayed as valiant and fearless in battle, earning him admiration and respect from his comrades. This initial portrayal sets the stage for his eventual downfall as the play progresses.
In filmmaking this is called a dissolve.
dialogue magazine scene a set