lieder
notes
Samuel Dolin has written: 'Little sombrero [for] violin and piano' -- subject(s): Violin and piano music 'A slightly square round dance [for] piano solo' -- subject(s): Juvenile, Piano music 'Sonata, for violin and piano' -- subject(s): Sonatas (Violin and piano) 'Ozymandias' -- subject(s): Songs (Medium voice) with piano
Timbre is the characteristic or quality of a musical sound or voice as distinct from its pitch and intensity.
Two songs for a bass or baritone voice are found in Silver's Ghost and Allegro. The names of the songs are A Brigadier Retired and A Fellow Needs a Girl.
A rest means the voice or instrument stops making sound for a certain length of time.
Dialogue Character Setting Plot Theme Voice Tone Mood Stage Direction
A musical setting of a poem for solo voice and piano is called a lied. Lieder (plural of lied) are a popular form of composition in which a poem is set to music for a singer and a pianist to perform together. This genre is commonly found in classical music, particularly in the Romantic era.
solo voice and piano
Charles Haubiel has written: 'Beyond the rivers' -- subject(s): Songs (High voice) with piano 'Portals, for low voice & piano' -- subject(s): Songs (Low voice) with piano 'Oasis' -- subject(s): Songs (Medium voice) with piano 'Portraits, for piano' -- subject(s): Arranged Piano music, Piano music, Arranged 'American rhapsody, a musical interpretation of the poem O, you 48 states' -- subject(s): Piano music 'Metamorphoses, variations on a melody by Stephen Foster, for piano' -- subject(s): Variations (Piano)
Donald Martino has written: 'Three songs (James Joyce) for bass voice and piano' -- subject(s): Musical settings, Songs (Low voice) with piano 'Fantasy-variations, for violin' -- subject(s): Variations (Violin) 'Piano fantasy' -- subject(s): Piano music
Edward Steuermann has written: 'Brecht-Lieder' -- subject(s): Musical settings, Songs (Low voice) with piano
Hugo Kauder has written: 'The fiddler of Dooney' -- subject(s): Musical settings, Songs (High voice) with violin 'Two songs [for] voice, horn in F and harp [by] H. Kauder' -- subject(s): Musical settings, Songs (Medium voice) with instrumental ensemble 'Sonata for English horn and piano [1946]' -- subject(s): Sonatas (English horn and piano) 'Trio for piano, flute and horn (1951)' -- subject(s): Trios (Piano, flute, horn) 'Celebration, for four horns' -- subject(s): Brass quartets (Horns (4)) 'Song from Deirdre [for] voice with flute and harp' -- subject(s): Musical settings, Songs (Medium voice) with instrumental ensemble 'Entwurf einer neuen Melodie- und Harmonielehre' -- subject(s): Harmony, Musical intervals and scales 'The bride's tragedy' -- subject(s): Choruses, Secular (Women's voices) with instrumental ensemble 'Trio for piano, oboe and horn (1946)' -- subject(s): Trios (Piano, horn, oboe)
There is no actual evidence of her playing any sort of musical instrument for she was known for making very good instrumental impressions using only vocal.
The musical term for a singing voice that vibrates is vibrato. It is produced by rapidly changing the pitch just slightly.
Ned Rorem has written: 'Lies' -- subject(s): Composers, Diaries 'Four dialogues, for two voices and two pianos' -- subject(s): Vocal duets with 2 pianos 'Last poems of Wallace Stevens, for voice, cello and piano' -- subject(s): Musical settings, Songs (High voice) with instrumental ensemble 'Critical affairs' -- subject(s): Music, History and criticism 'Sinfonia, in four movements, for fifteen wind instruments and optional percussion, 1956-1957' -- subject(s): Wind ensembles 'Three hymn anthems' -- subject(s): Choruses, Sacred (Mixed voices, 4 parts), Unaccompanied 'Sonata' -- subject(s): Sonatas (Violin and piano) 'Music from inside out' -- subject(s): Music appreciation 'Setting the tone' -- subject(s): Accessible book, Authors, Biography, Composers, Diaries, Music 'Spiders, for harpsichord' -- subject(s): Harpsichord music 'The New York diary' -- subject(s): Musicians, Correspondence, reminiscences 'KNOWING WHEN TO STOP' -- subject(s): Composers, Biography 'Bertha' -- subject(s): Operas, Vocal scores with piano 'Fables' -- subject(s): Ballets, Cantatas, Secular, Musical settings, Operas, Secular Cantatas, Vocal scores with piano 'A quiet afternoon, for piano' -- subject(s): Juvenile, Piano music 'The poets' requiem' -- subject(s): Choruses, Secular (Mixed voices) with orchestra, Vocal scores with piano 'The Paris diary and the New York diary, 1951-1961' -- subject(s): Diaries, Composers 'Mourning scene' -- subject(s): Sacred songs (High voice) with instrumental ensemble 'Settling the score' -- subject(s): History and criticism, Music 'King Midas' -- subject(s): Cantatas, Secular, Secular Cantatas, Vocal scores with piano 'Absalom' -- subject(s): Sacred songs (Medium voice) with piano 'Concerto no. 2, for piano and orchestra' -- subject(s): 2-piano scores, Concertos (Piano) 'Three sisters who are not sisters' -- subject(s): Operas, Vocal scores with piano, Musical settings 'Gloria, for two solo voices and piano' -- subject(s): Gloria in excelsis (Music), Sacred vocal duets with piano 'Design, for orchestra' -- subject(s): Orchestral music, Scores 'Symphony, no. 1, for large orchestra' -- subject(s): Symphonies, Scores 'Love in a life' -- subject(s): Musical settings, Songs (Medium voice) with piano 'NED ROREM' -- subject(s): Bibliography, Composers 'Six songs for high voice' -- subject(s): Musical settings, Songs (High voice) with piano 'Four poems of Tennyson, for voice and piano' -- subject(s): Musical settings, Songs (High voice) with piano 'Cradle song' -- subject(s): Sacred songs (High voice) with orchestra, Vocal scores with piano 'The serpent' -- subject(s): Musical settings, Songs (Medium voice) with piano 'Three poems of Demetrios Capetanakis, for voice and piano' -- subject(s): Songs (High voice) with piano 'Music from the inside out' -- subject(s): Analysis, appreciation, Music 'Missa brevis' -- subject(s): Masses, Unaccompanied, Unaccompanied Masses 'Eleven studies for eleven players (1959-1960)' -- subject(s): Instrumental ensembles 'Pure contraption' 'Night music, for piano and violin' -- subject(s): Violin and piano music 'Lions (A dream)' -- subject(s): Concerti grossi, Scores 'Final diary, 1961-1972' -- subject(s): Diaries, Composers '50 Songs' 'The Paris and New York diaries of Ned Rorem, 1951-1961' -- subject(s): Diaries, Composers 'The Paris and New York diaries of Ned Rorem'
the musical term for a high female voice is soprano
a piano and a voice coach hope that helped
Partita referred to a suite of music for a solo instrument in the 16th and 17th centuries, but later composers, like Beethoven and Bach, used it to refer to collections of musical pieces as a synonym for suite.