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Gen Doy has written: 'Claude Cahun' -- subject(s): Criticism and interpretation 'Women and Visual Culture in 19th Century France 1800-1852' 'Black visual culture' -- subject(s): Art, Black, Art, British, Black Art, Blacks in art, British Art, Multiculturalism in art, Postmodernism 'Seeing and consciousness' -- subject(s): Art, Modern, Communism and art, Feminist art criticism, Modern Art, Women in art
Western art criticism focuses on theory and philosophy.
Western criticism focuses on theory and the philosophy of art.
The Content of the work of art.
Art of persuasion in any medium
Denis Diderot
The father of modern art criticism is often considered to be Charles Baudelaire. A French poet and critic, Baudelaire's essays on contemporary art were groundbreaking for their subjective and emotional approach to critiquing art, which departed from more formal and academic styles of art criticism that came before.
A. Denis Diderot is often considered the father of modern art criticism. His writings in the 18th century, particularly his critiques of the Paris Salon, laid the groundwork for art criticism as a serious and reflective practice. Diderot's analytical approach and emphasis on the relationship between art and society were influential in shaping later art criticism.
Denis Diderot
answer to apex- the father of modern art criticism
He was the general editor of what became known as the encyclopedia. (apex answer- the father of modern art criticism)
In painting - Cézanne In architcture - Louis Sullivan
Diderot's "Salons" had a significant impact on art criticism by emphasizing subjective responses and the importance of the viewer's experience. He advocated for art that evoked emotion and challenged traditional hierarchies in art. Diderot's writings are considered foundational for the development of modern art criticism.
He was the general editor of what became known as the encyclopedia. (apex answer- the father of modern art criticism)
He was considered the father of all modern art.
It certainly is not Egon Schiele as YOU answered!
He was an important French art critic. His review of the 1747 salon became more noteworthy than paintings in the exhibition.