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The primary conflict is that between Raoul and the Phantom, as they vie for Christine's love; the interal conflict of Christine herself, having to choose of the two, is also somewhat present in the first act. Secondary conflicts are those for control of the Opera house between the Phantom and the managers Andre and Firmin, and for the top spot as female lead between Christine and Carlotta (although this is not so much of a conflict itself as another facet of the previous one).

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