It helps if you actually quote the entire sentence, which is:
Thy wit, that ornament to shape and love,
Misshapen in the conduct of them both,
Like powder in a skitless soldier's flask,
Is set afire by thine own ignorance,
And thou dismember'd with thine own defence.
Friar Lawrence says this to Romeo when he is reaming him out for being so despondent about being banished. "Wit" means understanding, intelligence, the mental faculties generally, "shape" is physical appearance, and "love" is, well, love. The friar in the previous paragraphs has been developing the theme that God has given Romeo these gifts of mental capability and physical ability and the capacity to love. In the previous two sentences he has told Romeo that he wastes the gifts God has given: he wastes his "shape", he is perverting his "love" and now in this sentence he says that his "wit", which should complement or ornament both shape and love, is "misshapen". But the real sense of the sentence is in the simile to a soldier's powder flask. He compares Romeo's careless use of his intelligence to a soldier, who is careless in storing the gunpowder he carries in his hip flask (the muzzle-loading guns of the day had to be loaded by pouring gunpowder down the gun barrel) and as a result blows his own arm off by accident. The weapon he has for his own defence has crippled him; he is "dismember'd with [his] own defence." In other words, Romeo's intelligence, which God gave him to protect him from stupid error, by being used carelessly and without discipline is having the opposite effect.
The dramatic irony builds up suspense in Shakespeare's Romeo and Juliet in the sense that neither of the main characters knows what the other is doing, which leads the tragic ending.
Well, in a way. He tells him to shape up and count his blessings, and he will soon have a chance to see Juliet. He points out that it may all work out in the end.
not to swear at all ....actually first she askes him to swear by himself...then not to swear at all It's the other way around. "Do not swear at all; Or if thou wilt, swear by thy gracious self, Which is the god of my idolatry, And I'll believe thee."
26
What she says is that he shouldn't swear by the moon because the moon changes (waxes and wanes over a month) and she does not want Romeo's love to be that inconstant. What she really means is that Romeo should not swear at all. Part of the game of love, the flirting game of the time, the game which Romeo was playing with Rosaline, was that the male should profess his love, as Ophelia says in Hamlet "with almost all the holy vows of heaven." Her cynical father says, "Ay, springes to catch woodcocks". The lover makes these vows but they cannot be trusted; they are pure hooey, designed to trap the female and induce her to let down her equally put-on aloofness. Juliet knows this. "Yet if thou swear'st, thou may'st prove false; at lover's perjuries, they say Jove laughs." Her position is awkward. She has been caught unawares with her emotions in full view. She cannot now put on the pretence of aloofness which is the female part of the game. She is not playing a game now, and she wants Romeo to cut the BS and talk to her in the same way. At some point all lovers must stand before each other naked, with no clothes to hide who they are physically. They must also be emotionally naked. Juliet has reached that stage, and she is asking Romeo, if he loves her, to take off his emotional clothing, such as swearing by the moon, and appear before her as he is.
Here is an example sentence with the word "ornament":A beautiful, ceramic ornament in the shape of a angel decorated the bookshelf.
Considering that it follows about a minute after they first meet, there isn't much suspense--about a minute's worth. This minute of suspense is filled with Romeo and Juliet flirting in blank verse, using religious imagery, and in the shape of a Sonnet. If you are perceptive enough to recognize the sonnet form when you first hear it, you will wonder what will happen when they reach the final couplet. And sure enough, at the very moment the sonnet is completed, Romeo and Juliet share their first kiss.
The dramatic irony builds up suspense in Shakespeare's Romeo and Juliet in the sense that neither of the main characters knows what the other is doing, which leads the tragic ending.
Considering that it follows about a minute after they first meet, there isn't much suspense--about a minute's worth. This minute of suspense is filled with Romeo and Juliet flirting in blank verse, using religious imagery, and in the shape of a Sonnet. If you are perceptive enough to recognize the sonnet form when you first hear it, you will wonder what will happen when they reach the final couplet. And sure enough, at the very moment the sonnet is completed, Romeo and Juliet share their first kiss.
Well, in a way. He tells him to shape up and count his blessings, and he will soon have a chance to see Juliet. He points out that it may all work out in the end.
"Lord Capulet's go to" can refer to a character from William Shakespeare's play "Romeo and Juliet." Lord Capulet is Juliet's father and plays a dominant role in the story, particularly in regards to his daughter's love life. His decisions and actions shape the outcome of the play.
a goldsmith hammers a hot piece of gold while making an ornament .how does the force due to hammering affect the shape of gold
The man in the grey robe wore a dolphin-shaped ornament around his neck in the novel 'Island of the Blue Dolphins'.
In the prologue of "Romeo and Juliet," the power of their love is what lends them their strength and influence. Despite being from feuding families, their love transcends the barriers set by society and holds the potential to unite their families. Their passion and commitment to each other shape the actions and outcomes that follow in the play.
not to swear at all ....actually first she askes him to swear by himself...then not to swear at all It's the other way around. "Do not swear at all; Or if thou wilt, swear by thy gracious self, Which is the god of my idolatry, And I'll believe thee."
26
What she says is that he shouldn't swear by the moon because the moon changes (waxes and wanes over a month) and she does not want Romeo's love to be that inconstant. What she really means is that Romeo should not swear at all. Part of the game of love, the flirting game of the time, the game which Romeo was playing with Rosaline, was that the male should profess his love, as Ophelia says in Hamlet "with almost all the holy vows of heaven." Her cynical father says, "Ay, springes to catch woodcocks". The lover makes these vows but they cannot be trusted; they are pure hooey, designed to trap the female and induce her to let down her equally put-on aloofness. Juliet knows this. "Yet if thou swear'st, thou may'st prove false; at lover's perjuries, they say Jove laughs." Her position is awkward. She has been caught unawares with her emotions in full view. She cannot now put on the pretence of aloofness which is the female part of the game. She is not playing a game now, and she wants Romeo to cut the BS and talk to her in the same way. At some point all lovers must stand before each other naked, with no clothes to hide who they are physically. They must also be emotionally naked. Juliet has reached that stage, and she is asking Romeo, if he loves her, to take off his emotional clothing, such as swearing by the moon, and appear before her as he is.