Entertainment and explanation are the purposes of the choral ode.
Specifically, an ode is a poem characterized by complex stanzas and lyrical expression. A choral is sung by a chorus. The chorus in ancient Greek theater functions to entertain the audience and to explain onstage action and offstage events and references.
A reminder of obedience to the gods is the purpose of the choral ode following Creon's edict in "Antigone" by Sophocles (495 B.C.E. - 405 B.C.E.).Specifically, the ode criticizes Polyneices for attacking Thebes in defense of his legitimate royal claims. The chorus describes Polyneices as offending Zeus with supposedly proud boasts and deeds. The members observe that no disobedience or disrespect goes unpunished by the gods.
A reminder of obedience to the gods is the purpose of the choral ode following Creon's edict in "Antigone" by Sophocles (495 B.C.E. - 405 B.C.E.).Specifically, the ode criticizes Polyneices for attacking Thebes in defense of his legitimate royal claims. The chorus describes Polyneices as offending Zeus with supposedly proud boasts and deeds. The members observe that no disobedience or disrespect goes unpunished by the gods.
An observation on the inevitability of fate is the purpose of the choral ode that follows Antigone's final exit in "Antigone" by Sophocles (495 B.C.E. - 405 B.C.E.).Specifically, the chorus gives examples of three mortals who suffer. One example recounts persecution that is followed by triumph and vengeance. The other two examples relate to less fortunate meetings with Dionysos the wine god and with fate. The ode therefore summarizes that Antigone's suffering fits in with the fate of a god-cursed line.
That it offends the gods is what the third choral ode says about pride in "Oedipus Rex" by Sophocles (495 B.C.E. - 405 B.C.E.).Specifically, the choral ode identifies arrogance, insolence and pride as objectionable in humans. The chorus insists that the three serve to advance one person at the expense of others. The members maintain that all three precede a divinely orchestrated fall.
Antigone is written by Sophocles. It's about how great man is.Shakespeare didn't write Antigone. Sophocles did.
A reminder of obedience to the gods is the purpose of the choral ode following Creon's edict in "Antigone" by Sophocles (495 B.C.E. - 405 B.C.E.).Specifically, the ode criticizes Polyneices for attacking Thebes in defense of his legitimate royal claims. The chorus describes Polyneices as offending Zeus with supposedly proud boasts and deeds. The members observe that no disobedience or disrespect goes unpunished by the gods.
A reminder of obedience to the gods is the purpose of the choral ode following Creon's edict in "Antigone" by Sophocles (495 B.C.E. - 405 B.C.E.).Specifically, the ode criticizes Polyneices for attacking Thebes in defense of his legitimate royal claims. The chorus describes Polyneices as offending Zeus with supposedly proud boasts and deeds. The members observe that no disobedience or disrespect goes unpunished by the gods.
an epinikon
Technically, Beethoven did not compose "Ode to Joy". This is the choral part of Beethoven's ninth symphony. The lyrics were written by Joseph Schiller in 1785.
The chorus in the fourth choral ode of what text or context you're referring to is not specified. Can you please provide more information or clarifications so I can offer a concise response?
An observation on the inevitability of fate is the purpose of the choral ode that follows Antigone's final exit in "Antigone" by Sophocles (495 B.C.E. - 405 B.C.E.).Specifically, the chorus gives examples of three mortals who suffer. One example recounts persecution that is followed by triumph and vengeance. The other two examples relate to less fortunate meetings with Dionysos the wine god and with fate. The ode therefore summarizes that Antigone's suffering fits in with the fate of a god-cursed line.
an epinikon
That it offends the gods is what the third choral ode says about pride in "Oedipus Rex" by Sophocles (495 B.C.E. - 405 B.C.E.).Specifically, the choral ode identifies arrogance, insolence and pride as objectionable in humans. The chorus insists that the three serve to advance one person at the expense of others. The members maintain that all three precede a divinely orchestrated fall.
an epinikon
The name of the full symphony is "Choral." The "Ode to Joy" was a poem Beethoven used as text in the last movement.
A serious choral ode written to honor the victor of an athletic game is known as a "victory ode" or "epinician ode." These odes were typically composed by poets such as Pindar in ancient Greece to celebrate the achievements of athletes, particularly those who won at the Olympic Games or other significant competitions. They often conveyed themes of glory, honor, and the transient nature of fame.
This is usually known as Beethoven's Ode to Joy, 4th movement of his 9th, or "Choral" Symphony.