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what is estudiantina?
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What is the dance step of estudiantina?
tanga tangahan tau d2...
Folk dances of leyte and samar?
The local folkdance of samar estudiantina from samar lavezares from samar
Basic dance steps of estudiantina?
First of all you step your tight feet to the left and that's all
What are the basic dance steps in estudiantina dance?
step left jump twirl box step spin on spot :) Hope that helps :)
What is the history of la estudiantina folk dance?
is a Spanish-inspired dance of the Philippines. The country was under the rule of Spain for more than three hundred years, during which time local culture was markedly influenced. Young women who studied (at home with tutors for instance) used to be called estudiantina (male students were called estudiante), and this dance was originally performed by women carrying a book or a fan, items associated with female students. There are many regional versions of this dance. The one in the video below is from Samar. There is also another popular version from Quezon province.
What are the release dates for Rodia-Estudiantina - 1963?
Rodia-Estudiantina - 1963 was released on: USA: 1963
What actors and actresses appeared in Rodia-Estudiantina - 1963?
The cast of Rodia-Estudiantina - 1963 includes: Simon Rodia as himself
What is the dance step of estudiantina?
tanga tangahan tau d2...
Folk dances of leyte and samar?
The local folkdance of samar estudiantina from samar lavezares from samar
Basic dance steps of estudiantina?
First of all you step your tight feet to the left and that's all
What are the basic dance steps in estudiantina dance?
step left jump twirl box step spin on spot :) Hope that helps :)
What is the history of la estudiantina folk dance?
is a Spanish-inspired dance of the Philippines. The country was under the rule of Spain for more than three hundred years, during which time local culture was markedly influenced. Young women who studied (at home with tutors for instance) used to be called estudiantina (male students were called estudiante), and this dance was originally performed by women carrying a book or a fan, items associated with female students. There are many regional versions of this dance. The one in the video below is from Samar. There is also another popular version from Quezon province.
What has the author Pedro Calvo Asensio written?
Pedro Calvo Asensio has written: 'La escala de la fortuna' -- subject(s): Accessible book 'La escala de la fortuna' 'La estudiantina' 'Infantes improvisados'
Can anyone give you a complete list of the sources for the Gaite Parisienne score?
A review at classical.net states the booklet for the following CD contains the sources for each section: Jacques Offenbach (arr. Rosenthal) Gaîté Parisienne Emil Waldteufel: España; Les Patineurs; Estudiantina; Acclamations Monte Carlo Philharmonic Orchestra/Manuel Rosenthal & Willi Boskovsky EMI Classics 5 85066-2 It turns out that currently the source operettas are also included in the sample/separate-purchase track names at Amazon and Arkivmusic (which I won't give here because of copyright). The precise source within each operetta is not given, so from there you're on your own, and I don't know if the CD booklet provides that info. In the first track, sourced from "La Vie Parisienne", on my own I've id'ed one theme. It's from the second half of "La gantière et le bottier", sung by the soprano (the first half is a soprano/tenor duet). Offenbach's most famous music, the so-called can-can, is the "Galop d'Enfer", which ends "Orpheus in the Underworld". The dreamy "barcarolle" is "Belle nuit, ô nuit d'amour", a duet for soprano and mezzo-soprano from "The Tales of Hoffman".
What are the different kinds of palawan musical instruments and their definitions?
Music instruments, mechanisms that produce sounds, have been used for various purposes. In earlier times they were also used as an adjunct to dance or to labor. In later civilizations, instrumental music was used for entertainment. Present day musicological studies, following the Hornbostel-Sachs classification, divide instruments into the following categories: idiophones, aerophones, chordophones, and membranophones.IdiophonesInstruments that produce sound from the substance of the instrument itself (wood or metal) are classified as idiophones. They are further subdivided into those that are struck, scraped, plucked, shaken, or rubbed. In the Philippines there are metal and wooden (principally bamboo) idiophones.Metal idiophonse are of two categories: flat gongs and bossed gongs. Flat gongs made of bronze, brass, or iron, are found principally in the north among the Isneg, Tingguian, Kalinga, Bontok, Ibaloi, Kankanai, Gaddang, Ifugao, and Ilonggot. They are most commonly referred to as gangsa. The gongs vary in sized, the average are struck with wooden sticks, padded wooden sticks, or slapped with the palm of the hand. Gong playing among the Cordillera highlanders is an integral part of peace pact gatherings, marriages, prestige ceremonies, feasts, or rituals.In southern Philippines, gongs have a central profusion or knot, hence the term bossed gongs. They are three of types: (1) sets of graduated gongs laid in a row called the kulintang; (2) larger, deep-rimmed gongs with sides that are turned in calledagung, and (3) gongs with narrower rims and less prominent bosses calledgandingan. These gongs may be played alone but are often combined with other instruments to form various types of ensembles.Bamboo idiophones abound in the Philippines-xylophones, drums, quill-shaped tubes, stamping tubes, scrapers, buzzers, and clappers.The bamboo xylophone, gabbang, is found in southern Philippines among the Yakan, Sama, Tausug, and Palawan. It consists of bamboo keys of graduated lengths mounted on a trapezoidal box. The number of keys varies among the different tribes, ranging from 3 to 22. In northern Luzon, among the Kalinga, individual xylophone-like blades called patatag are struck with bamboo sticks.The bamboo slit drum, such as the Bukidnon bantulais fashioned out of a bamboo tube closed at both ends with anode with a slit cut out of the tube. Found among different groups of people, its main use is to announce important events.The struck quill-shaped bamboo tubes with notches etched on the tube, are found only in southern Philippines such as the Maranao tagutok and the Maguindanaokagul. The player scrapes the notches with a bamboo stick.Among the Cordillera highlanders, bamboo buzzers are widespread. They are made from a length of bamboo closed with a node at the bottom, with its top half shaped so that two tongues face each other. The top half is struck against the palm of the hand. They are known by different names such as balingbing, pew-pew,pakkung, bilbil, bungkaka by the various groups.The Ifugao have a bamboo clapper, hanger, fashioned from a tubular section of bamboo, split from one end to approximately half of the tube. Each half of the split portion is shaped to make it narrower in the middle, thus making it more flexible when the halves are made to flap against each other.Wooden idiophones include sticks, suspended logs, and log drums. The Hanunuokalutang consists of pair of sticks cut from forest trees. These are struck against each other and played while hiking through forest and mountain trails.The Ifugao pattung is a percussion yoke bar made from a tapered piece of wood and struck with a stick. It is used in a ceremonies for the sick, at rites which entail the offering of sacrificial pigs, or at death rituals.Suspended logs are widespread in southern Philippines where they are known by different tribes. The Maguindanao luntang consists of several logs of varying lengths hung in order from longest to shortest. The pointed playing ends of each log is struck by one performer creating a melody against which another performer beats drone rhythm on one of the logs.The Tagakaolo edel is a sounding board with resonator played during wedding celebrations together with a drum or gong to accompany dancers. The Bagobo and Bilaan have similar drums.Jews harps are bound all over the Philippines. They are principally made from bamboo although in Philippines some are made of metal. It is a type of mouth resonated instrument consisting of a flexible tongue fixed at one end to a surrounding frame. The player places the free end of the instrument with the hand, or in some other types by pulling a string attached to the blade. The instruments have different manes among the various tribes. In the south the most common term is kubing, in the northulibaw.AerophonesPhilippine bamboo aerophones include various types of flutes, pan-pipes, and reed pipes. The most widespread and numerous are the flutes which are mostly end-blown with the air stream directed into the open end of the tube.The lip valley notch flute, so called because of its mouthpiece which is obliquely cut and curved at a slant to follow the contour of the player's lips, is found in northernand southern Philippines. They are known by different names among the different linguistic groups, such as the paldong in the south and the palendag in the north. They are instruments of leisure, used for serenading, courting, or merely to pass the time away.The nose flute, another type of end-blown flute, is found mostly in northernPhilippines where the Kalinga call it tongali, the Bontok kaleleng, and the Ifugaoungiung. It is found sporadically in some areas of the south among the Hanunuo(lantuy), the Batak (lantoy), and the Bukidnon (bulaktob). The Cuyunin of Palawan have gigantic nose flutes with tubes much larger in diameter than those found in Luzon.Less common flutes are the ring type called sulingin southern Philippines; the whistle type called thumpong (Subanun); and the reed called saunay (Tausug).Stopped pipes found in northern Philippines are the saggeypo (Kalinga) and thesagay-op(Bontok). The bamboo pipe is closed on one end by a node with the open end held against the lower lip of the player as he blows directly across the top. The pipe can be played individually by one person or in ensembles of three or more.Rarely used today is the bamboo panpipes called diwas, diwdiwas, or dew-dew. These consist of a number of bamboo pipes (5-8)strung together.Most Philippine transverse flutes are adaptations or imitation of European versions evident in the borrowed names such as flauta (Ilonggo, Sebuano, Bicol); plawta(Manobo) and palawta (Hanunuo, Waray). The Cuyunin use a transverse flute calledtipanu which is also found among the Batak of Palawan.Other blown instruments are those made from shell or carabao horn. These are used for calling people or sending messages over wide distances. Shell trumpets include the budyong, lungga, taburi. Carabao horns are the tambuli (Tagalog) andkogao(Ifugao).ChordophonesThese are bamboo or wood stringed instruments that may be struck, plucked, or bowed. They included zithers, lutes, and bowed strings.Philippine zithers have resonating bodies that are made from bamboo tubes or half tubes with strings that run parallel to the length of the tube. Tube zithers are found in northern Luzon, Mindanao, and Palawan. They are of two types: polychordal zithers with several strings that run around the tube, and parallel stringed zithers which have two strings on one side of the tube.Polychordal tube zithers found in the Cordilleras, Mindanao and Palawan have strings that are etched out of the bamboo body, remaining attached at both ends. Small wooden frets are inserted beneath the string near the ends. The number of strings varies from 5 to 8 or 9 and occasionally even 11. Some names by which this zither is called are:kolitong, kollessing, kulibet, saluray, sigitan, takul, tangke, togo, and pagang.northern Luzon, Mindoro, Mindanao, and Palawan where they are known by such names as tambi, bamban, tabengbeng, kudling, tabobo,thambabok, takumbo, and patigunggung.Lutes are found only in the south, in Mindanao and Palawan. They are of the long neck variety, with two stings that run from the neck to the base of the resonating chamber. One sting plays a drone, the other a melody. Though all the lutes are fretted, the location and number of frets vary between groups. The frets of the Maranao and Maguindanao kudyapi are glued to the body of the resonating chamber, while the frets of the Bilaanfuglung, the Mansaka and Mandaya kudlong and the Palawan kusyapiare located on the neck of the instrument.One stringed bowed lutes (fiddles) of the long neck variety are found in Mindanao. They have a sounding box made from a coconut half shell covered with a leaf, or a piece of bark or animal skin. The string is make of abaca fibers, horse hair, and more recently, wire. In is called duwagey by the Manobo and Bilaan.The rondalla ensemble consists of plucked string instruments: thebandurria, the laud, the octavina, the six stringed gitara and the bajo de unas or Bass Guitar.In the parallel stringed tube zithers, two bamboo strands, about 5 cm. apart, are etched out to the tube to serve as strings. At mid-point of the tube, below the strings, a small sound hole is bored and covered by a small bamboo plate clipped to the strings. When played, the strings are struck by a bamboo stick or plucked. The instrument, with slight variations, is found inIn the later period of the Spanish regime, a favorite string ensemble calledcumparsa emerged. It was anadaptation of similar instrumental groups in Mexico (murza or murga) and Spain (estudiantina). During the early years of the American regime, the cumparsa was superceded by the rondalla.The bandurria is pear shaped, with a rounded back, a round sound hole and a fretted neck. It serves as the melody instrument of the ensemble. The octavinaandbandurria are tuned an octave below the laud. They furnish the inner harmonies and contrapuntal elaboration to the melody. The gitara's main function is to supply the arpeggiated or chordal underpinnings of the ensemble. The bajo de unas is tuned like the contra-bass.MembranophonesSingle and double headed drums are found throughout the Philippines. They are variously shaped--conical, cylindrical, goblet shaped, barrel shaped. Animal skins (snake, deer, or goat) is used as head/heads of the drum. They may be beaten with sticks or by the palm portion of bare hands. Drums are seldom used alone except to announce tidings over long distances. Usually they are played with other instruments, particularly gongs, to form different kinds of ensembles.The sulibao and kimbal of the Bontok and Ibaloi are longitudinal slightly barrel shaped hollowed out logs with deer skin heads on one end. The taller drum (ca. 80 cm) is called the kimbal; the shorter (ca. 75 cm) is called the sulibaw. The drum dead is small measuring about 6 cm. in diameter. They are played with palms of two hands. The drums are combined with gongs and other instruments to form different types of ensembles.The Ifugao libbit, ludag is a conical drum with a deer or goat skin head. It is played with a gong during harvest time under the rice granary.The dabakan is a large goblet shaped drum used by the Maranao and Maguindanao in their kulintang ensembles.The forgoing listing of Philippine Musical Instruments has been based primarily on holding of the archives at the U.P. Center for Ethnomusicology.
Palawan's musical instruments with their pictures and descriptions?
Music instruments, mechanisms that produce sounds, have been used for various purposes. In earlier times they were also used as an adjunct to dance or to labor. In later civilizations, instrumental music was used for entertainment. Present day musicological studies, following the Hornbostel-Sachs classification, divide instruments into the following categories: idiophones, aerophones, chordophones, and membranophones.IdiophonesInstruments that produce sound from the substance of the instrument itself (wood or metal) are classified as idiophones. They are further subdivided into those that are struck, scraped, plucked, shaken, or rubbed. In the Philippines there are metal and wooden (principally bamboo) idiophones.Metal idiophonse are of two categories: flat gongs and bossed gongs. Flat gongs made of bronze, brass, or iron, are found principally in the north among the Isneg, Tingguian, Kalinga, Bontok, Ibaloi, Kankanai, Gaddang, Ifugao, and Ilonggot. They are most commonly referred to as gangsa. The gongs vary in sized, the average are struck with wooden sticks, padded wooden sticks, or slapped with the palm of the hand. Gong playing among the Cordillera highlanders is an integral part of peace pact gatherings, marriages, prestige ceremonies, feasts, or rituals.In southern Philippines, gongs have a central profusion or knot, hence the term bossed gongs. They are three of types: (1) sets of graduated gongs laid in a row called the kulintang; (2) larger, deep-rimmed gongs with sides that are turned in calledagung, and (3) gongs with narrower rims and less prominent bosses calledgandingan. These gongs may be played alone but are often combined with other instruments to form various types of ensembles.Bamboo idiophones abound in the Philippines-xylophones, drums, quill-shaped tubes, stamping tubes, scrapers, buzzers, and clappers.The bamboo xylophone, gabbang, is found in southern Philippines among the Yakan, Sama, Tausug, and Palawan. It consists of bamboo keys of graduated lengths mounted on a trapezoidal box. The number of keys varies among the different tribes, ranging from 3 to 22. In northern Luzon, among the Kalinga, individual xylophone-like blades called patatag are struck with bamboo sticks.The bamboo slit drum, such as the Bukidnon bantula is fashioned out of a bamboo tube closed at both ends with anode with a slit cut out of the tube. Found among different groups of people, its main use is to announce important events.The struck quill-shaped bamboo tubes with notches etched on the tube, are found only in southern Philippines such as the Maranao tagutok and the Maguindanaokagul. The player scrapes the notches with a bamboo stick.Among the Cordillera highlanders, bamboo buzzers are widespread. They are made from a length of bamboo closed with a node at the bottom, with its top half shaped so that two tongues face each other. The top half is struck against the palm of the hand. They are known by different names such asbalingbing, pew-pew,pakkung, bilbil, bungkaka by the various groups.The Ifugao have a bamboo clapper, hanger, fashioned from a tubular section of bamboo, split from one end to approximately half of the tube. Each half of the split portion is shaped to make it narrower in the middle, thus making it more flexible when the halves are made to flap against each other.Wooden idiophones include sticks, suspended logs, and log drums. The Hanunuokalutangconsists of pair of sticks cut from forest trees. These are struck against each other and played while hiking through forest and mountain trails.The Ifugao pattung is a percussion yoke bar made from a tapered piece of wood and struck with a stick. It is used in a ceremonies for the sick, at rites which entail the offering of sacrificial pigs, or at death rituals.Suspended logs are widespread in southern Philippines where they are known by different tribes. The Maguindanao luntang consists of several logs of varying lengths hung in order from longest to shortest. The pointed playing ends of each log is struck by one performer creating a melody against which another performer beats drone rhythm on one of the logs.The Tagakaolo edel is a sounding board with resonator played during wedding celebrations together with a drum or gong to accompany dancers. The Bagobo and Bilaan have similar drums.Jews harps are bound all over the Philippines. They are principally made from bamboo although in Philippines some are made of metal. It is a type of mouth resonated instrument consisting of a flexible tongue fixed at one end to a surrounding frame. The player places the free end of the instrument with the hand, or in some other types by pulling a string attached to the blade. The instruments have different manes among the various tribes. In the south the most common term is kubing, in the northulibaw.AerophonesPhilippine bamboo aerophones include various types of flutes, pan-pipes, and reed pipes. The most widespread and numerous are the flutes which are mostly end-blown with the air stream directed into the open end of the tube.The lip valley notch flute, so called because of its mouthpiece which is obliquely cut and curved at a slant to follow the contour of the player's lips, is found in northernand southern Philippines. They are known by different names among the different linguistic groups, such as the paldong in the south and thepalendagin the north. They are instruments of leisure, used for serenading, courting, or merely to pass the time away.The nose flute, another type of end-blown flute, is found mostly in northernPhilippines where the Kalinga call it tongali, the Bontok kaleleng, and the Ifugaoungiung. It is found sporadically in some areas of the south among the Hanunuo(lantuy), the Batak (lantoy), and the Bukidnon (bulaktob). The Cuyunin of Palawan have gigantic nose flutes with tubes much larger in diameter than those found in Luzon.Less common flutes are the ring type called suling in southern Philippines; the whistle type calledthumpong(Subanun); and the reed called saunay (Tausug).Stopped pipes found in northern Philippines are the saggeypo (Kalinga) and thesagay-op(Bontok). The bamboo pipe is closed on one end by a node with the open end held against the lower lip of the player as he blows directly across the top. The pipe can be played individually by one person or in ensembles of three or more.Rarely used today is the bamboo panpipes called diwas, diwdiwas, or dew-dew. These consist of a number of bamboo pipes (5-8)strung together.Most Philippine transverse flutes are adaptations or imitation of European versions evident in the borrowed names such as flauta (Ilonggo, Sebuano, Bicol); plawta(Manobo) and palawta (Hanunuo, Waray). The Cuyunin use a transverse flute calledtipanuwhich is also found among the Batak of Palawan.Other blown instruments are those made from shell or carabao horn. These are used for calling people or sending messages over wide distances. Shell trumpets include the budyong, lungga, taburi. Carabao horns are the tambuli (Tagalog) andkogao(Ifugao).ChordophonesThese are bamboo or wood stringed instruments that may be struck, plucked, or bowed. They included zithers, lutes, and bowed strings.Philippine zithers have resonating bodies that are made from bamboo tubes or half tubes with strings that run parallel to the length of the tube. Tube zithers are found in northern Luzon, Mindanao, and Palawan. They are of two types: polychordal zithers with several strings that run around the tube, and parallel stringed zithers which have two strings on one side of the tube.Polychordal tube zithers found in the Cordilleras, Mindanao and Palawan have strings that are etched out of the bamboo body, remaining attached at both ends. Small wooden frets are inserted beneath the string near the ends. The number of strings varies from 5 to 8 or 9 and occasionally even 11. Some names by which this zither is called are:kolitong, kollessing, kulibet, saluray, sigitan, takul, tangke, togo, and pagang.northern Luzon, Mindoro, Mindanao, and Palawan where they are known by such names as tambi,bamban, tabengbeng, kudling, tabobo,thambabok, takumbo, and patigunggung.Lutes are found only in the south, in Mindanao and Palawan. They are of the long neck variety, with two stings that run from the neck to the base of the resonating chamber. One sting plays a drone, the other a melody. Though all the lutes are fretted, the location and number of frets vary between groups. The frets of the Maranao and Maguindanao kudyapi are glued to the body of the resonating chamber, while the frets of the Bilaanfuglung, the Mansaka and Mandaya kudlong and the Palawan kusyapiare located on the neck of the instrument.One stringed bowed lutes (fiddles) of the long neck variety are found in Mindanao. They have a sounding box made from a coconut half shell covered with a leaf, or a piece of bark or animal skin. The string is make of abaca fibers, horse hair, and more recently, wire. In is called duwagey by the Manobo and Bilaan.The rondalla ensemble consists of plucked string instruments: thebandurria, the laud, the octavina, the six stringed gitara and the bajo de unas or bass guitar.In the parallel stringed tube zithers, two bamboo strands, about 5 cm. apart, are etched out to the tube to serve as strings. At mid-point of the tube, below the strings, a small sound hole is bored and covered by a small bamboo plate clipped to the strings. When played, the strings are struck by a bamboo stick or plucked. The instrument, with slight variations, is found inIn the later period of the Spanish regime, a favorite string ensemble calledcumparsaemerged. It was anadaptation of similar instrumental groups in Mexico (murzaor murga) and Spain (estudiantina). During the early years of the American regime, the cumparsa was superceded by the rondalla.The bandurria is pear shaped, with a rounded back, a round sound hole and a fretted neck. It serves as the melody instrument of the ensemble. The octavina andbandurriaare tuned an octave below the laud. They furnish the inner harmonies and contrapuntal elaboration to the melody. The gitara's main function is to supply the arpeggiated or chordal underpinnings of the ensemble. The bajo de unas is tuned like the contra-bass.MembranophonesSingle and double headed drums are found throughout the Philippines. They are variously shaped--conical, cylindrical, goblet shaped, barrel shaped. Animal skins (snake, deer, or goat) is used as head/heads of the drum. They may be beaten with sticks or by the palm portion of bare hands. Drums are seldom used alone except to announce tidings over long distances. Usually they are played with other instruments, particularly gongs, to form different kinds of ensembles.The sulibao and kimbal of the Bontok and Ibaloi are longitudinal slightly barrel shaped hollowed out logs with deer skin heads on one end. The taller drum (ca. 80 cm) is called the kimbal; the shorter (ca. 75 cm) is called the sulibaw. The drum dead is small measuring about 6 cm. in diameter. They are played with palms of two hands. The drums are combined with gongs and other instruments to form different types of ensembles.The Ifugao libbit, ludag is a conical drum with a deer or goat skin head. It is played with a gong during harvest time under the rice granary.The dabakan is a large goblet shaped drum used by the Maranao and Maguindanao in their kulintang ensembles.The forgoing listing of Philippine musical instruments has been based primarily on holding of the archives at the U.P. Center for Ethnomusicology.Pictures can be found at Palawan's musical instruments (copy into address bar).
What are some traditional folk dances of the Philippines?
A. The following are some popular Philippine folk dances with ethnic origin:Binasuan - Binasuan literally means "with the use of drinking glasses". This dance originated in Pangasinan Province. It is a vibrant dance requiring balancing skills. Glasses filled with rice wine are placed on the head and on each hand and carefully maneuvered with graceful movements. This dance is commonly performed in weddings, fiestas and special occasions.Sublian - The term "sublian" comes from the term "subli", which is in turn coined from two Tagalog words: "subsub" (falling on head) and "Bali" (broken). Sublian dancers therefore appear to be lame and crooked throughout the dance. Sublian is a ritual dance of the natives of Bauan, Batangas. It is usually performed during fiestas as a ceremonial worship dance to the town's religious icon, the holy cross.Kuratsa - Kuratsa is usually performed during festivals in Bohol, Leyte, Samar, Iloilo and other Visayan towns. Kuratsa is a courtship dance that portrays a young couple's playful attempt to get each other's attention.Itik-itik - This dance started when a young woman named Kanang (short for Cayetana), who happened to be the best performer in the province of Surigao del Norte, began to imitate the movements of an "itik" or a duck.Tinikling - Tinikling is considered the Philippine national folkdance. It is performed by a pair of dancers hopping between two bamboo poles held just above the ground while the bamboo poles are being struck together in time to music. Originating from Leyte Province, this dance is in fact a mimic movement of "tikling birds" hopping over trees, grass stems or over bamboo traps set by farmers. Dancers perform this dance with remarkable grace and speed jumping between bamboo poles.Maglalatik - This dance was originally performed in Binan, Laguna as a mock-war dance to demonstrate a fight between the Moros and the Christians over the prized latik or coconut meat during the Spanish rule. The dance has four parts--the palipasan and the baligtaran showing the intense battle, the paseo and the escaramusa or reconciliation. Moro dancers wear read trousers while Christian dancers wear blue trousers. All dancers are males harnessed with coconut shells on their chests, back, thighs and hips.B. The following are Philippine folk dances with Spanish influence:Rigodon - This dance came from Spain and is commonly performed in formal affairs like inaugural balls.Pandanggo sa Ilaw - The word pandanggo comes from the Spanish dance "fandango" characterized with lively steps and clapping while following a varying ¾ beat. Pandanggo requires excellent balancing skill to maintain the stability of three tinggoy, or oil lamps, placed on head and at the back of each hand. This famous dance of grace and balance originated from Lubang Island, Mindoro.Maria Clara - Maria Clara is the main female character in Jose Rizal's Noli Me Tangere -a literary piece that features the colonial situation of the Filipinos during the Spanish regime. She was characterized as a Filipina woman of virtue and nobility. This dance is a mix of Spanish gracefulness and customized native props, such as bamboo castanets and Asian fan. Female dancers wear Maria Clara dress that typifies the European style, while men are in barong tagalog, a traditional Filipino embroidered long-sleeve shirt made of pineapple fiber.Cariñosa - Cariñosa is a word that describes an affectionate, friendly and lovable woman. This dance is performed in flirtatious manner with fans and handkerchiefs to assist the dancers' hide-and-seek movements.La Jota Manileña - It is a dance named after the capital city of the Philippines, Manila, where an adaptation of Castilian Jota afloats with the clacking of bamboo castanets played by the dancers themselves. The costume and the graceful movements of the performers noticeably inspired by Spanish Culture.Sakuting - Originated in Abra, this dance interprets a mock fight between Ilokano Christians and non- Christians with training sticks as props. It is traditionally performed during Christmas at the town plaza or from house-to-house as a caroling show. As a return, the dancers receive presents or money locally known as "aguinaldo".Pantomina - Meaning "Dance of the Doves", this dance is the highlight of Sorsogon's Kasanggayahan Festival every third week of October. Groups of participants, mainly elderly in colourful costumes, dance to the tune of Pantomina song. It is a courtship dance originated from immitating the courtship and lovemaking of doves that then showed during the dance where men attempt to please the women.C. Other Philippine Ethnic Dances:Banog - Cordillera In this dance, performers portray hunters shielding their chickens from the famishing hawk. The hawk ends up entrapped and dies in the hands of hunters.Salisid - Kalinga, Cordillera This is a courtship dance that symbolizes a rooster trying to attract the attention of a hen. This is performed and portrayed by both male and female dancers as the rooster and hen respectively. The dance starts when each of them are given a piece of cloth known as "ayob" or "allap".Palok - Kalinga, Cordillera - A tribal dance. The natives of Kalinga perform this dance in most of their social events. Male dancers hold gangsa or gong- a percussion instrument made of copper, and beat it with wooden stick.Lumagen - Kalinga, Cordillera A tribal dance. This is a traditional thanksgiving dance by the Kalinga tribe performed to celebrate good harvest and events such as birth of first-born child, victory in battles and weddings.Idudu- Abra, Cordillera A tribal dance. This dance stages a common family life in the Itneg or Tinguian society. It illustrates the family as the main foundation of the tribe's community. Several traits of an ordinary family are shown. It depicts a father plowing the field while the mother caring for the children. But as soon as the father finishes work, the mother takes over on planting, sowing and all the remaining chores to do in the field. At this time the father is left to take care of the kids. During the dance a Local singer breaks into an Idudu or lullaby to put the baby to sleep. Idudu, a dance taken from Idudu lullaby, obviously portrays the different roles in a Tinguian familyDinuyya - Cordillera Ifugao dance Famous in the Ifugao region, this dance is regularly staged during festivals in Lagawe. Three kinds of gong instruments such as, ordinary gongs, tobtob- a brass gong played by beating with open palms and, hibat, a kind of gong played by beating the inner surface with a softwood are used in this dance.Bendayan - Benguet This dance, which is more known as Bendian, is performed to commemorate the arrival of headhunters in their district. Performers dance in a circle and show off their lively traditional steps.Binaylan - Agusan This is a ritual dance, which originated from the Bagobo tribe living in the central uplands of Mindanao, imitating the movements of a hen, her banog or baby chicks, and a hawk. The hawk is sacred and is believed that it has the power over the well being of the tribe. The hawk tries to capture one of the baby chicks and is killed by the hunters.Malakas at maganda - Leyte A Tribal dance. This dance depicts the birth of the first man and woman who came out of a bamboo tree. It has been said that the woman named "maganda" (beautiful) and the first man "malakas" (strong) are the parents of the whole community in the island. The dance demonstrates how a bird discovered the noise coming from the inside of the bamboo and perched until it opened. A man and a woman came out of the big bamboo tree and, the birth of this legendary couple is amusingly interpreted in this dance.Burung-Talo - Sulu The dance is a unique fighting dance in a form of martial arts by the Tausug tribe. Performers demonstrate a battle between hawk and a cat. With their acrobatic movements and tough facial expressions, this dance is highlighted with the accompanying energetic beat of drums and gongs.Kadal-Blelah- South Cotabato A tribal dance where in the dancers perform simulation of movements of birds.Kadal Tahaw - Tiboli dance- south cotabato A tribal dance performed by Tiboli tribe, this dance that mimics the hopping and flying behavior of Tahaw bird is performed to celebrate good harvest.Sayaw sa Cuyo - Palawan Cuyo is a small island and capital of Palawan. There, the feast day of St. Augustin is traditionally celebrated with parades, processions and small performances by groups coming from all over Cuyo Island and the nearby islets. Island dances, blended with strong Old Cuyo ethnicity and Spanish-influenced steps, are all brought out when Cuyo celebrates its festivals. Today, pretty young girls daintily swirl hats to the waltz and other European steps designed to bring out the freshness and glow of the performers.Karatong - Palawan A Muslim dance. During the festival of San Agustine in the island of Cuyo, the celebration also includes the blossoming of mango trees. The parade starts from the church patio and ends at the town plaza with ladies waving their colorful props "Bunga mangga" that symbolize the flowers of mango tree, while men lively strike their karatong instruments; creating a scene of joy among reveling towns folk.Dugso - Bukidnon A thanksgiving dance from the talaindig tribe.Gayong-gayong - Capiz -A Muslim dance. In rural gatherings, this dance offers much fun. Gayong is a pet name for Leodegario. According to the legend and to the words of the song, Gayong and Masiong (pet name for Dalmacio) once attended a feast commemorating the death of a townsman. While eating, Masiong choked on a piece of Adobo so he called, "Gayong! Gayong!" to ask for help to dislodge a bone from the Adobo meal from his throat. In this dance, Masiong's liking for feasts and the consequence of his gluttony are held up to playful ridicule.Kapa Malong-Malong - Cotabato A Muslim dance. This Maranao dance is performed with women wearing malong and shawl, mantle or head piece, whereas men wear sash or waist band, shorts or bahag and head gear or turban traditionally worn in the fields.Pagapir - Lanao del Sur This dance is usually performed to commence an important affair. Dancers of this dance are usually from the royal court or high society group of Lanao Province. They use apir or fan to coordinate with their small steps called kini-kini, which symbolizes their good manners and prominent family background.Pangalay- Zamboanga Del Sur A Muslim dance. Originally performed by wealthy families during a wedding celebration, this fingernail dance is now a popular festival dance in Sulu.
